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  • £35.00 £35.00
    Buy from PHM Publishing

    Delius: Two Aquarelles arr. for brass band by Paul Hindmarsh

    Late in the Spring of 1917, Frederick Delius composed two short choruses (without words) for eight-part unaccompanied chorus. The first is an evocative song without words, while the second, a lilting dance, includes a part for solo tenor, scored here for euphonium. The title is taken from the version for strings byEric Fenby. Grade 4 Duration: 4 mins ?35 plus postage and packing, extra score ?5 PHM Catalogue No: PHM005

  • £55.00

    Newton Wood Suite - Dan Price

    Brass Band Concert Series - Grade 3 Extended concert work or own-choice test-piece (4th Section) by Dan Price Newton Wood Suite is a set of three musical sketches which take inspiration from geographical locations and historical periods in the life of English engineer Daniel Adamson. This work was originally written as a concert band item in 2013 to help celebrate the 125th Anniversary year of the Adamson Military Band. The work is in three movements; I - The Foundry, II - Dewsnap Lane, III - Work Begins on the Manchester Ship Canal, each of which paints an evocative musical scene. Each of the movements also works independently and is available separately. Two percussion parts with percussion I playable as a drum kit part. Duration: 00:09:30 (complete) Grade 3

    Estimated delivery 5-7 days
  • £29.99

    Danceries (Set II) (Brass Band/Score) - Kenneth Hesketh

    , arranged for brass band, was first commission by Keith Allen for the Birmingham Symphonic Winds. This second set of Danceries continues the format, established in the popular Danceries (Set I), of using tunes and dances from Playford s Dancing Master (17th century) to form the basis of an extended dancesuite. In this set, the melodies have become more abstracted and project only a distant echo of their original forms. As before, each movement is self-contained, colourful and direct, with its own distinct mood. The outer movements Jennie s Bawbee and Peascod s Galliarda share driving percussion with a military air. Tom Tinker s Toye and Heart s Ease (movements two and three) are both settings of original melodies. All movements are more extended than in the first set, with a freer use and approach to the material; melodies now occur in various keys and are supported by a greater variety of harmonic colouring. The result is a richer, even more exhilarating set of dances. Brass Band Grade 5.

    In stock: Estimated delivery 1-2 days
  • £39.00

    Kort samba og kort mambo - Svein Fjermestad

    This is two short pieces at grade level 1,5 written in samba- and mambo style as the titles indicates.The percussion parts are ad lib and are intended to be customized to the number of players and instruments available.

    Estimated delivery 12-14 days
  • £39.50

    Kort samba og kort mambo - Svein Fjermestad

    This is two short pieces at grade level 1,5 written in samba- and mambo style as the titles indicates.The percussion parts are ad lib and are intended to be customized to the number of players and instruments available.

    Estimated delivery 10-14 days

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  • £60.00 £60.00
    Buy from Superbrass

    Set To

    “Set To” is dedicated to London Brass and arranged for brass band by Christopher Houlding. It was commissioned by the Aldeburgh Foundation and received its first performance on August 24th 1993 at the Maltings, Snape. Originally divided into two movements, a pensive and richly harmonic Blues and an aptly named Bacchanale, sometimes slow but mostly fast and furious. “I remember playing the original brass ensemble version of “Set To” numerous times in the early nineties with London Brass and always wondered if the composer would consider writing something for Brass Band. As Director of The Guildhall Brass Band, a possible performance opportunity arose in 2010 and I successfully approached Mark and gained his permission to scale it up for brass band with added percussion parts. I conducted the premier of this new Brass Band version at the Guildhall School of Music & Drama in February 2011 with the composer present and he liked it. Although very contemporary compared to most brass music, I feel that Mark's easily accessible style makes this rhythmically quirky and harmonically 'bluesy' work a really interesting concert piece, suitable for any occasion” - Chris Houlding.Duration: 7:30 minutesPercussion: 3 players playing timpani, suspended cymbal, snare drum, hi-hat, triangle, claves, glockenspiel, vibraslap, xylophone, egg shaker, cowbell, temple blocks, wood blocks and lions roar.Grade 6: Very Difficult Championship Section Bands

  • £45.00 £45.00
    Buy from Superbrass

    Tientos y Danzas

    “Tientos y Danzas” is a suite in four movements and was written especially for Superbrass. It is not literally descriptive, but conjures up a breezy, festive atmosphere. The title “Tientos” stems from the fact that a lot of the brass writing is reminiscent of virtuosic Renaissance keyboard finger-work (a “Tiento” is the Spanish equivalent of a toccata). Only later did we discover that the word is also the name of a style of flamenco dancing, which links nicely with Danzas (dances). The first movement is an extended fanfare, with military rhythms on the tenor drums and dramatic cornet and horn calls. Next comes a witty waltz featuring the horn. The music builds in complexity; the main horn theme returns before a playful coda. The following Andante makes effective use of the mutes, both in the haunting opening “pyramid” chords, and in the elaborate, recurrent cornet duets; the two cornets have the last word. After a couple of false starts, the finale sets off at a cracking pace, with dislocated accents creating an irregular rhythmic pulse. There are opportunities for every instrument to shine (metaphorically) and the music gets even faster for a thrilling conclusion.Duration: 10:30 minutesPercussion: 3 Players playing tenor drum, side drum, tambourine, suspended cymbal, triangle, 2 tom-toms and castanetsGrade 5: Difficult Championship and 1st Section Bands

  • £70.00 £70.00
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    Bass Trombone Concerto

    Written in 2006 for Roger Argente, Gareth Wood brings his considerable experience of writing for brass, and brass bands in particular, to an instrument not often blessed with opportunities for solo exposure. It is scored for soloist accompanied by traditional brass band line-up, including timpani and two percussion, and follows the standard three-movement pattern. In the first movement, the soloist launches straight into the musical argument with a low-lying repeated quaver figure punctuated by the band. A lyrical second subject in the high register is also entrusted to the soloist, and the movement comes to a thrilling conclusion. The slow movement opens softly with the percussion, and a mournful bass line sets the mood for a thoughtful long melody. It reaches a powerful climax, which subsides to a return of the opening mood. In the march-like finale, the soloist is pitted against a number of solo instruments from the band and a driving ostinato carries the momentum through to the blazing ending.Duration: 13:00 minutesPercussion: 3 Players playing timpani, bongos, bass drum, side drum, suspended cymbal, tam-tam, claves, triangle, tambourine, xylophone and glockenspielGrade 4: Moderately Difficult 1st Section Bands

  • £35.00 £35.00
    Buy from Superbrass

    Leviathan

    “Leviathan” began its evolution as a workshop work inspired by the poem written by Heathcote Williams entitled; “Whale Nation”. At the time of this workshop the tentet brass repertoire existed of extremely well written original or arranged works of a lighter nature but there was a shortage of works with a greater emotional depth and edge, hence Leviathan’s early conception as an atmospheric and emotive work. The workshop piece explored whale sound and song and was a 25 minute work in two parts. After many years of the workshop sketches sitting dormant the new work Leviathan is a much shorter and concise work. It contains only one of the original melodic themes of the workshop work. Leviathan is driven and underpinned by melodic and rhythmic elements. It is a programmed work following the awe inspiring majestic might and beauty of whales through to a hunt scene, the chase, and the ultimate demise of earth’s largest mammal. Originally commissioned by Superbrass for brass ensemble, this arrangement is by Tom Barton.Duration: 6:30 minutesNo PercussionGrade 5: Difficult Championship and 1st Section Bands