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  • £4.99

    First Things First - Let's Progress (Grade 1 Course) Bb Edition

    Let's Progress (Grade 1 Course) extends the range to middle C and sets out to provide beginners with the basic essentials, preparing them to tackle some of the challenges they will meet in their first experience of playing in a band.Demonstration and accompaniment CD included

    Estimated delivery 5-10 working days
  • £45.00

    First Things First - Let's Progress (Grade 1 Course) Bb Edition (Pack of 10)

    Let's Progress (Grade 1 Course) extends the range to middle C and sets out to provide beginners with the basic essentials, preparing them to tackle some of the challenges they will meet in their first experience of playing in a band.Demonstration and accompaniment CD included

    Estimated delivery 5-10 working days
  • £4.99

    First Things First - Let's Progress (Grade 1 Course) Eb Edition

    Let's Progress (Grade 1 Course) extends the range to middle C and sets out to provide beginners with the basic essentials, preparing them to tackle some of the challenges they will meet in their first experience of playing in a band.Demonstration and accompaniment CD included

    Estimated delivery 5-10 working days
  • £45.00

    First Things First - Let's Progress (Grade 1 Course) Eb Edition (Pack of 10)

    Let's Progress (Grade 1 Course) extends the range to middle C and sets out to provide beginners with the basic essentials, preparing them to tackle some of the challenges they will meet in their first experience of playing in a band.Demonstration and accompaniment CD included

    Estimated delivery 5-10 working days
  • £25.00

    Pomp & Circumstance March No.1 - Edward Elgar - Phillip Littlemore

    Elgar's Pomp & Circumstance March No. 1 was completed in July 1901 although the 'big tune' actually dates from earlier in that same year. It was premiered in Liverpool by its dedicatees, the Liverpool Orchestral Society, on the 19th October. It was repeated in London a few days later by Henry Wood at the Promenade concerts and the result was sensational, the audience roared its applause, and refused to allow the concert to continue. In order to restore order, Wood conducted the march three times - the only time in the history of the Promenade concerts that an orchestral item was accorded a double encore in Wood's lifetime. Now a staple of the 'Last Night of the Proms', where it always manages a partial encore, and a fitting item for any such themed concerts. This new arrangement recreates the colour from the original orchestral version. This arrangement has been recorded by the Leyland Band, conducted by Thomas Wyss, and appears on the CD Crown Imperial . A soundclip is available here Item Code: TPBB-013 Duration: c.6''00" Grade: 2nd Section and above

    In stock: Estimated delivery 1-3 days
  • £49.20

    POMP AND CIRCUMSTANCE MARCH No.1 (Brass Band) - Wormald, Christopher

    Grade: Easy/Medium

    Estimated delivery 5-10 working days
  • £28.95

    RHAPSODY No.1 (Tenor Horn/Brass Band) - Golland, John

    Tenor Horn Solo & Brass Band. A separate Piano Accompaniment edition is also available. Solo UK Grade 8

    Estimated delivery 5-10 working days
  • £45.00

    TOSCA (Finale to Act 1) (Brass Band) - Puccini, Giacomo - Harper, Philip

    The spectacular Te Deum from the Finale to Act I of Tosca, it begins quietly with the tolling bell as worshippers gather for Mass. The euphonium plays the part of the villainous Scarpia as the music gathers strength. Finally the doors of the church are thrown open and the glorious Te Deum fills the hallowed space. Feature on the CD Cory in Concert Volume V. Grade: 1st Section. Duration: 5:00

    Estimated delivery 5-10 working days

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  • £40.00

    Finale from Symphony No.1

    Rachmaninov composed his First Symphony in 1895, at the age of just 22 years. It received its first performance on March 27, 1897, at a Russian Symphony Society concert in St. Petersburg with Alexander Glazunov conducting. The premiere was not well-received, and Rachmaninov himself blamed Glazunov for a lacklustre approach for beating time rather than finding the music. Some contemporary reports even suggested that Glazunov was inebriated when he took to the stage! Despite the disappointment of the premiere performance, Rachmaninov never destroyed the score but left it behind when he left Russia to settle in the West, eventually it was given up for lost. After the composer’s death, a two-piano transcription of the symphony surfaced in Moscow, followed by a set of orchestral parts at the conservatory in Saint Petersburg. In March 1945, the symphony was performed in Moscow for the first time since its 1897 premiere. It was a grand success, and this led to a new and more enthusiastic evaluation of the symphony. In March 1948 it received a similarly successful American premiere and the work proceeded to establish itself in the general repertory. The final movement (Allegro con fuoco) is colourful and grand but not without its darkly contrasting, menacing episodes that intensifies its?malevolence. It is a work overflowing with ideas demonstrating a strong, highly individual, and self-assured?young talent. Iten Code: TPBB-027 Duration: 5'40" Grade: 2nd Section and above

    In stock: Estimated delivery 1-3 days
  • £25.00

    30 Day Technical Challenge

    The 30 Day Technical Challenge This 30 day program is a step by step guide to improve your technique. Each practice session is laid out day by day, exercise by exercise for maximum technical improvement. During the next 30 days you will improve: Breathing Lip Flexibility Single Tonguing Finger Dexterity The Bootcamp will only require a small amount of extra time on top of your normal practice regiment. All you will need is a metronome and your instrument. It does not matter if you are grade 1 or grade 8+ this program will improve your technique. Practice Until Failure If you do not practice until you fail, you are not pushing your technique to its limit. Whether it be squeezing the last drop of air out of your lungs in a breathing exercise, or completing a tonguing exercise until your tongue is completely exhausted, the harder you push yourself the more progress you will see during the 30 days. Taking The Tests Take all 4 tests on day 1. Try to push yourself and reach the highest level possible. There over 20 levels that you can achieve on each test. Start each test from the beginning, playing each exercise at the stated tempo markings before moving on. Exercise 1 corresponds to levels 1 - 5, one level for each tempo written. Levels 6 - 10 are from Exercise 2, 11 - 15 Exercise 3 and 16 - 20 Exercise 4. If you reach level 20, continue changing the tempo on Exercise 4 until you reach failure. Add 1 level for every extra tempo marking completed. Make note of the level you achieve for each test, this will be needed for your comparison at the end of the 30 days. Once you have taken the tests simply follow the calendar and complete the set exercises each day. The weekend practice sessions ask you to repeat the exercises from earlier in the week. This gives you a second chance to push your technique further on each exercise. The Final Test Complete the 4 tests again on day 30 and compare your results. Good luck and enjoy the next 30 days!

    In stock: Estimated delivery 1-3 days