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  • £25.95

    Sea Spray (Trombone Solo with Brass Band - Score and Parts)

    Sea Spray is the third and final movement of Wiffin's Sonatina for trombone and piano and the only movement that has been set with band accompaniment. The music is harmonically ambiguous in places but always melodic and, while there are some technical challenges, will hopefully be fun to play. It should ideally be played at crotchet equals 140 but will work at slightly slower speeds down as far as 126.Duration: 3.30

    Estimated dispatch 7-14 working days

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  • £42.95

    Crimbledance (Brass Band - Score and Parts) - Wiffin, Rob

    Silent Night, Ding, Dong Merrily on High, The Virgin Mary Had a Baby Boy and I Saw Three Ships Come Sailing In receive the Riverdance treatment together with some snippets of other carols thrown in for good measure in this challenging but fun arrangement. It was first written for the Central Band of the RAF to play on their Christmas concert tour in 1998 and has been consistently performed ever since.Duration: 4.00

    Estimated dispatch 7-14 working days

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  • £44.95

    Trombone Concerto (Trombone Solo with Brass Band - Score only)

    My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout! It was composed in Spain in the summer of 2010. Once I started writing I realised that this concerto was inevitably going to draw on my own experiences as a trombone player. The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not in the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo. The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write something ineluctably 'cantabile' as we trombone players rarely get a chance to play the melody. There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson, that great exponent of the singing style in trombone-playing and my teacher at college died in the summer of 2010 so it seemed appropriate to dedicate this movement to him. The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist. While wanting to test the instrument I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.- Rob Wiffin

    Estimated dispatch 7-14 working days

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  • £87.95

    Trombone Concerto (Trombone Solo with Brass Band - Score and Parts)

    My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout! It was composed in Spain in the summer of 2010. Once I started writing I realised that this concerto was inevitably going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not in the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write something ineluctably 'cantabile' as we trombone players rarely get a chance to play the melody. There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson, that great exponent of the singing style in trombone-playing and my teacher at college died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.- Rob Wiffin

    Estimated dispatch 7-14 working days

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  • £34.95

    Glory, Hallelujah (Brass Band - Score and Parts) - Larsson, Kevin

    This bright and fun setting of the classic Salvation Army song 'Glory, Hallelujah!', which first appeared in 1899, stylistically embraces music associated with Hollywood. Behind all the 'razzmatazz', the direct message is always clear: 'The devil and me we don't agree, Glory, Hallelujah! I hate him and he hates me Glory, Hallelujah!'

    Estimated dispatch 7-14 working days
  • £17.50

    Glory, Hallelujah (Brass Band - Score only) - Larsson, Kevin

    This bright and fun setting of the classic Salvation Army song 'Glory, Hallelujah!', which first appeared in 1899, stylistically embraces music associated with Hollywood. Behind all the 'razzmatazz', the direct message is always clear: 'The devil and me we don't agree, Glory, Hallelujah! I hate him and he hates me Glory, Hallelujah!'

    Estimated dispatch 7-14 working days
  • £29.95

    Shine (Brass Band - Score and Parts) - Gott, Barrie

    This is another work in a series of swing pieces which began in 1986 with Light-walk (F.S. 462). Shine was written to commemorate 30 years since Light-walk's conception at Star Lake Music Camp. As such, there are brief references to it within the piece. A good understanding of swing style is essential and the articulations should be observed as much as possible. The martellatos should be short and accented. This music should be played with a sense of fun and audience participation is encouraged.

    Estimated dispatch 7-14 working days
  • £14.95

    Shine (Brass Band - Score only) - Gott, Barrie

    This is another work in a series of swing pieces which began in 1986 with Light-walk (F.S. 462). Shine was written to commemorate 30 years since Light-walk's conception at Star Lake Music Camp. As such, there are brief references to it within the piece. A good understanding of swing style is essential and the articulations should be observed as much as possible. The martellatos should be short and accented. This music should be played with a sense of fun and audience participation is encouraged.

    Estimated dispatch 7-14 working days
  • £49.99

    Under the Sea (Brass Band - Score and Parts) - Ashman & Menken - Jeanbourquin & Nowak

    Taken from the original 1989 Disney production 'The Little Mermaid', Under The Sea will get a smile on anyone's face! It's fun to play and not too difficult, perfect for young bands! Duration: 2.15

    Estimated dispatch 7-14 working days

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  • £38.00

    Blewz (Brass Band - Score and Parts) - Anderson, Keiron

    There are many harmonic forms of the blues from a standard chord sequence to a more complex set with a circle of fifths. This bright, entertaining work is fun to play and easy to programme with a hint of jazz and a swing feel, complete with a little interplay section for bass trombone and tuba, which adds to the entertainment value of this piece. Duration: 3.30. Suitable for 1st Section Bands and above

    Estimated dispatch 7-14 working days