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£22.50Edward Gregson: Concertante for Piano and Brass Band
DescriptionProgramme NoteThe Concertante for Piano and Brass Band was written in 1966, when the composer was an undergraduate student at the Royal Academy of Music in London. It received its first public concert performance in 1967 at the Royal Festival Hall, London, when the composer was the soloist with the International Band of the Salvation Army, conducted by Bernard Adams. It was one of the first major works to be written for this particular combination.The Concertante is unashamedly romantic in idiom and is in three movements: Prelude, Nocturne and Rondo. The Prelude is cast in sonata form and opens with a short cadenza-like flourish from the soloist, followed by two main ideas - the first sweepingly dramatic, the second highly lyrical. The interplay between these two themes forms the main focus of the movement, and after a return to the opening theme, an exuberant codetta brings the music to a close, albeit a quiet one. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-1st-movt-clip.mp3The tender Nocturne opens with an introduction from the band that contains precursors of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'bluesy' character with its flattened third and seventh notes of the scale, and is a love song dedicated to the composer's wife-to-be. The band enters with phrases of a chorale already hinted at in the introduction - Ray Steadman-Allen's hymn tune 'Esher' - but never quite presented in its complete state. Both ideas are developed alongside each other, with eventually the first theme returning, this time with piano and band together, and building to a majestic climax, before subsiding to a peaceful coda - a return to the very opening of the movement. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-2-clip.mp3The final Rondo is full of energetic rhythms and changing time patterns. The main theme is playful in character, with much interplay between soloist and band, whilst the middle section presents a new theme, and one that has more than a hint of the hymn tune 'Onward Christian Soldiers', in what amounts to a good humoured parody. The opening Rondo theme returns, this time leading to a powerful and dissonant climax from the band. This is followed by an extended piano cadenza, underlying the virtuoso aspect of the work, and leading to an energetic and life-affirming coda, which brings the work to a triumphant conclusion. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-3-clip.mp3Duration: 18 minutesInstrumentation:Please note that there is no 1st/Repiano Cornet part in this work. The 1st/Repiano Cornet player should join the Solo Cornet bench. As such an extra Solo Cornet part is provided in the set of parts.Version for two pianosA version of the Concertante for two pianos is available for rehearsal purposes. Piano 1 is the solo part and Piano 2 the band reduction. However, for those pianists not needing to rehearse the work in this way, a solo piano part is also provided with the main set of band parts.To view a preview of the solo part for the first movement click here.The youthful Gregson (his work was written as a third year undergraduate) was seemingly a bit of a musical magpie - but one heck of a skilful one at that.These were shiny baubles of poise, panache and pastiche, with affectionate, remarkably mature nods of appreciation towards Gershwin, Rachmaninov, Ireland and even Elmer as well as Leonard Bernstein.The rich colour palette and flowing lines (with the tenderest of central Nocturnes) were a joy - as were the little buds of motifs that dotted the score like seeds ready to be planted on a future fertile brass band compositional field. - Iwan Fox, 4Barsrest.com, June 2019For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com
Estimated dispatch 7-14 working days
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£24.95
LOVE DIVINE (Brass Band Set) - Brian Bowen
Sir John Stainer's fine tune is often associated with Charles Wesley's hymn, 'Love divine, all loves excelling'. The introduction is designed to evoke a feeling of awe, and a broad, confident style will set the pattern for the whole arrangement. Contrast in colour has been sought in the scoring but special effects must not be allowed to obscure the melody. The arrangement ends in an atmosphere suggested by the final line of the hymn, 'Lost in wonder, love and praise'.
Estimated dispatch 7-14 working days
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£100.00
Journey of the Lone Wolf (score & parts) - Simon Dobson
Journey of the Lone Wolf tells the story of the hungarian composer Bla Bartk. It was commissioned by Dr. Nicholas Childs for Black Dyke Band, who gave the first performance on Sunday 26 January 2014 at the Bridgewater Hall, Manchester as part of the Royal Northern College of Music Festival of Brass.The composer's programme notes for each movement: 1. Capturing the Peasants' SongAfter the upheaval of moving to Budapest the young Bla Bartk meets Zoltn Kodly and the pair embark on summertime adventures throughout the Hungarian countryside to collect and catalogue the astonishing variety (both harmonically and rhythmically) of gypsy and folk music heard in the Balkans. The arrival of WW1 plunges Bartk's beloved Hungary into chaos.2. Night MusicBartk was at times a cold man, aloof and lonely. The odd moments of tenderness he showed are portrayed here in a series of evocative solos. His brief but intense affairs speak of a love he could only long for. Jazz is my night music and here there are hints of what Bartk may have heard in the USA later in his life.3. Flight and FightHaving been forced by the world's evils to leave his homeland of Hungary for America, Bartk, the anti-fascist, felt isolated and angry. In this movement we hear his longing for a simpler time of gypsy folk dances as well as his maturity and depth as a composer finally exploring deeper colours and darker themes. Duration: 15 minutes.Level: Championship
In Stock: Estimated dispatch 1-3 working days
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£40.00
Love Divine (Score & Parts) - Howard Goodall
One of Howard Goodall's most popular choral settings, Love Divine has been skilfully arranged for brass band by Andrew Wainwright, with the approval of the composer. This version is based on the setting with piano and strings and can be performed as a self-standing concert work or as an accompaniment for performance by a large choir.Brass Band Grade 4: Advanced Youth and 3rd SectionDuration: 8 minutes
In Stock: Estimated dispatch 1-3 working days
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£80.00
Fanfares And Love Songs - Gavin Higgins
Fanfares and Love Songs was commissioned by the National Children's Brass Band of Great Britain for performance on 25th July 2009. Its three movements contrast the extrovert and lyrical qualities of the traditional brass band. The fanfare with which the work opens involves the whole cornet section. The second movement is reflective in mood, beginning somewhat pensively on muted brass, and building to an emotional climax before subsiding back to a distant pianissimo chord. The finale is a fast dance, which with a final recapitulation of the opening fanfare drives on to a breathless close.Brass Band Grade 4: Advanced Youth and 3rd SectionDuration: 12 minutes
In Stock: Estimated dispatch 1-3 working days
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£44.99L-O-V-E - Christopher Bond
L-O-V-E was written by Milt Gabler and Bert Kaempfert for the final album of the same name by the American singer and pianist Nat King Cole. This album, released in 1965, is largely regarded as a classic. Over the years, many cover versions have been made, including one by Michael Buble. In 2007, the English soul singer and songwriter Joss Stone recorded the song for the promotion campaign around the Coco Mademoiselle perfume by Chanel. This arrangement for brass band will fit into any concert setting with ease.
Estimated dispatch 10-14 working days
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£40.00
Dial M for Midnight - Matthew Hall
Dial M for Midnight is a jazz-based solo for aspiring and accomplished cornet players alike. Technically not particularly demanding yet quite complicated rhythmically, Dial M allows players young and old to stand up and show off their skills in a work which has it's roots in Latin America but travels through the late night smoke-filled jazz clubs along the way. Commissioned by Jim Hayes for his debut CD recording, Dial M is the title track. Nicknamed Jimmy Midnight, Jim Hayes has established himself as one of the leading cornet players in the world playing within the Scottish Co-Op Band. Dial M is a take on Jim's persona and his love of jazz, the culmination of which ends up as a witty pastiche signature track of all things James Bond to Perry Mason.
Estimated dispatch 5-7 working days
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£24.95Be My Love - Nicholas Brodszky & Sammy Cahn - Ray Farr
Be My Love was written for the film The Toast of New Orleans in 1950 and was nominated for an Academy Award in the same year. The story revolves around a rough-and-tumble fisherman from the Louisiana Bayous, who is gifted...
Estimated dispatch 5-7 working days
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£45.00Mirror, Mirror, I'm The Star - Christopher Bond
Originally part of The GUS Band's 2025 Brass in Concert performance, this tango-inspired solo for soprano cornet is sure to bring attention to any player. In the premiere performance, the solo saw soprano cornetist, Jack Wilson, portraying the role of Gaston in the tale as old as time, Beauty and the Beast, with plenty of confidence and a certain love for... himself. With its cadenza opening and plenty of scope for comedic effect, this is a work which is uniquely striking and showcases the full capability of the soprano cornet's range.
Estimated dispatch 10-14 working days
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£55.00The Millionaire Waltz
ABOUT THIS PIECE: Bring the theatrical brilliance of Queen to your brass band with this dazzling arrangement of The Millionaire Waltz. Written by Freddie Mercury and featured on the band's 1976 album A Day at the Races, this whimsical and dynamic piece showcases Mercury's love for classical and operatic influences, blending waltz rhythms with rock elements in a truly unique style. Renowned for its intricate structure and playful shifts in mood and tempo, The Millionaire Waltz is a standout example of Queen's innovative approach to songwriting. This arrangement captures the piece's exuberance and charm, offering a delightful addition to your brass band's repertoire. "The Millionaire Waltz is quite outlandish, really. It's the kind of track I like to put on every album. Something way outside Queen's format." Freddie Mercury; Circus magazine, 31 January 1977 ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 3 - 4 LISTEN: DURATION: 5-minutes EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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