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  • £64.95

    BRASS TRIUMPHANT (Brass Band Set - Score and Parts) - Wood, Gareth

    2013 National Champsionship Area Qualifying Contest - 1st Section

    Estimated dispatch 7-14 working days
  • £59.95

    DEVON FANTASY (Brass Band Set - Score and Parts) - Ball, Eric

    2013 National Champsionship Area Qualifying Contest - 4th Section.

    Estimated dispatch 7-14 working days
  • £87.95

    Harmony Music (Brass Band - Score and Parts) - Sparke, Philip

    2013 National Championships Area Qualifying Contest - Championship Section.Duration 14:30Recorded on Polyphonic QPRL089D Harmony Music

    Estimated dispatch 7-14 working days
  • £44.95

    Harmony Music (Brass Band - Score only) - Sparke, Philip

    2013 National Championships Area Qualifying Contest - Championship SectionDuration 14:30Recorded on Polyphonic QPRL089D Harmony Music

    Estimated dispatch 7-14 working days
  • £28.70

    HOLLYWOOD! (Brass Band - Score only)

    2013 National Championships Area Qualifying Contest - 3rd Section

    Estimated dispatch 7-14 working days

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  • £71.20

    HOLLYWOOD! (Brass Band Set)

    2013 National Championships Area Qualifying Contest - 3rd Section

    Estimated dispatch 7-14 working days

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  • £44.95

    LABOUR AND LOVE (Brass Band Set - Score and Parts) - Fletcher, Percy

    Score and Parts. 2013 NABBA 2nd Section. 2010 National Championships Area Qualitying Contest - 2nd Section.

    Estimated dispatch 7-14 working days
  • £59.95

    PLANTAGENETS, The (Brass Band Set - Score and Parts) - Gregson, Edward

    2013 National Champsionship Area Qualifying Contest - 2nd Section. The Plantagenets was composed for the Championship Section of the Regional contests of the National Brass Band Championships of Great Britain 1973. The work is not intended to be programme music but rather it tries to portray the mood and feelings of an age, that of the House of Plantagenet, which lasted from the middle of the 12th century to the end of the 14th century. To many, it conjures up an Age of Chivalry and this is represented by fanfare motifs which occur throughout the work in varied form. The opening thematic figure, rising through the band in thirds and followed by the fanfares, is important as nearly all the subsequent material is based upon it. There follows two themes, the second of which is lyrical and introduced by horns. In the long, slow middle section, a new theme is introduced by a solo horn (recurring on cornet and euphonium in canon) and is developed at some length. A lively fugato scherzino, however, leads to a recapitulation of the opening section music and the work ends with a maestoso statement of the slow movement theme. A final reference to the fanfares ends the work.

    Estimated dispatch 7-14 working days
  • £50.00

    atrium phase

    Descriptionatrium phase was inspired by listening to works performed at the 2013 Huddersfield Contemporary Music Festival in the atrium of the Huddersfield University Creative Arts Building. The atrium, despite being a functional area incorporating meeting areas and a cafe, has almost coincidentally evolved into a fantastic (if somewhat resonant) performance space. Performers can be positioned on three different sides and three different levels, making the atrium ideally suited to spatially separated performances of a variety of music from Gabrieli to Christian Wolff.In atrium phase the band is separated into four groups - ideally these should be positioned around the audience as follows: group A to the left of the audience, group B in front of the audience, group C to the right of the audience and group D (the four basses) behind the audience. The music "phases" between the groups in the manner of contemporary electroacoustic music, with the bass group acting as a kind of "subwoofer". Starting very slowly, the music accelerates using metrical modulations to finish at considerable speed.The music is intended to be performed without a conductor wherever possible - the three percussionists should set and control the tempo, and there are clear points of overlap for percussionists to allow synchronisation between groups.atrium phase won the inaugural Foden's Band Composition Competition in 2014 and the first performance was given on 24 January 2015 at the RNCM Festival of Brass by Foden's Band.NOTE: This work comes with a B4 score; click here to view a sample PDF score.Performance Notes:The band is separated into four groups - ideally these should be positioned around the audience as follows: group A to the left of the audience, group B in front of the audience, group C to the right of the audience and group D (the four basses) behind the audience. The music "phases" between the groups in the manner of contemporary electroacoustic music, with the bass group acting as a kind of "subwoofer". Starting very slowly, the music accelerates using metrical modulations to finish at considerable speed.Instruments in group A require cup mutes (soprano, 2 x cornets, horn, baritone, trombone, euph), group B harmon mutes (4 x cornets, baritone and trombone - the baritone should use a trombone mute) and group C require fibre straight mutes (3 x cornets, flugel, 2 x horns, euph., bass trom - NOT metal mutes if possible).Percussion instruments required are claves, wood block and 2 x temple blocks. The music is intended to be performed without a conductor wherever possible - the three percussionists should set and control the tempo, and there are clear points of overlap for percussionists to allow synchronisation between groups.Approximate duration 6'17"

    Estimated dispatch 7-14 working days

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