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£42.00

Silent Night. Franz Gruber arranged for brass band by Andrew Duncan

Silent Night is an Austrian Christmas Carol written by Franz Gruber, (1787-1863). Franz Gruber was an primary school teacher, organist and composer who lived in the village of Arndorf in Austria. Silent Night (Stille Nacht) has become one of the best loved Christmas Carols ever written. This arrangement for brass band imagines Christmas morning in a small Austrian village, such as Arndorf, with the sound of the local church bells ringing out along with the sound of a choir singing Silent Night accompanied by the local band.. The arrangement features the tubular bells playing a simple descending scale, which is also played by muted cornets (2nd and 3rd cornets). After 2 verses of the hymn the coda features a short trombone trio with a jazzy feel which leads into a final scale from the tubular bells and cornets bringing the piece to a peaceful close. To hear a sound file of Silent Night scroll down.
£8.50

ELEGY for Brass Band (score) - Chapman, Dave

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£27.50

ELEGY for Brass Band (score & parts) - Chapman, Dave

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FUN IN THE BASEMENT for Brass Band (score) - Gibson, Donald

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A CHRISTMAS DANCE for Brass Band (score) - Hamilton, Eoin (1940-2006)

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£27.50

FUN IN THE BASEMENT for Brass Band (score & parts) - Gibson, Donald

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A CHRISTMAS DANCE for Brass Band (score & parts) - Hamilton, Eoin (1940-2006)

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£11.50

THE MARRIAGE CONTRACT for Brass Band (score) - Rossini, Gioachino (1792-1868)

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£37.50

THE MARRIAGE CONTRACT for Brass Band (score & parts) - Rossini, Gioachino (1792-1868)

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£32.95

Variations for Brass Band (Score Only)

The great British brass band tradition has been fostered since 1860 by an annual competition for bands. Held in the Crystal Palace until that edifice burned in the 1930s, it is a major event at the Royal Albert Hall in London. Each year there is a new test piece, required of all bands and in 1957, Ralph Vaughan Williams (by then a revered, grandfatherly figure in British music) was finally persuaded to write a composition for that purpose.The 12-minute composition comprises a theme and 11 variations. The brief variations are in a variety of moods and styles, including a waltz, a polonaise, a chorale, a canon, an arabesque, and a fugue. It tests ensemble coordination, command of and flexibility concerning styles, and richness of sound.
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