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  • £33.95

    Softly, As I Leave You - Alfred de Vita arr. Alan Catherall

    Made popular by many singers over the years, this lovely song was first arranged for the Childs brothers as a solo, and later a duet, by Alan Catherall. It was first performed in the duet version at the Royal Albert Hall, London, in October 1985, conducted by their late father, John Childs. Also available with piano Brass Band Set comprises: Detailed condensed conductor score Solo B-flat Euphonium B-flat Euphonium Duet (2) E-flat Soprano Cornet Solo B-flat Cornet (4) 2nd B-flat Cornet (2) 3rd B-flat Cornet (2) B-flat Flugelhorn* Solo E-flat Horn* 1st E-flat Horn* 2nd E-flat Horn 1st B-flat Baritone 2nd B-flat Baritone 1st B-flat Trombone 2nd B-flat Trombone Bass Trombone B-flat Euphonium (2) E-flat Bass (2) B-flat Bass (2) 1st Percussion 2nd Percussion 3rd Percussion (Drum Kit) * Alternative parts for use as solo or duet provided. There is no Repiano Cornet part.

    Estimated delivery 5-7 days
  • £159.95

    Tunes and Toasts for all Times (Brass Band Value Set) - Barsotti, Roger

    Brass Band set includes:Eb Soprano Cornet x1Solo Bb Cornet x4Repiano Bb Cornet x12nd Bb Cornet x23rd Bb cornet x2Bb Flugel Horn x1Solo Eb Horn x11st Eb Horn x12nd Eb Horn x11st Bb Baritone x12nd Bb Baritone x11st Bb Trombone (TC) x12nd Bb Trombone (TC) x1Bass Trombone x1Bb Euphonium (TC) x2Eb Bass x2Bb Bass x2The Piano Conductor Score and Drums are available separately.Titles:ENGLISH AIRSA fine old English GentlemanA-hunting we will goBritish GrenadiersCherry ripeClementineCome, lassies and ladsDrink to me onlyDulce DomumDrunken sailor (The)For he's a jolly good fellowFarmer's boy (The)Floral DanceFrothblowers' AnthemGirl I left behind me (The)Here's a health to all good ladiesHere's a health unto her MajestyHere's to the maidenJohn PeelKeel row (The)Love's old sweet songMarch of the Fire BrigadesMistletoe bough (The)On Ilkla MoorPrincess Royal's Red Cross marchRoast beef of old EnglandSir Roger de CoverleySee the conquering hero comesSoldiers of the QueenThere is a tavern in the townNAUTICALHeart of oakHornpipeLife on the ocean waveShenandoahRed, white and blue (The)Rule, BritanniaSCOTTISH AIRSAnnie LaurieAuld lang syneBonnie banks of LochBonnie DundeeBlue-bells of ScotlandCampbells are coming (The)Charlie is my darlingFlowers of the forestHundred pipers (The)Highland LaddieRobin AdairScotch ReelScots wha haeWill ye no come back againYe banks and braesIRISH AIRSCome back to ErinDanny boy (Londonderry air)Harp that once through Tara's hallIrish Washerwoman (The)KillarneyMinstrel boy (The)Oft in the stilly nightOff to PhiladelphiaSt. Patrick's DayWELSH AIRSAll through the nightAsh grove (The)Bells of AberdoveyDavid of the white rockLand of my fathersMen of HarlechAMERICAN AIRSCarry me back to old VirginnyDixieGood-night (shine, shine, moon)John Brown's bodyMarching thro' GeorgiaOld folks at home (The)Star Spangled BannerTramp, tramp, tramp, the boys are marchingWhen Johnny comes marching homeYankee doodleCANADA AlouetteMaple leaf (The)O CanadaAUSTRALIAWaltzing MatildaSACRED AIRS & CAROLS Abide with meEternal Father strong to saveO God our help in ages pastFirst Nowell (The)Good King WenceslasO come all ya faithfulWhile shepherds watchedJerusalemSupreme sacrifice (The)Dead march in SaulPARADES (All organisations)General saluteSlow march or troop "Scipio"Troop "May-blossom"FANFARES, etcDeclamatory No. 1Occasoinal Fanfare No. 2"Reveille""Retrear""Last Post"Galop from "Orpheus in the Underworld"God save the Queen (in B flat)God save the Queen (in F)

    Estimated delivery 12-14 days
  • £64.95

    Benvenuto Cellini - Score and Parts - Hector Berlioz

    One of Berlioz's ill-fated operas, Benvenuto Cellini was first produced at the Paris Opera in September 1838. It was withdrawn as a failure after only four performances. Neither did the solitary performace given at Covent Graden some fiftenn years later, in the presence of Queen Victoria and Price Albert, meet with any greater success. But when in 1888 it was produced at Dresden it was acclaimed by the Germans as a triumph. The Carl Rosa Opera did much to revive interest in the work.Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story laid in Rome during the mid-sixteenth century is not strictly historical.Berlioz must have been well pleased with this opera despite its ealy failure. Not only did he include in the overture several of its themes - a not unusual pracitce - but he fashioned another overture with its material as well - the great Le Carnaval Romain.The short opening Allefro marked deciso con impeto is conceived in the most brilliant Berlioz manner, utilizing full instrumentation. In the Larghetto, we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaption of Teresa's aria (Act 1). Towards the end, the 'Cardinal'theme is re-introduced by trombone fortissimo against an energetic florid cornet and euphonium passage (seneza stringendo - without hurry, says the score).After a unison passage storming skywards, there is a sudden dramatic three-bar silent pause broken by Eb basses alone, again stating the 'Cardinal' theme. A simple molto cresendo on the dominant, begun piano, leads to the final long, resounding chord.

    Estimated delivery 12-14 days
  • £29.95

    Benvenuto Cellini - Score Only - Hector Berlioz

    One of Berlioz's ill-fated operas, Benvenuto Cellini was first produced at the Paris Opera in September 1838. It was withdrawn as a failure after only four performances. Neither did the solitary performace given at Covent Graden some fiftenn years later, in the presence of Queen Victoria and Price Albert, meet with any greater success. But when in 1888 it was produced at Dresden it was acclaimed by the Germans as a triumph. The Carl Rosa Opera did much to revive interest in the work.Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story laid in Rome during the mid-sixteenth century is not strictly historical.Berlioz must have been well pleased with this opera despite its ealy failure. Not only did he include in the overture several of its themes - a not unusual pracitce - but he fashioned another overture with its material as well - the great Le Carnaval Romain.The short opening Allefro marked deciso con impeto is conceived in the most brilliant Berlioz manner, utilizing full instrumentation. In the Larghetto, we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaption of Teresa's aria (Act 1). Towards the end, the 'Cardinal'theme is re-introduced by trombone fortissimo against an energetic florid cornet and euphonium passage (seneza stringendo - without hurry, says the score).After a unison passage storming skywards, there is a sudden dramatic three-bar silent pause broken by Eb basses alone, again stating the 'Cardinal' theme. A simple molto cresendo on the dominant, begun piano, leads to the final long, resounding chord.

    Estimated delivery 12-14 days