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  • £115.60

    Minnen fran Holmen - Jerker Johansson

    The first theme was written the summer 1997 when Jerker Johansson was composing in Swedish folk music style for an intended radio programme in which his father should participate reading poems in local dialect. Unfortunately, the project was discontinued. In the spring 2015 Mr. Johansson however started to work on the theme again, this time adding a song theme of broader character. Holmen is the name of the homestead where Mr. Johansson's father Arne grew up. It is beautifully located in the parish of Skarv, situated east of Skara, one of the oldest towns in Sweden. At Holmen, the composer spent his childhood summers and his recollections are filled with many bright moments andhappy memories. The piece was premiered May 22, 2015 by the Goteborg Wind Orchestra conducted by the composer.

    Estimated dispatch 5-14 working days

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  • £154.99

    The Divine Right - Philip Harper

    At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new countrys people had risen up against the regimes and dictatorships which had prevailed for generations, leaving manynations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.My music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted. Most nations have had, or probably will have, their own Arab Spring, including my own, the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads.The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer, a moan as I never heard before and desire I may never hear again.The music descends to emptiness. The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering,irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times. This defining episode in Englands history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote: Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant. Philip Harper, 2013

    Estimated dispatch 5-14 working days
  • £34.95

    Boundless Spirit! (Brass Band - Score and Parts) - Cordner, Martin

    This medley contains highlights from music the composer wrote for the opening event of Boundless, The Salvation Army's International Congress held at London's O2 Arena in 2015. The work features original melodies but also recognisable tunes with a global flavour; Moscow, Europe, Calabar, They shall come from the east, The world for God and Happy Song which calls to mind the words 'There's salvation for the world'. The objective of the piece is to celebrate the diversity of The Salvation Army around the world through a variety of music styles.

    Estimated dispatch 7-14 working days

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  • £38.00

    A Redbridge Rage (Brass Band - Score and Parts) - Wilcox, Chris

    Put simply, a 'Raga' is a scale used in Indian music, but aside from being a series of ascending and descending notes, ragas are also associated with different moods and with particular times of the day or year. A Redbridge Raga is influenced by the use of the 'Raga Bhairav' (a morning raga) which is clearly outlined in the mysterious opening of the piece. The following section is much more lively, incoprorating elements of Bhangra (a musical style emanating from the fusion of Indian folk music with British pop culture). The title reflects the location of the first performance that took place at Redbridge Town Hall, East London. Duration: 5.30. Suitable for 2nd Section Bands and above.

    Estimated dispatch 7-14 working days
  • £54.95

    Songs of the Great War (Brass Band - Score and Parts) - Wiffin, Rob

    A Medley of Popular Songs, 1914 - 1918Music of the Great War is a five year project to use music of the period to educate and engage schools, colleges, town bands, and the wider public across the UK and the world to learn in a positive way about the events, the experience of the troops involved from all sides, and how music played its part.This year, to commemorate the centenary of the Great War a specially arranged medley Songs of the Great War has been created. The medley has been arranged for bands to rehearse and eventually perform on the 11 November 2015. It brings together some of the most popular tunes played, sung and performed by the men and women of the time - in the trenches and on the various home fronts.With the support of many countries and organisations, on the 11 November the medley will be first played in New Zealand and Australia. It will ripple east across the world being performed in countries like India and Pakistan before hitting Europe and onwards to include performances in Canada and the Caribbean. This could become one of the most played pieces of music in a 24-hour period.In Britain, there will be performances across the country, including some at key events and sites involving a wide range of military and non-military personnel.The medley includes:It's a Long Way to TipperaryYour King and Country Want YouGood Bye-eeOh! It's a Lovely WarHello! Hello! Who's Your Lady FriendTake Me Back to Dear Old BlightyMademoiselle from ArmentieresThere's a Long, Long Trail A-windingIf You Were the Only Girl in the WorldPack Up Your Troubles (In Your Old Kit Bag)Old Soldiers Never Die/Last Post

    Estimated dispatch 7-14 working days

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  • £43.99

    The Divine Right (Brass Band - Score only) - Harper, Philip

    At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new country's people had risen up against the regimes and dictatorships which had prevailed for generations, leaving many nations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.This music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted.Most nations have had, or probably will have, their own Arab Spring, including the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on 30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads. The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer,a moan as I never heard before and desire I may never hear again.The music descends to emptiness.The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering, irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times.This defining episode in England's history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote:Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant.Duration: 17.00

    Estimated dispatch 7-14 working days
  • £104.99

    The Divine Right (Brass Band - Score and Parts) - Harper, Philip

    At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new country's people had risen up against the regimes and dictatorships which had prevailed for generations, leaving many nations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.This music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted.Most nations have had, or probably will have, their own Arab Spring, including the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on 30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads. The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer,a moan as I never heard before and desire I may never hear again.The music descends to emptiness.The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering, irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times.This defining episode in England's history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote:Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant.Duration: 17.00

    Estimated dispatch 7-14 working days
  • £54.99

    Camel Ride (Brass Band - Score and Parts) - De Haan, Jan

    In Camel Ride you will experience the magic of a colourful Arabic caravan as it slowly passes by. With this short work for a flexible ten part instrumentation, composer Jan de Haan has brilliantly reflected the atmosphere of the parade and carefully capturing the mysticism of the East. Camel Ride will make a great interlude in your concert performances.Duration: 3:00

    Estimated dispatch 7-14 working days

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  • £59.95

    On Ratcliff Highway (Brass Band - Score and Parts) - Steadman-Allen, Ray

    Written for the centenary of Salvation Army bands in 1978, On Ratcliff Highway was premiered by The International Staff Band (and simultaneously by Melbourne Staff Band in another venue). It was inspired by a sketch on the front page of a copy of The War Cry from 1886 which depicted the Whitechapel Salvation Army band marching through the notorious highway, surrounded by crowds, with the masts of ships seen beyond the East London slums.

    Estimated dispatch 7-14 working days
  • £29.95

    On Ratcliff Highway (Brass Band - Score only) - Steadman-Allen, Ray

    Written for the centenary of Salvation Army bands in 1978, On Ratcliff Highway was premiered by The International Staff Band (and simultaneously by Melbourne Staff Band in another venue). It was inspired by a sketch on the front page of a copy of The War Cry from 1886 which depicted the Whitechapel Salvation Army band marching through the notorious highway, surrounded by crowds, with the masts of ships seen beyond the East London slums.

    Estimated dispatch 7-14 working days