Results
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£115.00Epic Journey to Torshavn - Andrew Pearce
Epic Journey to Torshavne is an impressive concert work, commissioned by Gouden Spiker Festival 2016. The journey begins At Sea as trombones announce first sighting of the island. A stirring theme in basses creates mystery and anticipation as the island gradually appears. A lively theme in 3/2 introduces Folk Dance & Celebration conjuring dramatic images of early settlers, followed by a calmer rendition entitled People of Torshavn. A brass chorale segues into Finale with a fast reprise and brass chords underscore the splendour of the island.
Estimated dispatch 5-14 working days
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£19.95Bandkraft 3
The third of three superb sets of new music and arrangements for brass ensembles.March Commodore - Ifor James: A striking piece well suited for performance in concert or on the march.The Aristocrat - Roy Newsome: A not too difficult trombone solo, providing animated, musical fun for band and audience alike, and which gives the trombonist ample opportunity to play the fool.Waltz of the Clouds - Alfred Ashpole: A Viennese style waltz by a composer with unparalleled experience of writing for bands.Pink Panther - Mancini, arr. John Golland: The original Mancini Pink Panther translated for brass band. Watch out for his sneaky rhythms, which need proper dance band treatment.
Estimated dispatch 5-14 working days
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£54.99Seafood Shuffle - Peter Martin
Energetic music which invites you to dance, because it is hard to keep still with this shuffle. And you don't have to. Feel like a fish in water in this Seafood Shuffle which includes some flashy solos. Solo parts in C, Eb and Bb are included.
Estimated dispatch 5-14 working days
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£76.99Ever so samba - Peter Martin
The rhythm of the samba was originally created in Africa and brought to Brazil by the slaves . Here it became the national dance. For every festive occasion and especially the carnival festivities (Rio de Janeiro) samba music is played. The World's Fair in New York (1939) was the reason to the biggest spread of the samba. The cornet section gets an opportunity to feature in Ever so Samba. Together with the swinging percussion section they let you enjoy a South American party.
Estimated dispatch 5-14 working days
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£29.95The Rothea Rag - Scott Joplin - Roger Nicholls
A cheerful dance tune, which features all sections of the band, and which ends with a Dixieland free-for-all. Not to be taken seriously.
Estimated dispatch 5-14 working days
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£41.30Adventure Games - Ennio Salvere
A beautiful four part suite for youth band. I. Adventure Game: a cheerful march with a strong rhythmical percussion beat; II. Free Again;: an attractive slow introduced by a beautiful trumpet sol; III. Jamaican Sun : a characteristic and titillating calypso that will give the heebie-jeebies; and IV. Rock the House: a smooth rock tune that will make everybody itching to dance. The whole suite is extremely well orchestrated by Ennio Salvere.
Estimated dispatch 5-14 working days
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£86.70Mr. Bojangles - Jerry Jeff Walker - Henk Ummels
'Mr. Bojangles' is a popular song written and initially recorded by Jerry Jeff Walker in 1968 and covered since by many other artists. The song was inspired by an encounter with a street performer in the New Orleans first precinct jail. Although this man could tap dance, the inspiration for the song was the famous stage and movie dancer Bill 'Bojangles' Robinson. Robbie Williams recorded it on it's bigband CD 'Swing When You're Winning'.
Estimated dispatch 5-14 working days
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£118.00Decennium - Eric Swiggers
'Decennium' was composed in 2003 as a commission by the municipality of Berheze for its tenth anniversary. The composition describes the history of this town in the Province of Brabant, consisting of 6 different villages: Heesch, Heeswijk, Dinther, Nistelrode, Loosbroek and Vorstenbosch. The composition starts with a slow introduction, Adagio Misterioso, suggesting the atmosphere in long-ago days when the area consisted mainly of swamps, meres and low woods. (The word 'Bern' is a synonym of 'Born' meaning source or water, whereas 'Hese' is derived from 'Haisjo' meaning brushwood ). Above the dark sounds we hear far away trumpet signals announcing the Middle Ages. After a piercing crescendo, we hear the full sound of festive trumpets. A medieval dance, as was to be heard in the Heeswijk castle, follows. This dance gets a more and more stirring character and finally turns into a merry popular dance ending with a burst of laughter reproduced by descending scales with the muted trombones and trumpets. A slow transition with a quotation from a Gregorian plainsong (Domine Deus) and church bell ringing, referring to the Abbey of Berne, brings us to a romantic Larghetto. This part describes the quiet rural life in a beautiful natural surrounding. The last dying note contrasts with the threatening ostinato, referring to the rise of the industrialization, which provoked quite some resistance with the local people. Once more we hear the 'Domine Deus' but much more powerful this time. When the resistance calms down, the work concludes with an Alla Marcia. The first notes of the main theme could be heard all through the composition and now we hear the complete main theme again. The new town is born. A festive conclusion refers both to the tenth anniversary and the optimism and confidence as to the future.
Estimated dispatch 10-14 working days
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£59.08Sleigh Ride Suite (Brass Band) Leopold Mozart arr. Alex McGee
Today Leopold Mozart (1719-1787) is known almost exclusively as the stern father of Wolfgang, but he was a prominent and successful musician in his own time. The Sleigh Ride, composed just before Wolfgang was born, certainly shows that Mozart the elder had as good a sense of humour as his more famous son. Wolfgang must, in fact, have known and enjoyed his father's piece - he included a short Sleigh Ride in his German Dances, K.605, in 1791. Leopold's more complicated piece is a programmatic serenade, with short titles for each section: a musical picture of a cold evening's ride to a party. The score calls for sleigh bells, rattle, a whip, and triangle. The action begins with a short overture (Intrada), followed by the Sleigh Ride itself, a lively duple-meter dance accompanied by jangling sleigh bells and punctuated by the cracking of a whip. There is then a nice bit of musical pantomime - The Young Lady Shivers With Cold. The sleigh finally arrives at the party, a ball with a small dance orchestra. The Ball Begins, not surprisingly, with a courtly menuet, and the End of the Ball is a spirited Kehraus, a lively rondo-form dance. This transcription faithfully seeks to convey the light touch of the Age of Enlightenment to the modern brass band and provides ensembles with new material for their annual Christmas concerts. To view a rolling score video of the work please visit https://www.youtube.com/watch?v=tgrBe1u8Xag Duration: Approx. 11.45 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£64.95Adam Zero, Suite from (Brass Band - Score and Parts)
Selected as the Section 2 test piece for the National Brass Band Championships of Great Britain 2025Following his ballet Checkmate, Bliss composed another score for the, by then, Sadler's Wells Ballet, Miracle in the Gorbals, which was choreographed by Robert Helpmann, to a scenario by Michael Benthall. Premired in 1944, the ballet made a considerable impact and was a box-office success. It was followed in turn by a further collaboration with Helpmann and Benthall, Adam Zero. This would serve Helpmann, in the eponymous role, as a vehicle in two respects: demonstrating his gifts as a dancer-actor and as a choreographer. First performed at the Royal Opera House, Covent Garden, on 8 April 1946, Adam Zero was conducted by Constant Lambert, the work's dedicatee. Bliss considered it 'his most varied and exciting ballet score'. Benthall provided a synopsis for the programme:There is a philosophy that life moves in an endless series of timeless cycles. As Nature passes through Spring, Summer, Autumn and Winter, so man is born, makes a success in his own particular sphere, loses his position to a younger generation, sees his world crumble before his eyes and only finds peace in death. This age-old story is told in terms of a Company creating a ballet and calling on the resources of the theatre to do so. Lighting, stage mechanism, dance conventions, musical forms and costumes and scenery of all periods are used to symbolize the world of 'Adam Zero'.Apart from Adam, as the Principal Dancer, other main roles included the Stage Director (representing Omnipotence), and Adam's Fates (Designer, Wardrobe Mistress, and Dresser). 'The Woman in this allegory', wrote Bliss, 'under the symbol of the Choreographer, was both the creator and destroyer of Adam: his first love, his wife, his mistress, and finally the figure of beneficent Death.' When the curtain rose, the 'audience saw the Covent Garden stage right back to the wall, completely empty except for the protagonists, 'the Company poised, still and expectant, as they await the birth of... Adam Zero.'Unfortunately, soon after the premire, Helpmann injured himself and had to withdraw from the remaining performances. Despite generally positive reviews, the ballet did not capture the imagination of audiences and, to Bliss's considerable disappointment, was not revived. Seventy years would elapse before its first major return to the stage, in 2016, performed by the ballet company of Stadttheater Bremerhaven with choreography by Sergei Vanaev.Bliss extracted a concert suite from the ballet, conducting its first performance with the City of Birmingham Symphony Orchestra on 28 October 1948. For his own suite, arranged for brass band in 2023, Dr Robert Childs chose three dances linked to the seasons, book-ending them with the ebullient 'Fanfare Overture' and 'Fanfare Coda'. After Adam has grown to manhood, his Fates clothe him in a costume synonymous with confident youth, appropriate for the virile, ardent 'Dance of Spring'. In the 'Approach of Autumn', Adam, now wearing a sombre costume, has grown older: his Fates have streaked grey in his hair and put lines on his face. But they had earlier raised Adam to the zenith of his power, and the 'Dance of Summer' depicts him in the prime of life, in music of sweeping grandeur. The 'Fanfare Coda' signals that the next cycle of life is about to begin.Duration: 10.30
Estimated dispatch 7-14 working days
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