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  • £46.20

    DUET FROM DON GIOVANNI (Eb or Bb Cornet and Euphonium Duet with Brass Band) - Mozart, Wolfgang Amadeus - Lorriman, Howard

    La ci darem la mano. Duet for Eb or Bb Cornet and Euphonium, Baritone or Trombone. Grade: Easy/Medium.

    Estimated delivery 12-14 days
  • £39.00

    BEST FRIENDS (Cornet or Euphonium Solo with Brass Band) - Nijs, Johan

    With Best Friends, Belgian composer Johan Nijs portrays friendship in a wonderful ballad that can be played on the cornet, euphonium or trombone. A great chance to put one of your players in the spotlight! Duration: 3:50.

    Estimated delivery 12-14 days

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  • £28.95

    PANIS ANGELICUS (Cornet, Euphonium or Trombone/Brass Band) - Franck, Cesar - Wright, Frank

    Solo for Cornet, Euphonium or Trombone with Brass Band

    Estimated delivery 12-14 days
  • £46.20

    La ci Darem la Mano (Duet from Don Giovanni) - W. A. Mozart

    Soprano Cornet (or Cornet) and Euphonium (or Baritone or Trombone) Duet with Brass Band

    Estimated delivery 12-14 days
  • £39.95

    Meditation (Flugel Horn and Baritone Duet with Brass Band) - Graham, Peter

    Although scored for Flugel and Baritone, a number of options can be explored at the discretion of the conductor (eg. Flugel/Cornet and Euphonium/Trombone; two Bb Cornets etc. in which case cued lines in the Solo Horn and Soprano cornet parts may be played). Meditation is the central theme from The Triumph of Time, a work commissioned for The Black Dyke Band by Music Director Nicholas Childs. The original brief was for a piece which would showcase the talents of the band's many fine soloists, among them Zoe Hancock on Flugel horn and Baritone soloist Katrina Marzella. This extract brings both instruments together in an extended stand-alone arrangement.

    Estimated delivery 12-14 days

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  • £89.95

    WINDOWS OF THE WORLD - Peter Graham

    Additional Score: 32.95A six movement sequel to the popular Cry of the Celts, reflecting world music styles from Latin American to Irish Folk. Each movement 1) Amazonia 2) Rainforest 3) The Rising Sun 4) Drums of Thunder 5) Celtic Dream 6) Earth Walk can be individually programmed. Featured soloists include Soprano Cornet, Trumpet/Cornet, Flugel Horn, Tenor Horn, Baritone, Trombone, Euphonium and Percussion. Windows of the World was premiered by the YBS Band at the Millenium European Championships Gala Concert, held in Symphony Hall Birmingham.

    In stock: Estimated delivery 1-2 days

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  • £64.95

    Benvenuto Cellini - Score and Parts - Hector Berlioz

    One of Berlioz's ill-fated operas, Benvenuto Cellini was first produced at the Paris Opera in September 1838. It was withdrawn as a failure after only four performances. Neither did the solitary performace given at Covent Graden some fiftenn years later, in the presence of Queen Victoria and Price Albert, meet with any greater success. But when in 1888 it was produced at Dresden it was acclaimed by the Germans as a triumph. The Carl Rosa Opera did much to revive interest in the work.Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story laid in Rome during the mid-sixteenth century is not strictly historical.Berlioz must have been well pleased with this opera despite its ealy failure. Not only did he include in the overture several of its themes - a not unusual pracitce - but he fashioned another overture with its material as well - the great Le Carnaval Romain.The short opening Allefro marked deciso con impeto is conceived in the most brilliant Berlioz manner, utilizing full instrumentation. In the Larghetto, we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaption of Teresa's aria (Act 1). Towards the end, the 'Cardinal'theme is re-introduced by trombone fortissimo against an energetic florid cornet and euphonium passage (seneza stringendo - without hurry, says the score).After a unison passage storming skywards, there is a sudden dramatic three-bar silent pause broken by Eb basses alone, again stating the 'Cardinal' theme. A simple molto cresendo on the dominant, begun piano, leads to the final long, resounding chord.

    Estimated delivery 12-14 days
  • £29.95

    Benvenuto Cellini - Score Only - Hector Berlioz

    One of Berlioz's ill-fated operas, Benvenuto Cellini was first produced at the Paris Opera in September 1838. It was withdrawn as a failure after only four performances. Neither did the solitary performace given at Covent Graden some fiftenn years later, in the presence of Queen Victoria and Price Albert, meet with any greater success. But when in 1888 it was produced at Dresden it was acclaimed by the Germans as a triumph. The Carl Rosa Opera did much to revive interest in the work.Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story laid in Rome during the mid-sixteenth century is not strictly historical.Berlioz must have been well pleased with this opera despite its ealy failure. Not only did he include in the overture several of its themes - a not unusual pracitce - but he fashioned another overture with its material as well - the great Le Carnaval Romain.The short opening Allefro marked deciso con impeto is conceived in the most brilliant Berlioz manner, utilizing full instrumentation. In the Larghetto, we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaption of Teresa's aria (Act 1). Towards the end, the 'Cardinal'theme is re-introduced by trombone fortissimo against an energetic florid cornet and euphonium passage (seneza stringendo - without hurry, says the score).After a unison passage storming skywards, there is a sudden dramatic three-bar silent pause broken by Eb basses alone, again stating the 'Cardinal' theme. A simple molto cresendo on the dominant, begun piano, leads to the final long, resounding chord.

    Estimated delivery 12-14 days