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  • £34.95

    TUCKER (Cornet Solo with Brass Band Set) - Erik Leidzen

    Originally published in the Festival Series in 1933 and written by the master of solo writing, Erik Leidzen, this has become, in Salvation Army circles, a 'standard' for all aspiring cornetists, exploring the full range of the instrument from bottom F# to top D.

    Estimated delivery 12-14 days
  • £42.50

    March from Pines of Rome (N4) & Prelude (N1), The - Respighi, O.

    THIS IS A NEW EDITION. The arranger has made some very small revisions and corrections and is confident that this new presentation will be very welcome. It can now be ordered on this site as usual. The manuscript version of the March has now been withdrawn.'Pines of the Villa Borghese' - Children are at play in the pine groves of Villa Borghese; they dance round in circles. They play at soldiers, marching and fighting, excited by their own cries, they come and go in swarms like swallows in the evening.The March - 'Pines of the Appian Way' - It's a misty dawn on the Appian Way, solitary pine trees guarding the landscape. The muffled, marching tread of footsteps becomes louder and louder. Trumpets sound and, in the brilliance of the newly-risen sun, a consular army marches forth along The Sacred Way, finally ascending in triumph to the Capitol to celebrate "A Triumph."Other products you may be interested in...TitleComposer/AuthorCategory/ScoringPricePines of Rome (Complete Version), TheRespighi, O.82.00Polotsvian Dances (complete)Borodin, A.45.00Procession to the MinisterWagner, R.44.50Roman Festivals (complete)Respighi, O.62.50

    Estimated delivery 10-14 days
  • £82.00

    Pines of Rome (Complete Version), The - Respighi, O.

    A NEW EDITION is now in preparation and will be issued at the British Brass Band Championships on October 10th 2015. See NIGEL and MARY DURNO at the JUST MUSIC stand, where it will be available for inspection and for sale. The arranger has made some very small revisions and corrections and is confident that this new presentation will be very welcome. It can now be ordered on this site as usual, but delivery will be held until the new edition is available. The manuscript version is now withdrawn.Pines of the Villa Borghese - Children are at play in the pine groves of Villa Borghese; they dance round in circles. They play at soldiers, marching and fighting, excited by their own cries, they come and go in swarms like swallows in the evening.The Pines close to a Catacomb - Suddenly the scene changes -- we see the shades of the pine trees fringing the entrance to a catacomb. From the depth rises the sound of a mournful chant, floating through the air like a solemn hymn, and gradually and mysteriously dispersing.The Pines of the Gianicolo. The evening air is warm: the pine-trees of the Janiculum hill stand distinctly outlined in the clear light of the full moon as it looks out over the city of Rome below. A nightingale is heard singing.Pines of the Appian Way - It's a misty dawn on the Appian Way, solitary pine trees guarding the landscape. The muffled, marching tread of footsteps becomes louder and louder. Trumpets sound and, in the brilliance of the newly-risen sun, a consular army marches forth along The Sacred Way, finally ascending in triumph to the Capitol to celebrate "A Triumph."

    Estimated delivery 10-14 days
  • £29.95

    Dalaro (Brass Band - Score and Parts) - Gregson, Edward

    The name of Edward Gregson is well known in Salvationist circles as well as in the wider music world, his music receiving performances and being recorded and published regularly. This music is individual and of high worth with an assured technique. It is always a pleasurable task for the musician to handle music with these qualities, whether one is editor, conductor or player. Written in connection with the International Salvation Army Students' Fellowship Conference held in Dalaro, Sweden in 1964, this is a 'festival' rather than processional march. Section C is a tune from the Swedish Tune Book (No. 303 in the 1945 edition), Jag gar till det land dar ovan (I go to that Land above). There is a slight divergence from the tune book version (labelled, by the way, as an English tune); this could well be the manner in which the tune is sung - we are all aware of the way in which congregations modify tunes.

    Estimated delivery 12-14 days
  • £14.95

    Dalaro (Brass Band - Score only) - Gregson, Edward

    The name of Edward Gregson is well known in Salvationist circles as well as in the wider music world, his music receiving performances and being recorded and published regularly. This music is individual and of high worth with an assured technique. It is always a pleasurable task for the musician to handle music with these qualities, whether one is editor, conductor or player. Written in connection with the International Salvation Army Students' Fellowship Conference held in Dalaro, Sweden in 1964, this is a 'festival' rather than processional march. Section C is a tune from the Swedish Tune Book (No. 303 in the 1945 edition), Jag gar till det land dar ovan (I go to that Land above). There is a slight divergence from the tune book version (labelled, by the way, as an English tune); this could well be the manner in which the tune is sung - we are all aware of the way in which congregations modify tunes.

    Estimated delivery 12-14 days
  • £34.95

    Tucker (Cornet Solo with Brass Band - Score and Parts) - Leidzen, Erik

    Originally published in the Festival Series in 1933 and written by the master of solo writing, Erik Leidzen, this has become, in Salvation Army circles, a 'standard' for all aspiring cornetists, exploring the full range of the instrument from bottom F# to top D.

    Estimated delivery 12-14 days
  • £17.50

    Tucker (Cornet Solo with Brass Band - Score only) - Leidzen, Erik

    Originally published in the Festival Series in 1933 and written by the master of solo writing, Erik Leidzen, this has become, in Salvation Army circles, a 'standard' for all aspiring cornetists, exploring the full range of the instrument from bottom F# to top D.

    Estimated delivery 12-14 days
  • £15.00

    Can-Can - Jacques Offenbach - Phillip Littlemore

    Offenbach's Orpheus in th e Underworld is an opra bouffon, and first performed in 1858.The operetta is an irreverent parody and scathing satire on Gluck and his Orfeo ed Euridice and culminates in the risqu 'Infernal Galop'. The 'Infernal Galop' from Act II, is famous outside of classical music circles as the music for the Can-can. This brass band version is a straight-forward transcription directly from the orchestral original. Code: TPBB-032 Duration: 2'30"

    Estimated delivery 5-7 days
  • £50.00

    Montage (Score only) - Peter Graham

    Each of the movements of the symphony take as their starting point forms originating in music of the 16th and 17th centuries. The first, an intrada, introduces the main thematic material (based on the interval of a minor third) in its embryonic state. As the piece progresses, this material is developed and manipulated in a variety of ways. The interval of the third remains central to the overall scheme of the work, even unifying the three movements on a tonal plane (I: F (minor); II: A flat (major); III: C flat (minor). The internal structure of the intrada is an arch form: ABCBA, roughly modelled on the first movement of Concerto for Orchestra by Witold Lutoslawski, to whose memory the movement is dedicated. A chaconne follows - the basic material now transformed into expansive solo lines underpinned by a recurring sequence of five chords (again, a third apart). The movement's structure combines both ternary form and golden section principles and the chaconne's continuous cycle of chords may be visualised as circles. The final movement, a rondo, bears the dramatic weight of the entire work, as the underlying tonal tensions surface. A musical journey ensues, making diversions through lyrical territories as well as through more spiky, jazz-flavoured ones. The aural (and visual) montage is perhaps most apparent towards the climax of the piece, where three keys and polyrhythms sound simultaneously in the upper brass, xylophone, horns, and timpani. The climax itself combines the lyrical music heard earlier with the rondo theme, now presented by cornets and trombones in canon. The teleological thrust of the movement (if not the entire work) can be symbolized by the flight of an arrow, as it steers a predetermined course towards its target. Duration: 16:00

    Estimated delivery 7-10 days
  • £60.00

    Montage (Parts only) - Peter Graham

    Each of the movements of the symphony take as their starting point forms originating in music of the 16th and 17th centuries. The first, an intrada, introduces the main thematic material (based on the interval of a minor third) in its embryonic state. As the piece progresses, this material is developed and manipulated in a variety of ways. The interval of the third remains central to the overall scheme of the work, even unifying the three movements on a tonal plane (I: F (minor); II: A flat (major); III: C flat (minor). The internal structure of the intrada is an arch form: ABCBA, roughly modelled on the first movement of Concerto for Orchestra by Witold Lutoslawski, to whose memory the movement is dedicated. A chaconne follows - the basic material now transformed into expansive solo lines underpinned by a recurring sequence of five chords (again, a third apart). The movement's structure combines both ternary form and golden section principles and the chaconne's continuous cycle of chords may be visualised as circles. The final movement, a rondo, bears the dramatic weight of the entire work, as the underlying tonal tensions surface. A musical journey ensues, making diversions through lyrical territories as well as through more spiky, jazz-flavoured ones. The aural (and visual) montage is perhaps most apparent towards the climax of the piece, where three keys and polyrhythms sound simultaneously in the upper brass, xylophone, horns, and timpani. The climax itself combines the lyrical music heard earlier with the rondo theme, now presented by cornets and trombones in canon. The teleological thrust of the movement (if not the entire work) can be symbolized by the flight of an arrow, as it steers a predetermined course towards its target. Duration: 16:00

    Estimated delivery 7-10 days