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  • £33.00

    The Mock Doctor - Gounod, C

    Includes a full band set (no score)

    In Stock: Estimated dispatch 1-3 working days

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  • £33.00

    Babe in a Manger (Euphonium Duet) - Mallett, C

    Babe in a Manger is a euphonium duet, beautifully composed by Chris Mallett. The piece evokes the wonder of the nativity scene. A wonderful piece for any concert.

    In Stock: Estimated dispatch 1-3 working days

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  • £33.00

    Candlelight Carol - Rutter, J - Mallett, C

    Remember A Gaelic Blessing? . . . well here's another John Rutter masterpiece, arranged by the late Chris Mallett, ex Divisonal Music Director of the Salvation Army's Southern California Division - simple and enchanting.4th section +

    In Stock: Estimated dispatch 1-3 working days

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  • £20.00

    Dance of the Blessed Spirits - Gluck, C - Street, A

    In Stock: Estimated dispatch 1-3 working days

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  • £26.50

    O Divine Redeemer - Gounod, C - Rimmer, D

    In Stock: Estimated dispatch 1-3 working days

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  • £16.00

    Sandon (Air Varie) - Boberg, C

    In Stock: Estimated dispatch 1-3 working days
  • £33.00

    Desafinado (Flugel Solo) - Jobim & Mendonca - North, C

    In Stock: Estimated dispatch 1-3 working days

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  • £33.00

    Lady in Red - De Burgh, C - Barry, D

    "The Lady in Red" is a 1980s song by British-Irish singer-songwriter Chris de Burgh. Written about his wife this became a massive worldwide hit and there are few wedidngs where this does not get played!

    In Stock: Estimated dispatch 1-3 working days

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  • £40.00

    Automne - Chaminade, C - Bell, K

    Although female French composer Ccile Chaminade wrote many large orchestral works, she is best remembered for her extensive output of piano salon music. Automne, probably her most endearing, has been arranged by Katie Bell as a euphonium solo. A difficult solo, but well worth the rehearsal.Difficult, 1st section +

    In Stock: Estimated dispatch 1-3 working days

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  • £29.95

    The Strong Tower (Brass Band - Score and Parts)

    Following the popularity of Turris Fortissima, I decided, albeit many years later, to revisit some of the material it contains and create a shorter piece, expanding on some of the ideas and motifs, allowing myself to follow those in different directions altogether. The result is this piece which I hope will also excite players and listeners alike.The music is marked at a quick tempo from the start, but despite several changes in meter, the tempo doesn't change until the small accelerando leads us into the presto section. In order to maintain the excitement and drama, it's important to set the pace and keep it consistent throughout.Section A introduces a few of the motifs that will be developed during the piece, including the main Turris Fortissima theme from bar 13 to 18.At section B, ensure the quavers are tight across the whole band with a strong attack, making an obvious difference in dynamic when fff is marked, in bars 23, 25 and 27. A more lyrical approach will be effective from the Horns in section C, with vigorous interruptions from the rest of the band breaking up their melody.Section D features long notes from muted 1st and 2nd Cornets and Trombones, with crescendos each time. These should be significant and sound as though they emerge from nowhere, completely cutting through the overall texture.Section D features long notes from muted 1st and 2nd Cornets and Trombones, with crescendos each time. These should be significant and sound as though they emerge from nowhere, completely cutting through the overall texture.Sections E and F are both passages of building intensity. Various contrasting motifs are layered, including a subtle reference to the hymn tune Ein' feste Burg (A mighty fortress is our God) from the Euphonium. The music becomes more busy and muddled, before reaching its climax at section G where the lyrical melody is heard again, this time from the Solo Cornets and Euphonium.In bars 141 to 145, there is a reference to Dean Goffin's My strength, my tower in the Basses, as used in Turris Fortissima. Allow this motif to dominate, keeping the notes full and grand-sounding. In bars 149 to 151 there is further use of the line from Ein' feste Burg in the Baritones, Trombones, Euphoniums and Basses leading into the final section.- Steven Ponsford

    Estimated dispatch 7-14 working days