Results
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£59.99Ballad for Benny (Brass Band - Score and Parts) - Sparke, Philip
The birth of Philip Sparke's second son, Benjamin, was the inspiration for composing Ballad for Benny. A short calm introduction leads to the main ballad theme, a gentle waltz melody. Following the work's climax in which the complete band plays the main theme the sound fades and the piece ends in calm and serenity.Duration: 5:00
Estimated dispatch 7-14 working days
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£50.00Our Flirtations (Brass Band - Score and Parts) - Sousa, John Philip - Westwood, Gary
The name John Philip Sousa is no stranger to any brass band aficionado. Our Flirtations has its origins in incidental music written by Sousa for a play of the same name. It was written around 1880, about the time he was appointed Director of the U.S. Marine Band, a position he held until he formed his own civilian band in 1892. Sousa wrote over 130 marches, many of which have been transcribed for brass band.
Estimated dispatch 7-14 working days
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£55.00New York (from East Coast Pictures) (Brass Band - Score and Parts) - Hess, Nigel - Littlemore, Phillip
For anyone who is familiar with this bizarre and wonderful city, this piece needs no explanation. New York is the third movement of East Coast Pictures, originally written for wind band, commissioned in 1985 by the British Youth Wind Orchestra with funds from National Westminster Bank plc. These three short 'pictures' were inspired by several visits by the composer to a small part of the USA's East Coast, an area that provides great extremes in the geography and the people. Suitable for Premier Youth/2nd Section Bands and above. Duration: 6.00
Estimated dispatch 7-14 working days
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£60.99When You Believe (Brass Band - Score and Parts) - Schwartz, Stephen - Stalman, Wim
This lovely ballad was recorded by Mariah Carey and Whitney Houston for the soundtrack of the Disney movie The Prince of Egypt. More recently it was a hit for X-factor winner Leon Jackson. A perfect, inspirational item for any concert.Duration: 4.00
Estimated dispatch 7-14 working days
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£54.99Vivo Per Lei (Brass Band - Score and Parts) - Stalman, Wim
A passionate desire for Andrea Bocelli's voice has spread across the world like wildfire for Andrea Bocelli possesses a truly remarkable voice. A voice as palpably powerful, as it is almost ethereal. Vivo Per Lei (I live for Her) tells of a passion so great that it is felt in every action, every moment of the day. This excellent arrangement will bring a moment of tender passion to any concert.Duration: 4:30
Estimated dispatch 7-14 working days
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£54.99I Will Survive (Brass Band - Score and Parts) - Fekaris & Perren - Sebregts, Ron
This classic disco hit was released by Gloria Gaynor in 1978. Following massive airplay it reached number one in pop charts around the world and in 1980 received a Grammy for Best Disco Recording. Since then it has appeared in many films and television programs and has been adopted by many causes such as HIV/AIDS awareness and the campaign for women's rights. It is also the 'stadium anthem' for the Dutch football team Feyenoord. Ensure your audience leaves any concert in an upbeat mood with this disco masterpiece.Duration: 3:30
Estimated dispatch 7-14 working days
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£69.99Jubilation! (Brass Band - Score and Parts) - Curnow, James
In 1868 William Francis Allen published a collection of spirituals, songs sung by slaves whilst they worked. This book started a flood of enthusiasm for the spiritual which continues to this day. Jubilation (a time for celebration) uses the spiritual 'My Lord, What A Morning' as the main melody for transitions and modulations throughout and to introduce three further spirituals: I'm Gonna Sing, Steal Away and Ev'ry Time I Feel the Spirit.Duration: 5:50
Estimated dispatch 7-14 working days
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£104.99Variations on a Chord (Brass Band - Score and Parts) - De Haan, Jan
Variations on a Chord was composed on the occasion of the second lustrum of the Dutch Brass Band Championships celebrated in 1990. The piece is the immediate sequel to Contrasten a piece which was composed in 1986, and which is performed all over the world. Not only was the final chord of this previous work used as a starting point for the new composition, but Variations on a Chord is also the first concert piece for brass band composed by Jan de Haan since then. The several variations are based on a solemn theme. The so-called minor-major seventh chord is easily detectable. The structure of the piece is such that the lyrical theme is preceded by a majestic introduction, and is followed by eight variations each strongly contrasting in character. The piece finishes in a short but extremely spectacular coda.Duration: 11:45
Estimated dispatch 7-14 working days
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£82.95The Flowers of the Forest (Brass Band - Score and Parts) - Bennett, Richard Rodney - Hindmarsh, Paul
In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.
Estimated dispatch 7-14 working days
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£44.95
The Flowers of the Forest (Brass Band - Score only) - Bennett, Richard Rodney - Hindmarsh, Paul
In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.
Estimated dispatch 7-14 working days
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