Results
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£228.70Ascension For Brass Band and Percussion - Fredrick Schjelderup
"Ascension" was commissioned in 2014 for the Norwegian school band, Hellen Skoles Musikkorps for their 60th anniversary.The piece is based on two themes, processed through rhythms, chords and solos in various time signatures.The title, "Ascension" which means rising, is central for the main thematic material and describes the band's hard work for a coming event (concert or a contest) where the musical level is ascending/rising.
Estimated dispatch 5-14 working days
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£79.95The Lost Village of Imber (Brass Band - Score and Parts) - Bond, Christopher
The Lost Village of Imber was commissioned by Bratton Silver Band in 2019 in celebration of 160 years of the band; 1859-2019. Structured in three movements, the complete work was premiered by Cory Band at Wiltshire Music Centre in February 2020.The village of Imber on Salisbury Plain had been inhabited for over one thousand years when it was evacuated in 1943 to make way for military training in the Second World War. At the time, with preparations for the Allied invasion of Europe underway, most villagers put up no resistance, despite being upset, with the belief that they'd return once the war had concluded. To this day, Imber and its surrounding land remain a military training ground. The villagers never returned, and just the shell of what was once a community remains.Structured in three movements, it is on this very real story that the work is based, setting out the series of events of 1943 in chronological order.The first movement, On Imber Downe, portrays a sense of jollity and cohesiveness, a community of individuals living and working together before news of the evacuation had broken. Sounds of the village are heard throughout, not least in a series of percussive effects, the anvil of the blacksmith; the cowbell of the cattle and the bells of the church.The second movement, The Church of St. Giles, begins mysteriously and this sonorous, atmospheric opening depicts Imber in its desolate state and the apprehension of residents as they learn they have to leave their homes. Amidst this is the Church, a symbol of hope for villagers who one day wish to return, portrayed with a sweeping melodic passage before the music returns to the apprehension of villagers facing eviction around their sadness at losing their rural way of life.In complete contrast, the third movement, Imemerie Aeternum, portrays the arrival of the military, complete with the sounds of the ammunition, firing and tanks, sounds which were all too familiar to those living in the surround areas. To close, the Church of St. Giles theme returns in a triumphant style, representing the idea that the church has always been, even to this day, a beacon of hope for the villagers and local community, both the centrepiece and pinnacle of a very real story.Duration: 13.30
Estimated dispatch 7-14 working days
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£44.95
For the World (Brass Band - Score and Parts) - Creamer, Sam
Originally written for the Melbourne Staff Band 125th Anniversary, this developed work features many genres of music but keeps as?its central theme the song 'The World for God'. This is bright and abounds in energy throughout. Other tunes featured are 'Christ?for the world we sing', 'He's got the whole world' (in a 'Dixieland' style) and 'Christ for the whole world' (in a 'Swing' style).
Estimated dispatch 7-14 working days
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£22.50
For the World (Brass Band - Score only) - Creamer, Sam
Originally written for the Melbourne Staff Band 125th Anniversary, this developed work features many genres of music but keeps as?its central theme the song 'The World for God'. This is bright and abounds in energy throughout. Other tunes featured are 'Christ?for the world we sing', 'He's got the whole world' (in a 'Dixieland' style) and 'Christ for the whole world' (in a 'Swing' style).
Estimated dispatch 7-14 working days
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£23.00King Lear Fanfare (Brass Band - Score and Parts) - Debussy, Claude - Wilson, Duncan
King Lear is a tragedy by William Shakespeare. Lear descends into madness bringing tragic consequences for all. Based on a mythological pre-Roman Celtic king, the play has been widely adapted for the stage and motion pictures, with the title role coveted by many of the world's most accomplished actors. Its first known performance was in 1607, George Bernard Shaw wrote, "No man will ever write a better tragedy than Lear". Originally orchestrated for 2 flutes, 4 horns, 3 trumpets, timpani, side drum, 2 harps, and strings, Debussy wrote five minutes of incidental music for a production of King Lear, produced at the Theatre Mogador Paris in 1904. Duration: 1.30. Suitable for 4th Section Bands and above.
Estimated dispatch 7-14 working days
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£43.00La Perla Negra (Brass Band - Score and Parts) - Skinner, Colin
For this brooding piece the composer has used the following storyline. "A sad elderly man sits alone in a bar whilst an accordionist plays a slow tango. A beautiful woman walks in wearing a single black pearl necklace and proceeds to dance with the old man. Gradually the music becomes more and more spirited and the dance faster as the old man becomes youthful again. With a passionate kiss he passes out in the girls arms and when he awakens he is back in the bar alone save for the accordionist. As he contemplates his dream he notices a single black pearl left behind on the bar. The sombre mood is lightened in the middle section by a deliberately trite and vibrato fuelled section, but we soon return to the opening material for a slow fade-out" Composer Colin Skinner wrote this piece especially for Superbrass' debut CD, Under the Spell of Spain. Duration: 6.30. Suitable for 2nd Section Bands and above.
Estimated dispatch 7-14 working days
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£164.99Diamond Concerto (Euphonium Concerto No.3) (Euphonium Solo with Brass Band - Score and Parts) - Sparke, Philip
Diamond Concerto was commissioned by Musikverein Morschied from Germany - Dr. Eric Grandjean, conductor - for a special concert featuring Steven Mead as guest soloist. Together they gave the world premiere on 28th April 2012 in the town theatre of Idar-Oberstein. The commission is a highlight in the 30-year friendship between composer and soloist, which has included many mutual CD projects and concerts and, now, a concerto. Sparke had Steven Mead's special euphonium sound in his head throughout the composition process and made free use of the variety of styles which the world-renowned virtuoso has made his own during his highly successful solo career.The village of Morschied lies to the west of Frankfurt am Main in the area known as the German Road of Precious Stones, which is famous for its thriving gem industry. Because of this it was decided to give the commission a local connection by choosing the title, Diamond Concerto. Each of the three movements is named after a famous diamond:Earth Star is rather stern in mood, opening with a free fantasy for the soloist over a static chord from the band. This leads to an Allegro Moderato in minor mode where small motives are gradually repeated and developed by both band and soloist.Ocean Dream uses a varied quote from the composer's Music for Battle Creek, including a melting slow melody that was originally written with Steven Mead in mind.Blue Heart was written, at Steven Mead's suggestion, in bebop style and takes the form of a jazz waltz. The quasi-improvisatory central section features a call-and-response passage for the soloist and upper woodwinds.Duration: 16:45
Estimated dispatch 7-14 working days
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£74.95Aspects of Adiemus (Brass Band - Score and Parts) - Jenkins, Karl - Graham, Peter
Aspects of Adiemus is a collection from one of the world's most popular composers, Karl Jenkins. Adiemus, literally translated, means 'we will draw near' and represents a musical language which can be heard on five award winning albums from the composer.Since Adiemus has risen in popularity around the world, it has become a growing entity meaning many different things to many different people. Vocally, the spread of influence grows wider all the time, taking in Arabic and African sounds as well as Celtic and ecclesiastical ones. The percussion too has expanded using Indian, Middle Eastern, Japanese, Chinese and even Australian instrumentation.The evolving nature of Adiemus has meant that it has been difficult to categorise. New age, classical crossover, world music, even pop. Karl sees this as a good sign: To me, Adiemus transcends labels. The fact that it reaches people of different backgrounds, faiths and cultures gives it a universal appeal which is special. The compositions can be spiritual, religious, meditative - it's open to move people in any away they choose to experience.Ironically, the Adiemus project got off the ground initially due to a television commercial for an airline. Karl Jenkins explains, I'd been toying with a new idea, completely separate to my work in advertising, but at this time, Jenkins Ratledge were commissioned to come up with the music for an airline commercial. We presented the client with a demonstration tape of one of my completed compositions and they loved it.That composition became known as Adiemus. The music for the airline commercial was aired and immediately drew interest from the public. Karl: It's ironic that a piece of music not originally intended for a TV commercial should end up on a TV commercial, and that this music became the springboard for the success of the Adiemus project.Expertly arranged by Peter Graham, Aspects of Adiemus features the eponymous Adiemus, an uplifting and instantly recognisable opener. Chorale - Za Ma Ba and Chorale - Vocalise are songs of sanctuary, the latter featuring a chamber group from within the band. The vibrant Song of the Spirit is a cornet feature, and the finale, Song of the Plains combines intense rhythmic energy with tribal harmonies. Duration is variable depending on movement selection and optional cuts.Duration: 20.00
Estimated dispatch 7-14 working days
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£74.99Willow Pattern (Brass Band - Score and Parts) - Harper, Philip
Composed in 2009 for Nicholas Childs and the Black Dyke BandThis piece tells the Willow Pattern legend through music. Several leitmotifs are used both for the different characters and also for some of the important emotions in the tale. Additionally, Knoon-se's part is mainly played by the flugel horn, Chang by the euphonium, the Mandarin by the Eb Bass and the Duke Ta-jin by the trombone.The Willow Pattern Legend:Once, in ancient China, there lived a wealthy and powerful Mandarin who had a beautiful daughter, Knoon-se. She had fallen in love with Chang, a humble accountant, which angered her father who imprisoned her in the Pavilion by the river with only the exotic birds for company. She learnt that the Mandarin planned to marry her to the pompous Duke Ta-jin and that the wedding would take place on the day the blossom fell from the willow tree, so she sent Chang a message: "Gather thy blossom, ere it be stolen". The Duke arrived by sea amid great fanfare when the tree was heavy with bud, and nights of magnificent banquets followed. After one such occasion when the Mandarin slept, Chang crept over the crooked fence and tiptoed into the Pavilion to rescue Knoon-se, but as they escaped the alarm was raised. They fled over the bridge with the Mandarin close on their heels brandishing his whip. They managed to escape by boat to a secluded island where they lived happily for a time. Meanwhile, the Mandarin learned of their refuge and, intent on revenge, he ordered his soldiers to kill them. As Knoon-se and Chang slept at night, the men set fire to the pagoda in which they lived and the lovers perished in the flames. However, the Gods, moved by the lovers' plight, transformed their souls into two turtle-doves which rose from the charred remains, soaring above the Earth, symbolising eternal happiness.Willow Pattern is dedicated to the memory of Jean Harper who passed away as I was completing the piece and who was a great collector of porcelain and china-ware.Duration: 12:00
Estimated dispatch 7-14 working days
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£42.95Blue Jeans (Trombone Solo with Brass Band - Score and Parts) - Wiffin, Rob
In 2008 the trombonist, Chris Jeans, was invited to be a featured soloist at a British Trombone Society event. He contacted Stan Kitchen at Studio Music Company to see if he had any new material for trombone. Stan then got in touch with me, as I had already written a piece for another trombone player, Brett Baker. This piece, Shout! was programmed for the same event so we needed to find something new for Chris.The title 'Blue Jeans' came to my mind, thus linking a blues-style piece with the obvious reference to Chris's surname. I spoke to Chris and he liked the sound of it so then I had to go away and write a solo to match the title!I managed to get a version with piano accompaniment done in time for Chris to perform at the trombone event and have now had a chance to complete the band version.Chris is a great chap, a good friend and a wonderful trombone player so I hope people enjoy listening to this solo that bears his name.- Rob WiffinDuration: 3.30
Estimated dispatch 7-14 working days
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