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£24.50
Brass Chorale: Reflections - Daniel. A.D. Robinson
"Brass Chorale: Reflections" is a contemplative and emotive piece for brass band, lasting approximately four minutes. It begins with sombre, chant-like themes, evoking a deep sense of grief and introspection. As the music unfolds, a central theme emerges, offering a sense of hope and renewal. This hopeful melody is momentarily overshadowed by a bold and contrasting idea, before seamlessly blending into a soaring reprise of the central theme. The euph/bari shine in this climactic moment, soaring above rich, moving harmonies, and leading to a powerful and uplifting finale. Perfect for reflective concerts, memorials, or moments of profound expression in any brass band program.
In Stock: Estimated dispatch 1-3 working days
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£24.50
Andante Cantabile (from the String Quartet No. 1 in D major) - Tchaikovsky - Barry Strickle
The string quartet No.1 in D Maj was the first of three composed by Tchaikovsky. The melancholic Andante cantabile movement of the quartet has become famous, and was founded on a folk-song the composer heard whistled by a house painter. When the quartet was performed at a tribute concert to Leo Tolstoy, the author was said to have been brought to tears by this movement. Now arranged by Barry Strickle for full Brass Band, this is a perfect piece for any occasion or concert.
In Stock: Estimated dispatch 1-3 working days
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£44.50
Brass Monkey's Ensemble Workout - David White
This selection of music is the perfect all-in-one workout for your training band. Each piece contained within the selection serves a definite purpose (all of which are given below and are printed in the score). The "Ensemble Workout" balances musical exercises and pieces of music to ensure that the end result is a better ensemble performance over all. The pieces keep the players entertained whilst ensuring they listen and work with the other players around them. Drum Kit and Percussion parts are also included. The pieces (and their objectives) included areaA UNISON WARM UP & HYMN TUNEA MINOR TUNE - no key or time signature, no dynamics, accidentals for some (sharp)PLODDING ON - time signature but no key signature, no dynamics, accidentals for some (sharp, flat natural) staccato / legato playingLITTLE WALTZ - time signature & key signature, accidentals & dotted minims & ties D.S. al Fine & repeats with 1st & 2nd time bars no dynamicsLAZY LATIN - time & key signature, dynamics & accidentals, staccato / legato playing styles, sectional repeats with 1st & 2nd time barsTHE AIKIN DRUM - 6/8 compound time, March style playing, D.C. al Coda
In Stock: Estimated dispatch 1-3 working days
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£42.70Independentia (Brass Band - Score and Parts) - Browne Hall, Robert - Wood, Stephen D.
Marchcard sizeSlightly reduced Brass Band instrumentation (no rep cornet, no 2nd horn, no 2nd trombone part)
Estimated dispatch 7-14 working days
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£30.00
YORKSHIRE BRASS D Broadbent
Estimated dispatch 7-14 working days
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£95.00Variations on a Theme of Michael Tippett (Brass Band - Score and Parts)
A Centenary Tribute by Michael Ball, Edward Gregson, Elgar Howarth, Bramwell Tovey and Philip WilbyThis unique 'pice d'occasion' arose out of a telephone conversation in 2004 with Alan Wycherley, who was the soprano cornet player of the Foden's Richardson Band at the time. He indicated that the band would like to include an original birthday tribute for Edward Gregson (60) and Elgar Howarth (70) in its concert at the 2005 RNCM Festival of Brass in Manchester. I have been Artistic Director of Manchester's Festival of Brass since it was established in 1990 as a BBC Radio 3 series, As the centenary of the birth of Sir Michael Tippett fell on 5 January 2005, I devised this collective work as a way of embracing all three anniversaries in a novel way.The idea of joint compositions is not a new one in the classical music world. In the 1860s, Verdi was joined by a number of his contemporaries in a Requiem Mass for Rossini. In this country there have been a number of orchestral examples over the past fifty years, but never before for the brass band. Although Tippett composed only one work for brass band, Festal Brass with Blues, his orchestral works and operas are full of idiomatic brass writing. The theme I chose for this celebration is one of Tippet's most memorable miniatures featuring wind and brass. In the opera Midsummer Marriage it marks the entry of the Ancients. It is also included in the orchestral Suite in D (1948), for the Birthday of Prince Charles.I invited five of the leading contemporary voices in brass band music to add their own creative perspectives to the little Tippett theme, with it's characteristic rhythms, embellishments and modality - the Lydian mode. Each contribution was designed to fit into a tonal and formal template to give the whole work a flow and continuity. In Danse des Amis, Bramwell Tovey has composed a jazzy, humorous variation. Inspiration came from Tippett's love of jazz and, more personally, from the characteristically syncopated gait of the distinguished music critic John Amis, who Tovey once observed leaving a performance of Tippett's opera King Priam before the end. Incidentally, that performance was conducted by Elgar Howarth.We hear Edward Gregson in lyrical mode. His Midsummer Song is redolent of the sound world of Tippett's opera A Midsummer Marriage and it ends with a brief reference to a favourite of Gregson's, Tippett's Concerto for Orchestra. Michael Ball provides a brief moment of light, airy activity bringing to mind perhaps Tippett's love of Shakespearian fantasy, especially The Tempest. Elgar Howarth juxtaposes a slowed down version of the processional theme with distant recollections of fanfares from King Priam. Philip Wilby has rounded the tribute off with a spectacular fugue. During its inexorable progress Wilby ingeniously introduces the two other birthday references - the three-note musical signature that Elgar Howarth includes in much of his music and the characteristic theme which begins Edward Gregson's substantial work for brass an organ The Trumpets of the Angels. An elaborated reprise of Tippett's little theme is followed by a dynamic coda.- Paul HindmarshDuration: 13.00
Estimated dispatch 7-14 working days
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£19.95Sanctus (From German Mass D.872) (Brass Band - Score and Parts)
Franz Schubert's so-called German Mass, D. 872 is one of his last works of sacred music and was written in 1827. The work was commissioned by Professor J P Neumann of the Polytechnic School of Vienna who provided the texts for the nine short sections. It was Neumann's idea that the work be as musically simple as possible and able to be performed by amateurs. This arrangement of the Sanctus seeks to preserve the simplicity of the original, allowing the sheer beauty of the melodic lines to have prominence.
Estimated dispatch 7-14 working days
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£3.95On the Face Too! (Part D: Bass in Eb)
On the Face Too! is to the secondary school brass teacher as On the Face! is to the primary: namely a collection of pieces for intermediate brass ensemble in various jazz and popular styles, aiming to give a ready supply of material for concerts and assemblies, which nevertheless still allows for the developing technique of the young players to whom it is addressed.Generally speaking, the technical difficulty of the material here goes no further than grade 4 or 5 (even the first trumpet part never goes higher than a written G), though some pieces will offer considerable rhythmic challenges.
Estimated dispatch 7-14 working days
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£3.95On the Face Too! (Part D: Trombone BC)
On the Face Too! is to the secondary school brass teacher as On the Face! is to the primary: namely a collection of pieces for intermediate brass ensemble in various jazz and popular styles, aiming to give a ready supply of material for concerts and assemblies, which nevertheless still allows for the developing technique of the young players to whom it is addressed.Generally speaking, the technical difficulty of the material here goes no further than grade 4 or 5 (even the first trumpet part never goes higher than a written G), though some pieces will offer considerable rhythmic challenges.
Estimated dispatch 7-14 working days
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£3.95On the Face Too! (Part D: Trombone TC)
On the Face Too! is to the secondary school brass teacher as On the Face! is to the primary: namely a collection of pieces for intermediate brass ensemble in various jazz and popular styles, aiming to give a ready supply of material for concerts and assemblies, which nevertheless still allows for the developing technique of the young players to whom it is addressed.Generally speaking, the technical difficulty of the material here goes no further than grade 4 or 5 (even the first trumpet part never goes higher than a written G), though some pieces will offer considerable rhythmic challenges.
Estimated dispatch 7-14 working days
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