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  • £69.99

    Capriccio for Trombone (Trombone Solo with Brass Band - Score and Parts) - Sparke, Philip

    Capriccio for Trombone was commissioned by Brett Baker, trombone soloist and member of the famous Black Dyke Band. It is a tribute to the late Mike Moor, close friend and colleague of both Brett and the composer. The piece aims to capture Mike's good humour, his love for brass band music and the irrepressible, enthusiastic energy he involved in all things he did in his life.Duration: 3:30

    Estimated dispatch 7-14 working days

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  • £74.99

    Kingdom of Dragons (Brass Band - Score and Parts) - Harper, Philip

    The 'Kingdom of Dragons' is Gwent in South Wales, known in ancient times as the Kingdom of Gwent, and more recently home to the Newport Gwent Dragons Rugby Union team.This piece was commissioned by the Gwent Music Service with additional funding from Ty Cerdd - Music Centre Wales to celebrate the 50th anniversary in 2010 of the formation of the Gwent Youth Brass Band.Although the music is continuous, it is divided into four distinct sections, each one representing one of the unitary authorities which make up the County of Gwent.Monmouthshire, which has a large number of ancient castlesBlaenau Gwent, an historic area of iron and coal miningTorfaen, where Pontypool Park is a notable landmarkNewport, the largest city in the regionThe music begins with a two-bar fanfare, which sets out all the thematic material of the piece. The mood of pageantry that follows describes some of the ancient castles in Monmouthshire, with rolling tenor drums and fanfaring cornets. After a majestic climax the music subsides and quite literally descends into the coal mines of Blaenau Gwent. The percussion provides effects that suggest industrial machinery clanking into life, and the music accelerates to become a perilous white-knuckle ride on the underground railroad. There is a brief respite as a miner's work-song is introduced and, after a protracted build-up, this is restated at fortissimo before the music comes crashing to an inglorious close, much like the UK's mining industry itself. The middle sonorities of the band portray the tranquillity of Pontypool Park, a place of great natural beauty. Brief cadenzas for cornet and euphonium lead to a full band reprise of the pastoral mood. At the end of this section we find ourselves at the top of the park's 'Folly Tower' from which the distant castle turrets of Monmouthshire are visible. Pontypool RFC was one of eleven clubs in the first Welsh league in 1881 and a brief but bruising musical portrayal of the formidable Pontypool front-row, the 'Viet Gwent' leads into the work's final section. This portrays Newport, a symbol for progress and optimism for the future, ideals shared by the Gwent Youth Band itself. The music is a vigorous fugue which advances through various keys and episodes before the final triumphant augmented entry which brings the work to a magnificent conclusion.Duration: 12:00

    Estimated dispatch 7-14 working days
  • £59.95

    Festival Suite (Brass Band - Score and Parts) - Downie, Kenneth

    This three movement suite for brass band was commissioned by the Solothurnischer Blasmusikverband (SOBV) in Switzerland for their 2009 Festival. The first movement, Energy, is appropriately lively in character. It is dominated by an agitated theme on trombones and cornets, driven by a percussion accompaniment, and complemented by pulsating counterpoint from the rest of the band. The second movement is called Repose and its opening melodious theme on cornets provides a welcome respite from the restlessness and verve of the opening movement. The lyrical nature of the music is sustained throughout. The finale, Suspense, opens with a theme containing more than a hint of foreboding which recurs several times. There are numerous abrupt changes of dynamics, and also a brightening of mood, before everything finishes in a blaze of sound.

    Estimated dispatch 7-14 working days
  • £39.00

    King Cotton (Brass Band - Score and Parts) - Sousa, John Philip - Wilkinson, Keith M.

    This march was written in 1895 when the Sousa Band played for three weeks at the Cotton States And International Exposition. This was a time when in southern USA cotton production was vitally important - the phrase Cotton is King was appropriate and widely used.This arrangement was prepared for the 2010 Summer concerts of Brass Band of the Western Reserve, musical director Dr Keith M Wilkinson. The staging directions for back-row cornets in the last section will enhance the performance.

    Estimated dispatch 7-14 working days

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  • £59.95

    The Ellacombe Chronicles (Brass Band - Score and Parts) - Curnow, James

    This piece was commissioned by Brass Band of Columbus for the occasion of the band's 25th anniversary in 2009. It is dedicated to current and former members of the band and its founding Director, Dr Paul Droste. The hymns of Isaac Watts (1674 - 1748) have been a source of inspiration for musical thought and development by composers for over 200 years. His glorious hymn 'I sing the mighty power of God' has been coupled with the hymn tune 'Ellacombe' in many hymnals over these two centuries. This work was created and inspired by Isaac Watts's text and chronicles the three verses of the hymn through a set of diverse variations on the hymn tune 'Ellacombe'. The opening fanfare is intended to capture the joy and exuberance of the first phrase of the first verse, 'I sing the mighty power of God that made the mountains rise'. The developmental material following the fanfare gives a hint of the three large variations that are extracted from the tune.

    Estimated dispatch 7-14 working days
  • £29.95

    The Invincible Army (Brass Band - Score and Parts) - Leidzen, Erik

    When the New York Staff Band toured England in 1960 they featured much new music written for them by Erik Leidzen, including this march. The trio section is in the unusual key (brass band pitch) of Db major, a major third away from the opening key of F major, rather than the more predictable subdominant of Bb major. This presents a technical and mental challenge to the players but provides a particularly brilliant sonority when played in tune!

    Estimated dispatch 7-14 working days
  • £70.40

    Suite for Brass (Brass Band - Score and Parts) - Rutter, John - Smith, Sandy

    3rd Section Finals test-piece for the National Brass Band Championships of Great Britain 2008

    Estimated dispatch 7-14 working days

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  • £27.00

    Auld Lang Syne (Brass Band - Score and Parts) - Wilkinson, Keith M.

    It is a tradition in most English-speaking countries to sing this song at the stroke of midnight on New Year's Eve to usher in the New Year. The words are at least partially written by Robert Burns and the words "Auld Lang Syne" literally mean "old long ago" or "the good old days", providing a moment of reflection before moving forwards into the New Year.The tubular bells, although pitched, sound midnight when they enter at bar 10.This arrangement was prepared for Brass Band of the Western Reserve, musical director Keith M Wilkinson, to perform at First Night, Akron, Ohio, December 31st, 2007. The following choreography is suggested:Commence the performance with all the cornets scattered around the auditorium.At the end of bar 18 invite the audience to sing along with the band.At bar 27 the cornets move to stand in front of the other members of the band to lead to the stirring conclusion. Should auld acquaintance be forgot and never brought to mind?Should auld acquaintance be forgot and days of auld lang syne?For auld lang syne, my dear, for auld lang syne,We'll take a cup of kindness yet, for auld lang syne.

    Estimated dispatch 7-14 working days

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  • £29.95

    Comfort And Joy (Brass Band - Score and Parts) - Thomas, Martyn

    A pure, unadulterated 'big band' style jazz arrangement for brass band of 'God rest ye merry gentlemen'.

    Estimated dispatch 7-14 working days
  • £24.95

    David Of The White Rock (Cornet Solo with Brass Band - Score and Parts) - Bowes, Ray

    This melody is reputed to have originated in Caernarvonshire, North Wales. Tradition holds that a bard called David, lying on his deathbed, called for his harp and performed this plaintive tune, expressing a desire that it should be played at his funeral. Ever since the tune has been called by his name and that of his house 'Garagwen' ('Druid Stone' or 'White Rock'). The solo is not just a slow melody with brass band accompaniment but is a composite whole, the band needing as much sensitivity as the soloist in the presentation.

    Estimated dispatch 7-14 working days