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£59.95
ELLACOMBE CHRONICLES, The (Brass Band Set) - James Curnow
This piece was commissioned by Brass Band of Columbus for the occasion of the band's 25th anniversary in 2009. It is dedicated to current and former members of the band and its founding Director, Dr Paul Droste. The hymns of Isaac Watts (1674 - 1748) have been a source of inspiration for musical thought and development by composers for over 200 years. His glorious hymn 'I sing the mighty power of God' has been coupled with the hymn tune 'Ellacombe' in many hymnals over these two centuries. This work was created and inspired by Isaac Watts's text and chronicles the three verses of the hymn through a set of diverse variations on the hymn tune 'Ellacombe'. The opening fanfare is intended to capture the joy and exuberance of the first phrase of the first verse, 'I sing the mighty power of God that made the mountains rise'. The developmental material following the fanfare gives a hint of the three large variations that are extracted from the tune.
Estimated dispatch 7-14 working days
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£91.99Fanfares, Songs & Dances (Brass Band - Score and Parts) - Sparke, Philip
Fanfares, Songs & Dances was commissioned by Brass Bands England, the Lithuanian Brass Band Association and the Dutch National Brass Band Championships (NBK), and first performed at the 43rd 'NBK' in October 2024.The work is played in three linked movements:FANFARES opens in robust fashion with a sequence of fanfare-like statements, initially featuring the horns, whose modal theme includes a figure that will reappear throughout the work. Euphoniums and then cornets introduce a second theme, which is followed by a third, again initiated by the horns. Baritones then change the mood with a more-lyrical theme, which builds to a climax, eventually leading back to a recall of the initial fanfare theme. This gradually dissolves to introduce the second movement.SONGS continues to relax the fanfare feel with a long introduction to the movement's main theme, first appearing on solo cornet. A change of key introduces a bridge passage which leads to a sonorous chorale, which builds to a triumphal return of the cornet theme. A peaceful coda leads to the final movement of the work.DANCES is a scherzo-like movement based around a series of rhythmic melodies in triple time, which lead to a majestic return of the 2nd movement's chorale theme under cornet figuration. The opening dance theme returns and heralds a joyous coda.Duration: 11.00
Estimated dispatch 7-14 working days
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£50.00Rhapsody (Cornet Solo with Brass Band - Score and Parts) - Skinner, Colin
A feature for cornet/trumpet with brass band. This work opens with a fanfare to introduce a bright march. There follows a gentle waltz like section before a return to the opening theme. A short solo cadenza and fanfare to finish. Duration: 7:00
Estimated dispatch 7-14 working days
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£50.00Greetings to a City (Brass Band - Score and Parts) - Bliss, Arthur - Hindmarsh, Paul
Sir Arthur Bliss (1891 - 1975) was a significant composer and pillar of the British musical establishment. Although Born in London, his father was from the United States and both countries were important in his life and career. A pupil of Stanford at the Royal College of Music, Bliss travelled to the United States with his father in 1923, taking a prominent part in Elizabeth Sprague Coolidge's Pittsfield Music Festival, as well as undertaking some teaching and conducting. In 1925 he married Trudy Hoffman and they returned to the UK early in 1926. Bliss's most influential scores were his ballets and film scores. In 1953 Sir Arthur was appointed Master of the Queen's Music, after which he added a steady stream of fanfares and ceremonial works to his list of works. In 1960 he was commissioned by the American Wind Symphony of Pittsburgh, which requested for festive work to feature on an extensive European tour, including a performance in London.Bliss scored Greetings to a City for antiphonal brass, a choir each of 2 trumpets, 2 horns and three trombones, with tuba and percussion. This adaptation for brass band instruments retains an element of antiphony, emphasing the contrast between the fanfare instruments (cornets and trombones) and the horns and tubas. Greetings to a City is cast in three connected sections, with extended fanfare episodes separated by a short lyrical interlude.- Paul HindmarshDuration: 6.00
Estimated dispatch 7-14 working days
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£60.99Glory Fanfare (Brass Band - Score and Parts) - Schwarz, Otto M.
Glory Fanfare was commissioned by the Brass Band of Upper-Austria for the 2010 European Brass Band Championships in Linz, and was performed as the first piece in the gala concert. The double chorus of cornets is particularly ingenious and its virtuosic character adds to all the excitement. Modern elements, such as funky bass lines played along with the drum kit, help drive the festive atmosphere and create a piece that will captivate your audience from the word go!Duration: 3:00
Estimated dispatch 7-14 working days
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£59.95The Ellacombe Chronicles (Brass Band - Score and Parts) - Curnow, James
This piece was commissioned by Brass Band of Columbus for the occasion of the band's 25th anniversary in 2009. It is dedicated to current and former members of the band and its founding Director, Dr Paul Droste. The hymns of Isaac Watts (1674 - 1748) have been a source of inspiration for musical thought and development by composers for over 200 years. His glorious hymn 'I sing the mighty power of God' has been coupled with the hymn tune 'Ellacombe' in many hymnals over these two centuries. This work was created and inspired by Isaac Watts's text and chronicles the three verses of the hymn through a set of diverse variations on the hymn tune 'Ellacombe'. The opening fanfare is intended to capture the joy and exuberance of the first phrase of the first verse, 'I sing the mighty power of God that made the mountains rise'. The developmental material following the fanfare gives a hint of the three large variations that are extracted from the tune.
Estimated dispatch 7-14 working days
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£29.95
The Ellacombe Chronicles (Brass Band - Score only) - Curnow, James
This piece was commissioned by Brass Band of Columbus for the occasion of the band's 25th anniversary in 2009. It is dedicated to current and former members of the band and its founding Director, Dr Paul Droste. The hymns of Isaac Watts (1674 - 1748) have been a source of inspiration for musical thought and development by composers for over 200 years. His glorious hymn 'I sing the mighty power of God' has been coupled with the hymn tune 'Ellacombe' in many hymnals over these two centuries. This work was created and inspired by Isaac Watts's text and chronicles the three verses of the hymn through a set of diverse variations on the hymn tune 'Ellacombe'. The opening fanfare is intended to capture the joy and exuberance of the first phrase of the first verse, 'I sing the mighty power of God that made the mountains rise'. The developmental material following the fanfare gives a hint of the three large variations that are extracted from the tune.
Estimated dispatch 7-14 working days
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£25.50Fanfare and The Star Spangled Banner (Brass Band - Score and Parts) - Wilkinson, Keith M.
A short, stirring fanfare leads to an inspirational presentation of The Star-Spangled Banner which is designed for audience participation.This setting was prepared for the Summer concerts presented by Brass Band of the Western Reserve in 2007.
Estimated dispatch 7-14 working days
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£40.00Fanfare (Brass Band - Score and Parts) - Woolrich, John
This lively Fanfare was composed in 1994 for the brass band of the Guildhall School of Music and Drama Junior Department, which gave the first performance on 4 July 1994. Suitable for Youth/4th Section Bands and above. Duration: 4.00
Estimated dispatch 7-14 working days
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£60.99Conzensus (Brass Band - Score and Parts) - Van der Roost, Jan
This stately concert opener was originally written by Jan Van der Roost for a special event in which six respected wind orchestras (two Belgian and four Dutch) of different composition (two symphonic bands, two fanfare bands and two brass bands) were featured during six concerts. Each evening brought forth a performance by a symphonic band, a fanfare, and brass band, so that the audience could experience all three types of ensembles. This was indeed an original concept. The name, ConZEnSus, comes from a combination of the words, 'Concert Cyclus' (concert series) and 'zes' (Dutch for 'six'). This leads to a new word, which refers to 'consensus'. The general tenor of the cycle is thus immediately indicated. The richness of color of the various ensembles is revealed through an open and friendly atmosphere. During all six concerts (over a span of three years), ConZEnSus functioned as a permanent opening number for each orchestra. Thus the same musical story was portrayed in three different packages.Duration: 2:30
Estimated dispatch 7-14 working days
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