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£39.99Elegy for Euphonium
ABOUT THIS PIECE: Frank Bridges beautiful melody. Expertly arranged for Solo Euphonium by Adam D J Taylor. ENSEMBLE: Full brass band WHEN YOU BUY THIS PRODUCT, YOU GET: Printed full score and parts for full brass bandLEVEL: This piece is suited to higher section bands.
Estimated dispatch 5-7 working days
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£55.00Italia
ABOUT THIS PIECE: This is a superb arrangement of the Chris Botti, David Foster & Lorenzo Cherubini work by Adam D J Taylor. Written as a cornet and Trombone duet you can hear Andy MacDonald and Adam D J Taylor play this with the Wingates band on the YouTube link below. ENSEMBLE: Cornet and trombone duet with full brass band accompaniment WHEN YOU BUY THIS PRODUCT, YOU GET: Printed full score and partsLEVEL: This piece is suited to most bands. DUE TO COPYRIGHT LAW THIS WORK IS ONLY AVAILABLE IN THE UK AND EUROPE
Estimated dispatch 5-7 working days
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£55.00The Egg Travels
ABOUT THIS PIECE: A brand new arrangement from Adam DJ Taylor. This is the main theme from Disney's film Dinosaur. James Newton Howard created superb work and Adams armament is suitable for youth to championship section bands. ENSEMBLE: Full brass band WHEN YOU BUY THIS PRODUCT, YOU GET: Printed full score and parts for full brass bandLEVEL: This piece is suitable for most bands.
Estimated dispatch 5-7 working days
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£30.00Cadishead - Concert March
ABOUT THIS PIECE: Written by Adam DJ Taylor in 2019 for the Cadishead Band near Manchester and in memory of James Roy Hesford. ENSEMBLE: Full brass band WHEN YOU BUY THIS PRODUCT, YOU GET: Printed full score and parts for full brass bandLEVEL: This piece is suitable for most bands.
Estimated dispatch 5-7 working days
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£39.99Lullaby
ABOUT THIS PIECE: A superb new brass band arrangement of the gentle George Gershwin work. Expertly arranged by Adam DJ Taylor. ENSEMBLE: Full brass band WHEN YOU BUY THIS PRODUCT, YOU GET: Printed full score and parts for full brass bandLEVEL: This piece is suitable for most bands.
Estimated dispatch 5-7 working days
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£39.99You Know my Name
ABOUT THIS PIECE: The theme song of the 2008 James Bond film; 'Casino Royal'. Big and bold, this is a number that hits between the eyes. ENSEMBLE: Full brass band WHEN YOU BUY THIS PRODUCT, YOU GET: Printed full score and parts for full brass bandLEVEL: This piece is suited to bands 3rd section upwards DUE TO COPYRIGHT LAW THIS WORK IS ONLY AVAILABLE IN THE UK AND EUROPE
Estimated dispatch 5-7 working days
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£40.00
Ivory Ghosts - Gavin Higgins
Gavin Higgins wrote Ivory Ghosts in 2006 for brass ensemble as one of a collection of short pieces composed in support of the charity Brass Band Aid. It is a haunting miniature created in response to the horrors of the illegal trade in African elephant ivory. This definitive version for brass band and percussion was prepared for the Tredegar Town Band.
In stock: Estimated dispatch 1-3 days
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£49.95RAMEAU REVISITED - Rameau arr. Peter Graham
Additional Score: 24.95Rameau Revisited takes themes from the operas and keyboard works of the great Baroque composer Jean-Phillipe Rameau and recasts them to exploit the various colours of the modern brass band. The two outer movements, Marche and Tambourin are tour de force display pieces for the full ensemble while the three inner movements, Rondeau, La Joyeuse and Danse showcase the horn, cornet and lower brass sections in turn.
In stock: Estimated dispatch 1-3 days
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£32.00Chorale Prelude
This stately work is very loosely based on the opening chords from 'The Lamb', although there are no direct quotations from that work. The opening chorale is played as gradually more themes are added above in a dignified and legato subject where instruments sustain notes to give a lingering echo effect. Players need to be aware of their role in this to maximise the effect. The second subject increases the intensity until the time signature change introduces a second chorale. Then, a short imitative passage leads to a rising appogiatura theme and the climax of the work, which re-introduces the original chorale in a major tonality. With versions for brass ensemble, brass band, wind orchestra and woodwind orchestra, this work has been placed in concerts when a meaningful, reflective moment is required.
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£74.99Cornet Concerto No.1 - Jonathan Bates
My 'Cornet Concerto No.1' was composed for Lode Violet and Brass Band Willebroek in 2018 and features 2 movements, entitled 'Dystopia' and 'Utopia'. . The nature of the music in the opening section, 'Dystopia', is very jagged, disjointed and unsettling, as the soloist almost battles against the constant churning of the mechanical accompaniment, trying to persevere with it's own ideas and styles without being dragged into conforming to it's surroundings. The movement is based largely on the 3 note interval heard right at the outset of the piece (C, D & G#, a series of notes that lends itself so well to different modes, scales, harmonies and intervals) and this forms much of the rhythmic and harmonic structure of the opening section.Whilst this movement acts as a virtuoso feature to demonstrate the extended capabilities of both the soloist and instrument, I feel the accompanying ensemble plays an equal role in the narrative of 'dystopia', and features a number of demanding and prominent episodes for soloists within the accompanying band. A short and heavy coda concludes the movement, with a sense of real pain and sorrowfulness as the music fades away into darkness. . 'Utopia' opens in an instantly more hopeful nature, with the soloist introducing the first real 'theme' of the movement, taken up shortly by the accompaniment. Throughout this movement, there are a number of timbral and melodic references back to the darkness of 'dystopia', but transformed into a much more positive outlook and soundworld. There is a moment of quiet reflect (using the initial 3 note cell as a basis) before flying head first into a frenzied wild 'tarantella' like section, full of joy and energy which tests the dexterity and light-natured approach to virtuosity (much unlike the heavier material in the 1st movement) of the soloist. Primarily, the concept of this finale is fun - joy, happiness, and freedom from restraint, so the addition of a quirky 'tongue-in-cheek' habanera section offers a brief moment of respite from the craziness of the tarantella. To conclude the work, there is an extended cadenza for the soloist which is built on several motifs heard throughout the concerto, which leads the band into a dramatic and energetic final few bars.. Jonathan Bates. (2018). .
In stock: Estimated dispatch 1-3 days
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