Results
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£39.95Piece Heroique (Score and Parts) - Cesar Franck arr. Tony Rickard
Cesar Franck was appointed as organist at the newly built Paris church of Saint Clotilde in 1858, though he wrote remarkably little music for the instrument. Piece Heroique was one of the Trois Pieces pour Grand Orgue written in 1878 for the inauguration of the new Cavaille-Coll organ at the Trocadero in Paris. It's stately grandeur and stirring finale make an ideal concert item, and this skillful arrangement (which includes an optional organ part for added colour) retains the character of the original, while transferring it to the sonority of the brass band. If you're looking for the next Elsa's Procession, then here it is - an ideal concert ending when you need a grandstand finish! Duration: 9:00
Estimated dispatch 7-9 working days
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£51.95Prelude and Fugue: The Spitfire (Score and Parts) - William Walton arr. Elgar Howarth
Originally part of the score Walton wrote for the film The First of the Few, this fabulous music found greater fame in the concert version he made in 1942. Now, at last, here is an authorised version for brass band by an acknowledged master of the art, in a beautiful new presentation from Winwood Music. The Prelude - essentially a march in his best Crown Imperial style leads to a dazzling Fugue which incorporates a quiet interlude before the dramatic finale. Whether used as a concert opener or roof-raising finale it is sure to delight audiences and players alike. Duration: 7:00
Estimated dispatch 7-9 working days
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£35.00
Planets Align - Harper, P
Planets Align is intended to be a dramatic, theatrical opening number using the full space of any auditorium. Featuring fanfares for soprano and principal cornet, and an extended ad lib drum kit solo, the piece is designed to segue into any other piece and will make an arresting start to your concert as it did to Cory Band's 2014 Brass in Concert programme.1st section +Duration 3 mins
In Stock: Estimated dispatch 1-3 working days
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£85.00
The Alchymist's Journal - Kenneth Hesketh
The Alchymist's Journal (Variants for Brass Band) was commissioned by Faber Music Band Consultant Paul Hindmarsh in 2001, with the support of the Brass Band Heritage Trust, as a substantial concert/contest challenge that would be within the compass of the country's most able youth and first section bands. It received its first performance in January 2002, by Black Dyke Band under Nicholas Childs, as part of the Royal Northern College of Music Festival of Brass.Since its original publication, composer Kenneth Hesketh has made a number of revisions to the work. Most of these were included in the recording made by Foden's Band (Bramwell Tovey) for NMC Recordings (NMC D142). This definitive new edition, including all the composer's revisions, has been specially prepared for the 2015 National Brass Band Championships of Great Britain and is the text that all bands performing will be required to use.Brass Band Grade 5: 1st SectionDuration: 12 minutes.
In Stock: Estimated dispatch 1-3 working days
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£228.70Fanfare and Chorale - Egil Hovland - Ray Farr
This arrangement (or edition) for brass band will give the possibility for more performances of this fine work by Hovland. The composer, before his death, examined my work and made no suggestions for changes, and his approving comments were complimentary and encouraging. The work was originally written for Concert Band in 1966 as Op. 54a to St. Olaf College Band in the US. It was transcribed in 1967 for symphony orchestra as Op. 54b by the composer himself. The challenges in arranging the piece for brass band were mostly concerned with satisfactorily covering the upper register used by piccolo, flutes and clarinets, and while there are wonderful brass players around who have amazing high registers, I have aimed this edition at a level achievable by reasonably good brass band players who are willing to give time and effort into the proper preparation and delivery of the music. Having worked on this new edition with a top-class brass band, I think it sounds wonderful and interestingly different to the original. Besides the obvious differences of tone-colour and absent high notes, I have used in my scoring, the option for using a vibraphone in place of a celeste. Vaughan Williams, in his Variations for brass band writes for celeste, but because the instrument is quite rare, performances have been mostly given using a glockenspiel- but this, of course sounds two octaves higher than it was intended. I think that vibraphone and brass is an excellent combination and recommend it without hesitation in this piece. Every detail of articulation and dynamic has been considered, so in order to keep the integrity of the music, please do not change anything in the name of "interpretation". As Ravel says- "What is there to interpret?" Ray Farr
Estimated dispatch 5-14 working days
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£38.00Monteverdi Three Miniatures
ABOUT THIS PIECE: Monteverdi - Three Miniatures, is an engaging and educational brass band arrangement by Adam Taylor, originally composed for the British Open Youth Brass Band Contest at the Guild 2015. This piece masterfully reimagines themes from the works of Claudio Monteverdi, presenting them in a contemporary style that's both accessible and inspiring for modern brass ensembles. Ideal for youth bands and ensembles looking to explore early music in a fresh format, Monteverdi - Three Miniatures offers flexibility and creativity. The arrangement includes adaptable tempos to match your interpretation, a featured duet with parts available in both Bb and Eb, and written percussion parts that can be expanded with additional instruments or streamlined for smaller sections. Players are encouraged to add their own ornamentation, allowing for personal expression and an authentic touch to the music. With its nod to the grandeur of the late Renaissance and early Baroque periods, this piece serves not only as an excellent concert addition but also as a valuable educational tool, introducing young musicians to Monteverdi's timeless work. Dive into this vibrant arrangement and bring the essence of Monteverdi's genius to your next performance. ENSEMBLE: Standard British Brass Band (with adaptations) WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 1 LISTEN: Click here DURATION: 5-minutes, 30-secondsEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£49.95Bestowal of a Century - Christopher Bond
Bestowal of a Century (2014) was commissioned by Lowenna Taylor, and funded through her Harry Mortimer Trust award which she was presented with at the 2013 British Open Championship following the completion of her studies at the Royal Welsh College of Music in Cardiff. The 15-minute work received its world premiere at the Cornwall Youth Brass Band Christmas concert in 2014 with solosit, Lowenna, working alongside the band under the baton of Les Neish. The 'Bestowal' refers to the presentation of the Royal Trophy by the then Prince of Wales to the famous West of England Bandsman's Festival in Bugle in 1913. Over the years it has been won by some of the greatest names in brass banding, including Black Dyke and Munn & Feltons - although more recently it has become a wonderful open festival that includes sections for local bands as well as visitors from all over the banding globe. 2014 marked the one-hundredth anniversary of the presentation of the trophy, which is the only brass band trophy to have the official seal of royal patronage. The work, in three distinct sections, opens in a mysterious way, building progressively with interjections from the horn. The composer notes its as though one can imagine different part of the trophy being put together, piece by piece, until the trophy is complete and a climax is reached. Following this, a playful theme is presented which is developed throughout the first section and interacting between soloist and band. The second movement, in complete contrast, is a lyrical melody; heart-wrenching throughout, and sits well both as part of the concerto and also as a stand-alone solo item. The third movement is light-hearted and virtuosic, demonstrating the technical capabilities of the instrument with fast and virtuosic playing, and a cadenza towards the end of the work.
Publisher Closed for Holidays. Estimated Dispatch 22nd August
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£95.00
Torsion (Score & Parts) - Simon Dobson
Torsion was commissioned by the Leyland Band and first performed on 23 January 2010 at the Royal Northern College of Music Festival of Brass, Manchester, by Leyland Band conducted by Jason Katsikaris. This colourful and dynamic work is the most personal and ambitious that Simon Dobson composed during his residency with the Lancashire brass band. The dictionary defines torsion as the state of being twisted and the composer interprets this as the imagined dis-torsions and con-torsions of Time, Light and Sound in three contrasting movements. Simon Dobson fuses the traditional brass band sound with drive and energy of pop and funk jazz with optional digitally distorted 'echoes' providing added aural confusion at the points of climax. Although composed as a substantial concert work, Torsion would also make a challenging test-piece for contesting brass bands in the elite divisions.
In Stock: Estimated dispatch 1-3 working days
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£50.00
The Dreaded Groove And Hook (Score & Parts) - Simon Dobson
The Dreaded Groove and Hook is an up-tempo acid-jazz number that draws inspiration from bands like Jamiroquai and The Youngblood Brass Band. The groove in question is the main tune that is shared round the band, whilst the hook, in 'pop' terms, is the catchy bit of the song. The whole band joins in to play a huge 'riff' that acts as a chorus to the jazz-like verses.The piece was commissioned by Jason Katsikaris and The Leyland Band, who gave the first performance as part of their programme for the Brass In Concert Championships, held at The Sage, Gateshead on the 16th November 2008. It has now been recorded by the same band and conductor on the CD entitled Penlee. Brass Band Grade 5: 1st SectionDuration: 4 minutes
In Stock: Estimated dispatch 1-3 working days
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£50.00The Dreaded Groove and Hook - Simon Dobson
The Dreaded Groove and Hook is an up-tempo acid-jazz number that draws inspiration from bands like Jamiroquai and The Youngblood Brass Band. The groove in question is the main tune that is shared round theband, whilst the hook, in 'pop' terms, is the catchy bit of the song. The whole band joins in to play a huge 'riff' that acts as a chorus to the jazz-like verses. The piece was commissioned by JasonKatsikaris and The Leyland Band, who gave the first performance as part of their programme for the Brass In Concert Championships, held at The Sage, Gateshead on the 16th November 2008. It has now been recorded by the same bandandconductor on the CD entitled Penlee.Brass Band Grade 5: 1st SectionDuration: 4 minutes
Estimated dispatch 5-14 working days
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