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  • £36.50

    A Road Less Travelled By (Brass Band - Score only) - Sparke, Philip

    A Road Less Travelled By was commissioned by Palangos Orkestras for the Championship Section of the 2020 European Brass Band Championships held in Palanga, Lithuania.The following was written by the composer, Philip Sparke:The title alludes to a poem by American author, Robert Frost, which appeared in his 1916 collection, Mountain Intervals: The Road Not Taken.In common with most of my larger works, this piece in not programmatic, but purely abstract; there is no extrinsic musical story. The choice of title shares my view of how composers can often develop. There can be no 'destination' in a composer's career, but rather a continuing journey to an unknown place. From piece to piece a composer needs to decide his or her next steps, never really knowing where they might lead. As Frost so eloquently describes, these sorts of instinctive decisions guide all our lives.Set in three movements, which play without a break, A Road Less Travelled By opens with a Moto Perpetuo firmly rooted in classical language, form and syntax. A continuous river of semiquavers, veering from melody to accompaniment and back again, adds drive, every and motion. The second movement, Nocturne, is in the form of a free fantasia; solos for vibraphone, flugel horn and euphonium set the stage for a central cornet solo, quietly echoed by the full band. A triumphal climax is reached before the movement dissolves into a Scherzo Finale. Mercurial and quixotic in nature, this third movement starts jovially until trios for trombones and horns darken the atmosphere. A change of mood and meter leads to a reprise of the opening and a return of the cornet melody, this time accompanied by figures derived from the scherzo theme. A brief coda based on earlier material drives the piece to a close.Duration: 15.30

    Estimated dispatch 7-14 working days

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  • £90.00

    Hobbits (from Symphony No.1: The Lord of the Rings) (Brass Band - Score and Parts) - De Meij, Johan

    Johan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band has been arranged by the composer. The symphony was written in the period between March 1984 and December 1987, and had its premiere in Brussels on 15th March 1988, performed by the The Royal Band ofthe Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra. Duration: 9.00

    Estimated dispatch 7-14 working days

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  • £90.00

    Journey in the Dark (from Symphony No.1: The Lord of the Rings) (Brass Band - Score and Parts) - De Meij, Johan

    Johan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band has been arranged by the composer. The symphony was written in the period between March 1984 and December 1987, and had its premiere in Brussels on 15th March 1988, performed by the The Royal Band ofthe Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra. Duration: 9.00

    Estimated dispatch 7-14 working days

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  • £83.00

    Gandalf (from Symphony No.1: The Lord of the Rings) (Brass Band - Score and Parts) - De Meij, Johan

    Johan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. This transcription for brass band has been arranged by the composer. The symphony was written in the period between March 1984 and December 1987, and had its premiere in Brussels on 15th March 1988, performed by the The Royal Band ofthe Belgian Guides under the baton of Norbert Nozy. In 1989, the symphony The Lord of the Rings was awarded a first prize in the Sudler International Wind Band Composition Competition in Chicago, and a year later, the symphony was awarded a grant by the Dutch Composers Fund. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and recorded by the London Symphony Orchestra. Duration: 6.30

    Estimated dispatch 7-14 working days

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  • £38.50

    Raveling, Unraveling (Brass Band - Score only) - Sparke, Philip

    Raveling, Unraveling - In Search of 'La Valse' was written for the Cory Band as their own-choice test piece for the 2016 European Brass Band Championships in Lille. The piece found its genesis in Sparke's The Unknown Journey (2014) for concert band, and the use of Ravel's La Valse as a structural undercurrent to the original piece is an act of reverence. Sparke's aim was to produce a work that is organic rather than episodic in nature. The composer's view is that little in music does this better than La Valse and for this reason he uses various sections of this masterpiece, both manipulated and quoted verbatim (including much of its stunning closing passages) to provide the overall geography of his new work. As the music progresses, more of the Ravel appears, surfacing completely as the piece reaches its climax - a gesture of homage to the French master.Duration: 16:30

    Estimated dispatch 7-14 working days

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  • £164.99

    Raveling, Unraveling (Brass Band - Score and Parts) - Sparke, Philip

    Raveling, Unraveling - In Search of 'La Valse' was written for the Cory Band as their own-choice test piece for the 2016 European Brass Band Championships in Lille. The piece found its genesis in Sparke's The Unknown Journey (2014) for concert band, and the use of Ravel's La Valse as a structural undercurrent to the original piece is an act of reverence. Sparke's aim was to produce a work that is organic rather than episodic in nature. The composer's view is that little in music does this better than La Valse and for this reason he uses various sections of this masterpiece, both manipulated and quoted verbatim (including much of its stunning closing passages) to provide the overall geography of his new work. As the music progresses, more of the Ravel appears, surfacing completely as the piece reaches its climax - a gesture of homage to the French master.Duration: 16:30

    Estimated dispatch 7-14 working days

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  • £40.00

    Shackleton's Cross (Cornet Solo with Brass Band - Score and Parts) - Goodall, Howard - Hall, Daniel

    Shackleton's Cross was inspired by a painting created in 1957 by the English artist Edward Seago (1910 1974). The title refers to a cross which was erected to the memory of Sir Ernest Shackleton, who led a number of explorations to the Antarctic. Shackleton died in 1922 whilst on a Polar expedition, and the cross can be found on a promontory at the entrance to the bay at Grytviken Whaling Station in South Georgia. The painting is owned by HRH The Duke of Edinburgh, and was part of an exhibition at Buckingham Palace from October 2011 to April 2012. Originally scored for oboe, trumpet and small orchestra, Daniel Hall's sensitive arrangement for trumpet or cornet and brass band follows the composer's alternative version for solo trumpet and organ, created for Crispian Steele-Perkins (trumpet) and David Goode (organ). Duration: 5.00

    Estimated dispatch 7-14 working days

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  • £59.99

    Marcho Brioso (Brass Band - Score and Parts) - Sparke, Philip

    Marcho Brioso was commissioned by The Brioso Brass, a British-style brass band from Hokkaido, Japan. They gave the first performance in January 2012.The commission was for a bright and breezy march that the band could use as their theme tune, so Marcho Brioso falls into the composer's series of Broadway-style marches, which includes Slipstream, The Bandwagon and Jubiloso. After a short introduction a solo cornet plays the main theme, accompanied by a euphonium counter-melody. A secondary phrase from the horns and baritones leads to a tutti version of the main theme which is followed by the traditional 'bass' strain. A change of key heralds the trio section, which features a cantabile melody on euphonium; this is then taken up by the full band after a short bridge passage and further change of key. This takes us back to the home key which sees a quiet staccato version of the main theme lead to a recapitulation and a short coda which brings the march to a close.Duration: 3:45

    Estimated dispatch 7-14 working days

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  • £112.00

    Zampa (Brass Band - Score and Parts) - Herold, Ferdinand - Wilkinson, Keith M.

    The opera, Zampa, was first performed in Paris in 1831 and over the next 50 or so years enjoyed frequent performances and remained extremely popular. Since the dawn of the 20th century the popularity of the opera has waned somewhat but the overture has continued to be one of the composer's most famous works and is a staple of the orchestral repertoire.This brass band transcription was prepared for Brass Band Of The Western Reserve and it has been extremely well-received on their concerts.

    Estimated dispatch 7-14 working days

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  • £34.95

    Chalk Farm No.2 (Brass Band - Score and Parts) - Gregson, Edward

    Like so many of the best composers for brass band - Eric Ball, Wilfred Heaton, Elgar Howarth and Robert Simpson - Edward Gregson's youthful talents came to the fore in the Salvation Army. In 1975 Gregson was commissioned by the Chalk Farm Band of the Salvation Army to write a march for the centenary of the birth of the band's most long-serving bandmaster Alfred W Punchard, who conducted the band from 1894 to 1944. In 1909 the Salvation Army published a march called Chalk Farm featuring the old Army chorus 'March on, we shall win the day'.Gregson uses the same tune in his Chalk Farm No 2 march, but this is a symphonic march clearly to be played sitting down. He includes irregular bars of 5 and 7 beats as well as a tongue-in-cheek treatment of the tune, complete with bongos (in the march) and bi-tonality (in the trio). Chalk Farm No 2 imaginatively composed. Gregson's own main theme 'fits' the chorus as a counter-subject. The playful irreverence of the style has more in common with Wilfred Heaton's Praise or Glory, than the conventional Salvation Army March.Duration: 4.00

    Estimated dispatch 7-14 working days

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