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  • £37.95

    Benvenuto Cellini (Brass Band - Score only) - Berlioz, Hector - Wright, Frank

    Berlioz's opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresa's aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo - without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.

    Estimated dispatch 7-14 working days

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  • £82.95

    Benvenuto Cellini (Brass Band - Score and Parts) - Berlioz, Hector - Wright, Frank

    Berlioz's opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresa's aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo - without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.

    Estimated dispatch 7-14 working days

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  • £40.00

    White Christmas (Brass Band Score & Parts) - Irving Berlin

    White Christmas, Irving Berlin's hardy perennial, arranged for brass band by Mark Freeh.Brass Band Grade 4: Advanced Youth and 3rd Section.Duration: 3 minutes.

    In Stock: Estimated dispatch 1-3 working days
  • £59.70

    A Christmas Fantasy (Brass Fanfare Group with Brass Band - Score and Parts) - Wood, Stephen D.

    The fanfare team comprises of:Eb Soprano Cornet1 Solo CornetRepiano Cornetthe 3 TrombonesThey should be positioned away from the band as a separate unit or split into two groups for a more antifonal effect.Duration: 7.00

    Estimated dispatch 7-14 working days

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  • £68.99

    Oasis on Tour (Brass Band - Score and Parts) - Sparke, Philip

    The legendary English rock band Oasis reunites after fifteen years! Brothers Liam and Noel Gallagher will once more work their musical magic in a spectacular reunion tour in 2025. This is the moment that fans worldwide have been waiting for.With timeless classics like Wonderwall, Don't Look Back in Anger, and Champagne Supernova, the brothers return to the stage, touching a chord in a new generation and taking old fans back to the heyday of the 1990s.For this occasion, Philip Sparke has arranged a breath-taking medley. The nostalgia and raw energy of these iconic songs are guaranteed to give every musician and listener goosebumps. And so, this unique arrangement will add a new dimension to your concert programme.Duration: 7.15

    Estimated dispatch 7-14 working days

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  • £52.50

    Broadheath (Brass Band - Score and Parts) - Sparke, Philip

    Broadheath was commissioned by the Elgar International Brass Band Summer School for their 2024 course. The premiere took place in the Routh Hall at Bromsgrove School on Friday 26 July.It is in conventional march form, opening with a brief fanfare before the horns take up the main theme. This is then repeated by the full band before euphoniums and baritone announce the second subject. This builds to a stirring tutti passage utilising elements of the opening theme, which brings the opening section to a close.In honour of the summer school's tribute to Sir Edward Elgar (it is held in 'Elgar country'), the trio uses the opening melody of his 1st symphony as its main theme, decorating it with filigree work from the cornets. This is repeated on the full band and leads to a varied recapitulation of the opening material to bring the march full circle.Duration: 5.00

    Estimated dispatch 7-14 working days

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  • £91.99

    Fanfares, Songs & Dances (Brass Band - Score and Parts) - Sparke, Philip

    Fanfares, Songs & Dances was commissioned by Brass Bands England, the Lithuanian Brass Band Association and the Dutch National Brass Band Championships (NBK), and first performed at the 43rd 'NBK' in October 2024.The work is played in three linked movements:FANFARES opens in robust fashion with a sequence of fanfare-like statements, initially featuring the horns, whose modal theme includes a figure that will reappear throughout the work. Euphoniums and then cornets introduce a second theme, which is followed by a third, again initiated by the horns. Baritones then change the mood with a more-lyrical theme, which builds to a climax, eventually leading back to a recall of the initial fanfare theme. This gradually dissolves to introduce the second movement.SONGS continues to relax the fanfare feel with a long introduction to the movement's main theme, first appearing on solo cornet. A change of key introduces a bridge passage which leads to a sonorous chorale, which builds to a triumphal return of the cornet theme. A peaceful coda leads to the final movement of the work.DANCES is a scherzo-like movement based around a series of rhythmic melodies in triple time, which lead to a majestic return of the 2nd movement's chorale theme under cornet figuration. The opening dance theme returns and heralds a joyous coda.Duration: 11.00

    Estimated dispatch 7-14 working days

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  • £42.95

    Scaff! (Brass Band - Score and Parts) - Berlioz, Hector - Wheeler, Alastair

    While in the Oxford University Jazz Orchestra, trumpeter Alex Gallafent confided that he had always wished there was a big band arrangement of 'March to the Scaffold' opening with Gene Kruppa toms. Fast forward several years to the Kew Wind Orchestra, where Andy Black is a chartered surveyor who "loves a nice piece of scaff...". Here is a great arrangement done for brass band.The protagonist in the story of this 4th movement is having a nightmare that he has killed his loved one, that he is condemned and he is being led to execution where he will witness his own guillotining.

    Estimated dispatch 7-14 working days

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  • £57.50

    Erin's Isle (Euphonium Solo with Brass Band - Score and Parts) - Sparke, Philip

    Erin's Isle was commissioned by euphonium player Micah Parsons and premiered by him in June 2024. The idea was to write a slow melody with an Irish flavour and the title is a romantic, 19th century name often used to refer to the island of Ireland itself. The work opens with fluttering, muted cornets, under which a tentative theme appears. This leads to an accompanied cadenza for the soloist, out of which the main theme emerges. This is a long and expansive melody, which winds through several related phrases with a folk-like flavour. A change of key heralds snatches of the theme by the band with interjections from the soloist, leading to a second cadenza. Eventually the band takes up the main theme again, over which the euphonium weaves an elaborate counter melody. The fluttering cornets return to allow the soloist to close the work with a brief and flowery coda.Duration: 7.45

    Estimated dispatch 7-14 working days

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  • £26.95

    With Wings as Eagles (Brass Band - Score and Parts) - Wiffin, Rob

    This solemn and expressive work was inspired by the text from Isaiah 40 ?They shall rise up with wings as eagles? and was written to mark the 60th anniversary of the Battle of Britain. In its original form for wind band it was first performed by the Central Band of the RAF in Westminster Abbey and broadcast live on BBC1 television.Duration: 5.00

    Estimated dispatch 7-14 working days

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