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  • £10.00

    Infinity (Brass Band - Study Score)

    In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.

    Estimated dispatch 7-14 working days
  • £87.95

    Midsummer Music (Score and Parts)

    Commissioned by Paul Hindmarsh for Besses o' th' Barn Band with financial assistance from Yorkshire Arts

    Estimated dispatch 7-14 working days
  • £44.95

    Midsummer Music (Score Only)

    Commissioned by Paul Hindmarsh for Besses o' th' Barn Band with financial assistance from Yorkshire Arts

    Estimated dispatch 7-14 working days
  • £12.00

    Vienna Nights (Brass Band - Study Score)

    The City of Vienna stands at one of the historic crossroads of the world, linking east and west and embracing artistic influences from all sides. In the 250th anniversary year of Mozart's birth, this fantasy on Mozart's celebrated Piano Sonata in A (K331), has been composed true to the form and content of the original, but also to the underlying substance of the conception.One of Mozart's distinguishing features, and one that links him to later music by Beethoven, Schubert, Mahler and Schoenberg, is the breadth of his musical vision. His music links intellectual rigour with ecstatic utterance and darker preoccupations. It is, perhaps, this shadow-laden side of his musical nature which gives his work a profundity often absent in the work of his contemporaries. Admirers of his Requiem Mass or the Statue music in Don Giovanni will recognise that it is this extra sense of reality which makes Mozart so relevant to the modern age, and where he may link hands with the other great Viennese thinkers such as Berg, Webern and Adorno.The composer follows the three movement plan of the Sonata closely. The original begins with a Theme and Variations which is freely quoted. His Minuet is mirrored in the Recitative and Notturno, where each section of the band lays down a metaphoric rose to his memory. Famously, the sonata ends in populistic style with a Turkish Rondo. Ever since the Hapsburg-Ottoman Wars, which came to an end in the seventeenth century, Viennese composers have included Turkish elements in their music, not least in the use of certain percussion instruments. Vienna Nights is thusly a homage.It celebrates the world's greatest composer, but also the city which fostered his work. Here, in your imagination, you might easily conjure up a caf table near the Opera House, where Mozart, Mahler and Sigmund Freud, observed by us all from a discreet distance, may meet as old friends.

    Estimated dispatch 7-14 working days
  • £10.00

    Visions of Gerontius (Brass Band - Study Score)

    Visions of Gerontius is a set ofvariations on a hymn tune which is invariably associated with Cardinal John Henry Newman 's words taken from his visionary poem "The Dream of Gerontius", which deals with the journey of the soul from this world to the next. The stanzas of the hymn are taken from the poem which Elgar set to music in his great masterpiece of the same name, for soloists, chorus and orchestra, first performed in Birmingham in 1900. The dramatic setting of those words provides some of the most memorable moments in the music

    Estimated dispatch 7-14 working days
  • £44.95

    Harmony Music (Score Only)

    Harmony Music was written for the Championship Section Finals of the National Brass Band Championships of Great Britain held at the Royal Albert Hall, London, in October 1987.It opens quietly with a long unison crescendo, interrupted by the basses, which in turn introduces a cornet fanfare, leading to a chorale-like episode, building from the lower half of the band to a huge tutti. There is a brief hint of faster music to come which fails to dispel a high, haunting euphonium solo before the main molto vivace arrives. This is a fast and furious gallop with a certain French flavour. This reaches a climax and subsides gradually into the slower central section (a homage to Maurice Ravel) which incorporates accompanied cadenzas for cornet and horn. The opening of the piece returns and leads back to an abbreviated recapitulation of the vivace. When it appears to be hurtling to a close, the trombones and sopranos introduce a brief moment of chaos before a presto coda asserts itself.

    Estimated dispatch 7-14 working days
  • £44.95

    CORNET CONCERTO (Ellerby) (Brass Band - Score only)

    Brass Band extra score only. This bright, optimistic, lyrical concerto, accessible to players and audiences alike, falls into three contrasting movements. Brilliante is a tradional sonata form with two subjects, first a lively fanfare type figure followed secondly by a cantabile theme. The Arietta has legato phrases with an overall singing quality from both the soloist and the band while the final movement, Rondino, is in rondo form with constant changes of metre creating a restless journey to a dynamic conclusion. Duration: 12 mins.

    Estimated dispatch 7-14 working days

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  • £37.95

    The Four Elements (Euphonium Solo with Brass Band - Score only)

    Partita for Solo Euphonium and Brass BandThe Four Elements was written for Gary Curtin and the Black Dyke Band as part of a recording project of Martin Ellerby's brass band music. The composer, having previously written a large scale concerto for the euphonium, decided to write something much more concise though still enabling the soloist to display flair and lyricism in equal measure. Each movement is approximately 2 minutes long, a set of miniatures, based on the four elements of earth, water, air and fire, and are given their Latin manes of terra, aqua, aer and ignis in the score. The term partita is used to indicate that the work is a collection, or suite, of pieces and in keeping with former examples, uses both song and dance forms to provide suitable musical structures.Duration: 8.00

    Estimated dispatch 7-14 working days

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  • £89.95

    The Four Elements (Euphonium Solo with Brass Band - Score and Parts)

    Partita for Solo Euphonium and Brass BandThe Four Elements was written for Gary Curtin and the Black Dyke Band as part of a recording project of Martin Ellerby's brass band music. The composer, having previously written a large scale concerto for the euphonium, decided to write something much more concise though still enabling the soloist to display flair and lyricism in equal measure. Each movement is approximately 2 minutes long, a set of miniatures, based on the four elements of earth, water, air and fire, and are given their Latin manes of terra, aqua, aer and ignis in the score. The term partita is used to indicate that the work is a collection, or suite, of pieces and in keeping with former examples, uses both song and dance forms to provide suitable musical structures.Duration: 8.00

    Estimated dispatch 7-14 working days

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  • £26.50

    The Magic Flute (Brass Band) - Mozart, Wolfgang Amadeus

    Die ZauberfloteFull Band Set (score not available)

    Estimated dispatch 7-14 working days

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