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  • £109.99

    The Power of the Megatsunami - Carl Wittrock

    The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expressionof power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrousconsequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunamitook the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceaniccrust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressiveatmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami isa fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature.

    Estimated dispatch 5-14 working days

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  • £104.99

    Scottish Dances - Peter Martin

    Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is "Cock O' the North " a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary, had a canary, Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. " The Bonnie Bank's O'Loch Lomond " is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as "Marie's Wedding '. Mid dance we go back to the church, where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely, on we go, heel for heel and toe for toe Arm and arm and on we go, all for Marie's wedding

    Estimated dispatch 5-14 working days

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  • £44.95

    Glorified (Brass Band - Score and Parts)

    Glorified was composed for the Canadian Staff Band's 50th Anniversary celebrations. This work is based on two tunes, Lord, be glorified (T.B. 738), a significant song at Canada's Territorial Music School over the years, and Great is thy faithfulness (T.B. 641). This song celebrates and signifies God's faithfulness to all associated with the Canadian Staff Band, and the commitment shown by its members through the years.The first half of the work harkens back to those members of the band who tragically perished in the early days on RMS Empress of Ireland, which was en route to England for the 1914 International Congress when it was struck by another vessel and sank. The rhythmic ostinatos heard represent the passing of time over the years. After the somewhat dark introduction, the music settles into a reflective rendition of In my life, Lord, be glorified (S.A.S.B. 593), before bursting into a rhythmic and jagged mixed-metre section. A yearning elegy pays tribute to those who lost their lives.The second half of the piece is celebratory in nature and commemorates the reformation of the band and the rich history which has ensued in the subsequent years. The rhythmic energy found in this section builds to a majestic presentation of the tune Lord, be glorified, which leads into the return of Great is thy faithfulness but in an optimistic fashion.

    Estimated dispatch 7-14 working days
  • £40.00

    The Maid of the Mist (Trumpet Solo)

    Herbert L Clarke (1867 - 1945) is regarded by many as one of the finest cornet players of all time, noted not only for his amazing technique but also for his warm, lyrical tone. He has left a multitude of cornet solos as well as collections of studies which are still very widely used. He was a member of The Sousa Band briefly in 1893 and then from 1898 to 1917 where he was not only the distinguished cornet soloist but also became assistant director.The Maid Of The Mist dates from 1912 and is named after the famous sightseeing boat trips at Niagara Falls.This arrangement was prepared for a concert in May, 2009, given by Brass Band of the Western Reserve, musical director Keith M Wilkinson, in which Michael Sachs, principal trumpet of the Cleveland Orchestra, appeared as guest soloist.

    Estimated dispatch 7-14 working days
  • £34.95

    HMS Indefatigable (Brass Band - Score and Parts)

    HMS Indefatigable is a contest march, composed for the Virtuosi GUS Band, under the direction of Adam Cooke, and used as part of their programme for Brass in Concert in November 2016.The march is named after the battlecruiser HMS Indefatigable; an ill-fated ship of the British fleet that fell victim to German Bombardment in the Battle of Jutland, in 1916. During the initial 30 minutes of the battle, the Indefatigable sustained heavy fire from the German battleship SMS Von der Tann, which struck Indefatigable's armoury and caused the ship to suffer a catastrophic explosion, resulting in the ship sinking, with all but two lives lost. 1,017 souls perished.This piece aims to capture the might and power of the great ship at sea, incorporating a touch of menace, hinting at the unfortunate end awaiting the HMS Indefatigable, whilst serving as a fitting tribute to the ship and her crew.

    Estimated dispatch 7-14 working days
  • £14.95

    HMS Indefatigable (Score Only)

    HMS Indefatigable is a contest march, composed for the Virtuosi GUS Band, under the direction of Adam Cooke, and used as part of their programme for Brass in Concert in November 2016.The march is named after the battlecruiser HMS Indefatigable; an ill-fated ship of the British fleet that fell victim to German Bombardment in the Battle of Jutland, in 1916. During the initial 30 minutes of the battle, the Indefatigable sustained heavy fire from the German battleship SMS Von der Tann, which struck Indefatigable's armoury and caused the ship to suffer a catastrophic explosion, resulting in the ship sinking, with all but two lives lost. 1,017 souls perished.This piece aims to capture the might and power of the great ship at sea, incorporating a touch of menace, hinting at the unfortunate end awaiting the HMS Indefatigable, whilst serving as a fitting tribute to the ship and her crew.

    Estimated dispatch 7-14 working days
  • £34.95

    Pyrotechnic Variations on 1812 (Brass Band - Score and Parts)

    Pyrotechnic Variations on 1812 was composed for Brass Band Schoonhoven, and used as part of their programme for Brass in Concert in November 2016.'Pyrotechnic Variations' is a modern day twist on Tchaikovsky's famous '1812' Overture. A heraldic opening introduces some familiar themes, before leading into a frantic virtuosic passage (especially for euphonium!), where quotes can be heard all through the band. This subsides into the central 'slow' section (via the unusual route of a bass and drum kit feature). After a whisper quiet reintroduction of the main theme, we build to the 'canon' finale - ending in a glorious celebratory style!

    Estimated dispatch 7-14 working days
  • £14.95

    Pyrotechnic Variations on 1812 (Score Only)

    Pyrotechnic Variations on 1812 was composed for Brass Band Schoonhoven, and used as part of their programme for Brass in Concert in November 2016.'Pyrotechnic Variations' is a modern day twist on Tchaikovsky's famous '1812' Overture. A heraldic opening introduces some familiar themes, before leading into a frantic virtuosic passage (especially for euphonium!), where quotes can be heard all through the band. This subsides into the central 'slow' section (via the unusual route of a bass and drum kit feature). After a whisper quiet reintroduction of the main theme, we build to the 'canon' finale - ending in a glorious celebratory style!

    Estimated dispatch 7-14 working days
  • £29.95

    By Trevone Bay (Flugel Horn Solo)

    By Trevone Bay was composed for Flugel Soloist Zoe Hancock and the Black Dyke Band to celebrate both their Double Champion Victory at the British Open and National Championships 2014 and Zoe's unique achievement in winning the Best Soloist Award in both contests - an accomplishment never done before. The world premier was performed by Zoe and the band at Birmingham's Symphony Hall on February 8th 2015.By Trevone Bay is a lovely lyrical slow melody that utilises the full range and colour of the flugel horn. Starting with an atmospheric opening the soloist performs the main theme, which repeats with more colour in the accompanying parts and solo line. After introducing a second theme from the ensemble, the solo cornets perform the main melody with the soloist enjoying a lyrical counter melody. The piece develops with a tranquil middle section from the soloist that builds for the second theme to return, performed by the ensemble while the soloist soars over the top. Ending as it starts, the piece dies away to leave the soloist performing the opening melodic phrase to a tranquil close.As for the title: Trevone Bay is a beautiful tiny bay in Cornwall, close to Zoe's home town of Roche. Its tranquil waters lead out to the Celtic Sea and provide a picturesque landscape. The views there can be enjoyed all year round but they are particularly beautiful at sunset.

    Estimated dispatch 7-14 working days
  • £44.95

    Road to Run

    The piece starts with a simple rhythmic pulse which is the basis of the entire work. This cell provides a platform for the piece to grow and develop starting with the first theme played by the euphoniums, all the way through to the conclusion performed in full gusto by the whole ensemble. The various motifs introduced throughout the opening of the piece are passed between the ensemble before the introduction of the three soloists.The central section of the piece features the Solo Trombone, Cornet and Euphonium as they take turns to play a jazz fusion solo whilst having some musical interplay with each other at the front of the stage. After this solo passage, the music then features the various sections within the ensemble, which pays homage to Weather Reports' famous "Birdland". In a jazz fused cannon, each new independent musical phrase is performed by the various sections standing. Starting with the Horns then Solo Cornets, Back Row and Flugal and finally the Baritones and Trombones.Once the different sections of the ensemble are featured, the piece then moves into the final stages. This section sees a reprieve of the opening material heard at the beginning, but further developed with the various melodic motifs passed around the ensemble. The ending builds on this material towards a rousing conclusion."Road to Run" is an up tempo, high energy concert work that has that 'feel-good factor' from start to finish. The idea behind the title is based on the feel and structure of the piece which takes the listener on a musical journey. And at 150 beats per minute - you could put it in your headphones and find your own 'Road to Run'.

    Estimated dispatch 7-14 working days