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  • £84.99

    The Saint and the City - Jacob de Haan

    This work is based on a well-known myth about the city of Zwolle in the Netherlands. In the waters surrounding Zwolle lived a dragon that regularly emerged. Time and time again he threatened to destroy the city with his fiery breath if he was not given a living sacrifice. The archangel, Michael, who manifested himself as a young knight, saved the city. In a fight he beheaded the monster with his sword. Later, Saint Michael fighting the dragon, which was a symbol of evil and injustice, acquired a permanent place on the city coat of arms. For this composition, the hymn tune Laudate Dominum has been chosen as a central musical theme for the archangel. The dragon isreflected in a series of chords that evoke a somewhat ominous association.

    Estimated dispatch 5-14 working days

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  • £40.00

    Carnival of the Animals

    Saint-Saens composed The Carnival of the Animals in 1886. He regarded the work as a piece of fun and was adamant that the work would not be published in his lifetime. It was published in the year following the composer's death and the first public performance was given on 25th February 1922. It was well-received and has since become one of Saint-Saens's best-known works.This brass band transcription contains six of the original fourteen movements and opens with Introduction and The March of the Royal Lion a brief, dramatic beginning is followed by a stately march for the 'King of Beasts' that is interrupted from time to time by the lions' formidable roar, depicted by ferocious, low chromatic scales. In The Elephant, a solo B flat Bass sings a doleful song made from melodies 'borrowed' from Mendelssohn and Berlioz without apology. Next comes the relentless descending third of A Cuckoo in The Deep Woods. Fossils are clearly not animals, but some of them undoubtedly were at some point, so Saint-Saens has some fun with the xylophone rattling around like a box of old prehistorix bones. Among some little musical quotes you can listen out for 'Twinkle, Twinkle, Little Star and some references to his own 'Dance Macabre' whilst opera buffs may recognise Rossini's

    Estimated dispatch 5-7 working days
  • £63.21

    Variations on 'Sine Nomine' (Brass Band) Andrew Wainwright

    This magnificent work was written in 2019 for the London Central Fellowship Band and Bandmaster David Rudd. It is based on the hymn tune by Ralph Vaughan Williams, which is also known as For all the Saints. Its release in the summer of 2022 marks the 150th anniversary of Vaughan Williams' birth. The work is set in four contrasting movements, which follow an opening statement of the hymn in its full form. Variation I (Leggiero) is based on the first few notes of the chorale and is lively and sprightly in nature, with regular time changes permeating throughout. There are regular statements of the hymn, with the movement closing with a full statement of the tune in its full glory. Variation II (Andante Espressivo) derives its material from the final strain of the verse. The music is generally calm and ethereal in nature before building to an impassioned fortissimo featuring the full band, and finally dying away. Variation III (Allegro Vivace) is in compound time and, like Variation I, is based on the first few notes of the hymn. The music is joyful and playful, epitomised by syncopated rhythms, and snippets of the tune are heard throughout. Variation IV (Allegro Giocoso) is in the form of a fugue which commences with the cornets, before the theme is handed to each section of the band at various points. After several statements of the theme, the music grows into the final strain of the chorale, which is given a grandiose setting. A frenzied Presto coda leads into organ-like chords, before a series of upward major scales bring the work to its final chord. To view a video of the Canadian Staff Band performing the work please visit https://www.youtube.com/watch?v=QZ1pYH0ftv0 Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: Second Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2

    In stock: Estimated dispatch 1-3 days

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  • £10.00

    Canzonetta

    DescriptionCanzonetta is a tenor horn solo with optional brass band or piano accompaniment.Canzonetta was one of my earliest compositions, written in my early days as an undergraduate. Along with a companion piece called Caprice it was written for an old friend, Louise Hunt (now Louise Skillander), to whom it is dedicated. We had both been in the Northop Youth Band together, and both pieces were the result of a conversation about the lack of 'good tenor horn solos' for lower section and youth players at the time.With more mature consideration the Caprice has been consigned to the dustbin of history, but the simplicity of Canzonetta has allowed it to stand the test of time with a few minor scoring revisions.Performance Notes:Percussion instruments required are 2 x timpani, glockenspiel, suspended cymbal, concert bass drum (NOT a kit/pedal bass drum) and tam-tam. All cornets will require cup mutes.Duration approximately 3'40"You can follow the score while listening to an audio preview below:

    Estimated dispatch 7-14 working days
  • £121.20

    Kobolt - John Brakstad

    "Cobalt" was commisioned by Modum Janitsjar as own choice piece for the Norwegian Wind Band Championships, third section in 2009. The Royal Cobalt Works of Modum were established in 1773 to extract cobalt ore from the local mines. The works were in operation until 1893. The cobalt was used in the production of cobalt blue pigment for the worlds porcelain and glass industry. To day it is a museum showing us how people at that time worked and lived. Most of the work was done by hand. There were also bad accidents with many fatalites. But in their free time there were dancing and drinking, and the entire piece ends with a dance-episode including a local tune.

    Estimated dispatch 5-14 working days

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  • £68.99

    Trumpeter's Lullaby - Leroy Anderson

    Leroy Anderson is part of American cultural heritage and he is often compared to such masters as Gershwin and Copland. Trumpeter's Lullaby was written for The Boston Pops Orchestra of which he was the conductor. This new arrangement for brass band gives your three cornet soloists a chance to 'take to the fore' in a variety of up-tempo jazz styles. Once performed this item will become a favourite that you will use time and time again.

    Estimated dispatch 5-14 working days

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  • £38.00

    Aviator (Brass Band - Score and Parts) - Anderson, Keiron

    Aviator is a bright, lively piece, which attempts to show the fast moving and complex world of the stunt pilot who mixes simplicity and style with mad aerobatic prowess. The work shows the take off and landing but in the middle, a multiple time signature section mixes cut common and triple time signatures to take the Band on a white-knuckle ride before returning to the main theme for a safe landing. Duration: 4.00. Suitable for 1st Section Bands and above.

    Estimated dispatch 7-14 working days
  • £68.99

    Trumpeter's Lullaby (Cornet Trio with Brass Band - Score and Parts)

    Leroy Anderson is part of American cultural heritage and he is often compared to such masters as Gershwin and Copland. Trumpeter's Lullaby was written for The Boston Pops Orchestra of which he was the conductor. This new arrangement for brass band gives your three cornet soloists a chance to 'take to the fore' in a variety of up-tempo jazz styles. Once performed this item will become a favourite that you will use time and time again.Duration: 3:45

    Estimated dispatch 7-14 working days

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  • £82.00

    Kobolt - John Brakstad

    "Cobalt" was commisioned by Modum Janitsjar as own choice piece for the Norwegian Wind Band Championships, third section in 2009.The Royal Cobalt Works of Modum were established in 1773 to extract cobalt ore from the local mines. The works were in operation until 1893.The cobalt was used in the production of cobalt blue pigment for the worlds porcelain and glass industry.To day it is a museum showing us how people at that time worked and lived.Most of the work was done by hand. There were also bad accidents with many fatalites.But in their free time there were dancing and drinking, and the entire piece ends with a dance-episode including a local tune.

    Estimated dispatch 12-14 working days
  • £84.99

    Christmas Brass - Richard Peaslee

    Christmas Brass is a fantasy on six carols, originally commissioned by Mark Freeh for the Manhattan Brass Choir. Duration: 16:30The well-known tune, O Come, O Come Emmanuel, a hymn originally based on a plainsong melody, is here set in 5/4 meter. Modal harmonies are combined with big band style as the piece gains momentum, greatly accentuating the mood of the words, "Rejoice! Rejoice! Emmanuel." The opening 5/4 statement of the theme returns, and the piece ends quietly.In Beautiful Savior (also known by the title Fairest Lord Jesus), a hushed beginning featuring horns, euphoniums, and a muted trumpet, leads through a key change to a satisfying, chorale-likeclosing passage.In Away in a Manger, Peaslee sets two tunes, Cradle Song and Away in a Manger. Following a straightforward presentation of each melody, Peaslee plays them against one another. The music swells to a full climax followed by a hushed ending.Peaslee employs a gentle hand in It Came Upon a Midnight Clear, using flugelhorn solos and duets in a jazz-waltz style.In Silent Night, the traditional carol gets an untraditional harmonization, propelled forward by give-and-take between the two groups of brass instruments in the brass choir: trumpets and trombones versus horns, euphoniums, and tuba.Hark! The Herald Angels Sing begins with a humorous blast of discordant harmonies as multiple carols are sounded at the same time. An up-tempo 4/4 announcement of the melody in the trombone is followed by a metrical modulation in 6/8-3/4 time. An additional metrical modulation bring the music back into 4/4, but at a slower tempo and in a pronounced jazz style. Tempo I returns, and the set of six pieces closes with a big ending.Instrumentation: 4 Trumpets, 2 Horns in F, 4 Trombones, 2 Euphoniums, Tuba, Guitar, Bass, Percussion

    Estimated dispatch 5-14 working days