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£45.00Barcelona
ABOUT THIS PIECE: Bring the grandeur of the epic rock-opera classic Barcelona to your performance with this outstanding arrangement by Adam D J Taylor. Originally written by Freddie Mercury and Mike Moran, this iconic duet was performed by Mercury and the legendary operatic soprano Montserrat Caball. Celebrating the 1992 Barcelona Olympics, the song blends rock and operatic styles into a soaring, unforgettable anthem of unity and celebration. This arrangement starts with the iconic Queen rendition of the British National Anthem God Save the King, before capturing the dramatic flair and emotional power of the Barcelona. Ideal for fans of Freddie Mercury, Queen, and powerful, genre-defying music, this arrangement offers an exhilarating challenge for performers and a thrilling experience for audiences alike. ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: Click here DURATION: 4 minutesEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£15.00Pomp and Circumstance No. 1 (Land of Hope and Glory) - Elgar
Performance Notes by Andrew Duncan:This fine march theme is arranged in two distinct parts.From the beginning up to two bars before letter C the melody is played quietly with the Horns carrying the tune - the Horns have to play up to a high F in this section. If this is not something that your band can manage then you have two options of where you can start playing the arrangement from.If your band can manage the chromatic notes, then begin playing from two bars before letter C. Alternatively, simply start playing directly from letter C .The musical concepts of Rallentando and A tempo are encountered in this arrangement. These can be difficult concepts for inexperienced players to grasp, so playing this arrangement should help to establish this technique.The Flexi-Collection ApproachFlexible scoring tailored to your needs - A perfect solution for expanding the repertoire of training and junior brass bands. The Flexi-Collection currently offers two series - Popular Classics and World Tour. Based on four-part harmony, these collections provide groups with the advantage of complete flexibility when they may not be balanced. If players or instruments are missing, the show can still go on!The Flexi-Collection - Popular Classics Series, encapsulates all that is great about the wonderful range of musical styles produced by Holst, Elgar, Handel, Verdi, Tchaikovsky, Grieg, Bizet and Parry.The thoughtful scoring and arranging by Andrew Duncan now means that groups of all abilities have access to a truly flexible set of music for their needs. With world parts, rudimentary theory, terminology translations and large format typesetting, The Flexi-Collection ticks all the boxes when it comes to bringing interesting music to the training and junior band/brass group environment.Available individually or as part of the money-saving Flexi-Collection Popular ClassicsAlbum.Scored for Brass Band and supplied with additional Easy Bb, Easy Eb and world parts - The Flexi-Collection offers flexibility in every sense of the word.
In Stock: Estimated dispatch 3-5 working days
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£40.00The Ayres of Agincourt
ABOUT THIS PIECE: The Ayres of Agincourt has long been a staple of the wind band repertoire and is now available to brass bands in this transcription from Adam D J Taylor. The original Ayres were inspired by the famous victory in the 15th century of the English over the French at Agincourt, France, and are intended to sound like old English songs that might have been sung by King Henry's men. Majestic, exciting, dramatic - this music should be on your next concert! ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 3 LISTEN: DURATION: 5-minutes 30-seconds EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£28.00Bogoroditse Devo
ABOUT THIS PIECE: Bring the serene beauty of Rachmaninov's Bogoroditse Devo to your next programme with this stunning arrangement. Taken from his All-Night Vigil (commonly known as the Vespers), this exquisite choral work is one of Rachmaninov's most revered compositions. Written in 1915, it is a heartfelt setting of the Orthodox Christian prayer to the Virgin Mary. This arrangement preserves the work's meditative character and rich textures, allowing your band to explore its deeply expressive qualities. Ideal for concerts, ceremonial occasions, Christmas, or moments of reflection, Bogoroditse Devo showcases your band's ability to convey both power and delicacy. ENSEMBLE: Standard British Brass Band (NO PERCUSSION) WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 1 LISTEN: Click here DURATION: 3-minutes, 20 secondsEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£34.95Three Carols (Brass Band - Score and Parts)
Three Carols was commissioned by the New York Philharmonic as part of their Holiday Brass series and was premiered at Avery Fisher Hall by the New York Philharmonic Principal Brass and Canadian Brass. Originally for 10 players, soon after the premiere I decided to score the piece for brass band. The brass band version was first performed by the New York Staff Band.Through the years I have been intrigued by carious carols from different countries and the challenge of creating musical treatments that sound fresh and original. When commissioned to write these brass arrangements, I wanted to create contrasting movements that could be performed either as a set or individually and thought that three carols from different countries would allow the opportunity for that contrast. The featured carols are the traditional Polish carol Infant Holy (C.C. 41), What child is this? (C.C. 100) with lyrics by William Dix and set to the English folk song Greensleeves and the lesser-known Catalonian carol Cold December flies away.- Joseph Turrin
Estimated dispatch 7-14 working days
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£34.95Unity Series Band Journal June 2016 Number 442 - 445
No. 442 March - Christmastime (Ian Feltwell)This Christmas march is based on two carols, I saw three ships come sailing in (N.C.P. 38) and It came upon the midnight clear (N.C.P. 44), with numerous references to other carols throughout and finishing with a rousing rendition of We wish you a merry Christmas (N.C.P. 110).
Estimated dispatch 7-14 working days
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£77.00General Series Brass Band Journal, Numbers 2234 - 2237, August 2023
2234: Festival March - Above all names (Geoff McCorriston)This Festival March was originally written for the Camberwell Citadel Band, Melbourne, Australia. This composition marks the composers debut within our band journals. Geoff McCorriston served as Deputy Bandmaster at Preston Corps (Australia) for many years before joining the Camberwell Citadel Band. He has also been a member of the Melbourne Red Shield Band. Above all names is distinct from a standard street march in that it is more developed, both rhythmically and thematically. It is an original march that references We plough the fields and scatter (S.A.S.B. 70) and Camberwell (T.B. 182).2235: Flugel Horn Solo - Father, Creator (Simon Gash)Emma Pears has a gift for contemporary song-writing, with several of her songs featuring in the Sing to the Lord publication. The style and relaxed nature of the melody of Father, Creator (first published in the Children's Voices Series in 2011, and later in the Mixed Voices in 2014) seemed a perfect fit for the Flugel Horn. Throughout the piece, juxtaposed with Father, Creator, we hear snippets of the tune St Theodulph (T.B. 231), which outline the first lines of Albert Chesham's words, 'O Father and Creator, Thou God of perfect love' (S.A.S.B. 46).2236: A winter's carol (trs. Neil Smith)The history of the carol O come, Immanuel (C.C. 62) is, like the carol itself, a little mysterious! The melody was conceived as a monastic chant during the 8th century. It was not until 1851 that the priest and hymn writer John Mason Neale translated the verses into English, exposing the carol to a wider audience. There is an aura and enigmatic feel to this melody which is captivating to so many who hear it. This setting was originally conceived for wind band by American composer Mark Williams. The brass band transcription introduces a new name to our journals, Bandmaster Neil Smith, who is the Territorial Music Director for the USA Western Territory.2237: Mighty to keep (Eiliv Herikstad)Mighty to keep marks the composer's first publication since his Promotion to Glory in April 2023. Bandmaster Eiliv Herikstad served faithfully in his native Norway throughout his life, and since the early 1970s, has provided The Salvation Army with a wealth of original compositions and skilful arrangements. Eiliv explored many styles of big-band and jazz writing which, in the 70s, were not commonplace amongst brass bands, particularly in The Salvation Army. Music Editorial are grateful to Eiliv for using his gifts to support Salvation Army music ministry.The subject of this piece is Herbert Booth's song Mighty to keep, which was first published by The Salvation Army in 1889. The chorus of the song is more well-known that the verse and was included in the chorus section of the 1986 Salvation Army Song Book.
Estimated dispatch 7-14 working days
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£35.00
Apex - Peter Meechan
Apex was commissioned by Mark Bousie and David Armitage (President of Sellers International Ltd.) for the Sellers International Youth Band to perform at the Action Research Entertainment Contest in Blackpool, 2007. Originally commissioned as part of a stage act with a magician, who levitated the soloist, Apex takes its title from the literal meaning of the word - the highest point.As well as being a solo for cornet, the piece also strongly features the percussion section, as well as the band singing!The solo part is equally suitable for cornet, flugel horn or trumpet.First performance:Sellers International Youth BandMark Bousie - ConductorJoe Murray - CornetPerformance notes:* The singing parts are written in transposed pitch, and should be sung to an aaha sound* The percussionists should feel free to add instruments (Such as bongos) and treat section C to the end as a guide, which they can change and build on* From section C until the end, percussion parts 1 and 2 may be played by one percussionist on a drum set
Estimated dispatch 12-14 working days
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£77.00General Series Brass Band Journal, Numbers 2246 - 2249, August 2024
2246: Christmas Prelude - David's City (Noel Jones)In 2 Samuel 5, we read of David's anointing as King of Israel at the age of thirty, a reign that lasted for forty years. Bethlehem was known as 'David's city' because he was born there and worked as a shepherd on the nearby hills. Verses 1, 2 and 5 of Once in Royal David's City (C.C. 68) are featured in this Christmas Prelude. There are also brief references to the carols O come, all ye faithful and O little town of Bethlehem between verses.2247: Cornet and Euphonium Duet - This Kingdom (Stephen Bulla)Geoff Bullock's song, This Kingdom, has been made well known by the American gospel singer Ron Kenoly. Stephen Bulla wrote this duet for a Brass Spectacular concert held in Basel, Switzerland, in May 2019.2248: Wonder (Stephen Gibson)When we stop to consider the mystery of God's love for each one of us, its enormity can only cause us to wonder. The opening bars of this music create an atmosphere, using a rolling accompaniment underneath sustained, music and chromatic Cornets, setting the style for the entire piece. Occasional references to Albert E. Webber's chorus Can you wonder? are heard throughout.2249: O to love thee! (Michael Davis)This piece takes its title from the first verse of Francis Bottome's words, Precious Jesus, O to love thee! The introduction establishes the baroque form of a prelude which leads into the tune Glory to the lamb (T.B. 327). Following a brief interlude, the melody is passed through several sections of the band, with delicate countermelodies in the Flugel and Horns. The majestic ending eventually comes to rest on the final tonic chord.
Estimated dispatch 7-14 working days
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£38.95Unity Series Band Journal - Numbers 478 - 481, June 2019
478: March - Seize the day (Andrew Mair)This march features the tunes God's love is wonderful (T.B. 130) and Everybody should know, and makes reference to Rescue the perishing (T.B. 808) and the chorus Able to save (T.B. 538)479: Jingle bells jazz! (Richard Phillips)The familiar strains of Jingle Bells (C.C. 121) have featured in Salvation Army music countless times over the years (perhaps more than any other non-religious song), whether as the main theme, countermelody, or as a derived frament or motif. This is an attractive laid-back jazz setting of the tune.480: Poor, wayfarin' stranger (Thomas Mack)This arrangement of the Spiritual depicts a poor wayfarin' stranger's journey through life using a minor key and a slow walking style.481: Selection - No crib for a bed (Charles Craig)This simple setting reminds us that, amidst the joy and exuberance that often accompanies the Christmas season, Jesus' birth was a very humble event.
Estimated dispatch 7-14 working days
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