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  • £60.00

    Anno 1920 - Harper, P

    Anno 1920 is a fabulous concert opener composed by Philip Harper.Commissioned by the Swiss Brass Band Feldmusik Knutwil for its Centenary in 2020, the piece features an uplifting melody which moves around the sections of the band before returning as a triumphant final section.2nd Section +Live Recording

    In Stock: Estimated dispatch 1-3 working days

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  • £30.00

    Anno 1920 (Score) - Harper, P

    Anno 1920 is a fabulous concert opener composed by Philip Harper.Commissioned by the Swiss Brass Band Feldmusik Knutwil for its Centenary in 2020, the piece features an uplifting melody which moves around the sections of the band before returning as a triumphant final section.2nd Section +Live Recording

    In Stock: Estimated dispatch 1-3 working days

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  • £45.00

    IMG Anthem Unity - Harper, P

    Composed for a lockdown project in 2020, this brief, optimistic fanfare-style piece is the perfect opener for your concert3rd Section +Duration 2.5 mins

    In Stock: Estimated dispatch 1-3 working days

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  • £77.00

    General Series Brass Band Journal, Numbers 2261 - 2264, December 2025

    2261: March - Win the world (Paul Sharman)This march was written at the request of Staff Bandmaster Ken Waterworth for the Melbourne Staff Band's visit to South Africa in 2018. It features the tunes We shall win (T.B. 455) and Storm the forts of darkness (T.B. 844) - the latter chosen for its similarity to the Australian national anthem in its opening two bars.2262: Festival March - Alleluia! (Kevin Larsson)Both hymns used in this march, This is my Father's world (S.A.S.B. 66) and All creatures of our God and King (S.A.S.B. 2), bought the composer comfort as he began to grapple with the ramifications of the global pandemic in 2020. Both songs talk about God's sovereignty over nature, revealing himself to us through the beauty and majesty of our world.2263: Prayer gently lifts me (Ty Watson)This is a simple arrangement of the chorus Prayer gently lifts me (S.A.S.B. 783). The piece was written to precede the opening prayer in a band programme.2264: What a Saviour! (Steven Ponsford)This devotional music explores the events of Good Friday, dramatically reminding us of words associated with familiar Easter hymns tunes.

    Estimated dispatch 7-14 working days
  • £44.95

    Powerhouse (Brass Band - Score and Parts)

    Spirit divine, come as of old. So begins the song by Brindley Boon (S.A.S.B. 311), and that phrase becomes the message of this piece, and an important motif in the music. It appears at the very beginning of the work and recurs at important points during the piece. The theme of the need for spiritual power is further underlined by the use of the hymns Show your power (S.A.S.B. 365), Wonder-working power (S.A.S.B. 451) and the very old chorus Send a new touch of power on my soul, Lord (S.A.S.B. 785).The composer first heard Boon's song Spirit Divine when it was sung by Parkhead Songsters in the Sunday morning meeting at his home Corps of Greenock Citadel. They were visiting for the weekend from Glasgow, and were conducted by Songster Leader Walter Chalmers, himself a beautiful lyric tenor soloist. They sang it in a moving fashion, unaccompanied, and such was the impact that, at the conclusion, many people went to the mercy seat. It made a huge impression on the young composer. It was the first time that Downie discovered the enormous power of music in worship. It also serves as a reminder to us all that young people of a tender age are very capable of grasping deeply significant events happening around them. This music was written for the 2020 UK Territorial Youth Band course.

    Estimated dispatch 7-14 working days
  • £34.95

    A Fantasy of Joy - Fredrick Schjelderup

    A Fantasy of Joy was commissioned and first performed by the World-famous Black Dyke Band. The piece was written in 2020, as a tribute and celebration of Ludwig van Beethoven's 250th Anniversary. The main theme and inspiration of the piece...

    Estimated dispatch 5-7 working days
  • £69.95

    Strange New Worlds (Brass Band - Score and Parts) - Graham, Peter

    Strange New Worlds was commissioned by Nicholas Childs for the National Children's Brass Band of Great Britain with funds provided by Arts Council England.The COVID-19 pandemic made it necessary for the 2020 course to transition from residential to virtual and the work was designed to accommodate this change. The participants individually filmed themselves to a click track and the videos were collated to create a "virtual" performance. The premiere was streamed live on YouTube on August 7, 2020.The work is in 5 movements with a narrative dictated by the individual movement titles. Although to me this narrative is clearly defined, multiple scenarios present themselves. Some may interpret the story as being one from the ancients while others might identify with the science-fiction of H.G. Wells. Others still will relate to the recent surge of interest in 1980s culture and the Netflix series Stranger Things (to which the title of my work pays homage). Nor would it be unreasonable to consider the piece an analogy reflecting events in 2020. Listeners will decide the story (or message) for themselves.The five movements are: I. Things to Come; II. Descent to Darkness (featuring Cornets, Trombones and Percussion); III. Resistance (featuring Horns, Baritones, Euphoniums, Basses and Percussion); IV/V. Aftermath/A New HopeDuration: 8.00

    Estimated dispatch 7-14 working days

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  • £125.00

    The World Rejoicing (Brass Band - Score and Parts) - Gregson, Edward

    The World Rejoicing was commissioned by the National Brass Band Associations of Belgium, Netherlands, Norway, Switzerland, and the British Open, as the test piece for their competitions in 2020/21. Although the work was completed in 2019, the pandemic of 2020 meant that these competitions were postponed until 2021/22. The premiere took place in September 2021 at Symphony Hall, Birmingham, UK.In searching for a common link between the brass band traditions of the various European countries that commissioned this work, I considered the fact that hymns have always played an important role in the relationship that brass bands have with their particular communities; and thus I turned to a well- known Lutheran chorale, Nun danket alle Gott (Now thank we all our God), written around 1636 by Martin Rinkart, with the melody attributed to Johann Cruger. A number of composers have incorporated this chorale into their music, most famously J.S. Bach in his Cantatas no. 79 and 192, and Mendelssohn in the Lobsegang movement of his 2nd Symphony (the harmonisation of which is usually used when this hymn is sung).It seemed fitting therefore for me to return to a compositional form I have used many times before (Variations) and to write a work based on this hymn. I have used it in a similar way to that which I employed in my Variations on Laudate Dominum of 1976 - that is, rather than writing a set of variations using elaborations of the complete tune, I have taken various phrases from the chorale and used them within the context of other musical material, applying an overall symphonic process of continuous variation and development. The structure, or sub-divisions of the work, which is through composed and plays without a break, is as follows:Prelude, Capriccio, La Danza 1, Processional, La Danza 2, Arias and Duets, Fuga Burlesca, Chorale, and Postlude.The work, which is around 16 minutes in length, is also partly autobiographical - in the manner say of Strauss's Ein Heldenleben - in that I have incorporated into the score brief quotations from many of my other major works for brass band. In that respect, The World Rejoicing sums up a particular facet of my life as a composer, and reflects the admiration I have always had for what is surely one of the great amateur music-making traditions in the world.Duration: 16.00

    Estimated dispatch 7-14 working days

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  • £40.00

    The World Rejoicing (Brass Band - Score only) - Gregson, Edward

    The World Rejoicing was commissioned by the National Brass Band Associations of Belgium, Netherlands, Norway, Switzerland, and the British Open, as the test piece for their competitions in 2020/21. Although the work was completed in 2019, the pandemic of 2020 meant that these competitions were postponed until 2021/22. The premiere took place in September 2021 at Symphony Hall, Birmingham, UK.In searching for a common link between the brass band traditions of the various European countries that commissioned this work, I considered the fact that hymns have always played an important role in the relationship that brass bands have with their particular communities; and thus I turned to a well- known Lutheran chorale, Nun danket alle Gott (Now thank we all our God), written around 1636 by Martin Rinkart, with the melody attributed to Johann Cruger. A number of composers have incorporated this chorale into their music, most famously J.S. Bach in his Cantatas no. 79 and 192, and Mendelssohn in the Lobsegang movement of his 2nd Symphony (the harmonisation of which is usually used when this hymn is sung).It seemed fitting therefore for me to return to a compositional form I have used many times before (Variations) and to write a work based on this hymn. I have used it in a similar way to that which I employed in my Variations on Laudate Dominum of 1976 - that is, rather than writing a set of variations using elaborations of the complete tune, I have taken various phrases from the chorale and used them within the context of other musical material, applying an overall symphonic process of continuous variation and development. The structure, or sub-divisions of the work, which is through composed and plays without a break, is as follows:Prelude, Capriccio, La Danza 1, Processional, La Danza 2, Arias and Duets, Fuga Burlesca, Chorale, and Postlude.The work, which is around 16 minutes in length, is also partly autobiographical - in the manner say of Strauss's Ein Heldenleben - in that I have incorporated into the score brief quotations from many of my other major works for brass band. In that respect, The World Rejoicing sums up a particular facet of my life as a composer, and reflects the admiration I have always had for what is surely one of the great amateur music-making traditions in the world.Duration: 16.00

    Estimated dispatch 7-14 working days

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  • £15.00

    The World Rejoicing (Brass Band - Study Score) - Gregson, Edward

    The World Rejoicing was commissioned by the National Brass Band Associations of Belgium, Netherlands, Norway, Switzerland, and the British Open, as the test piece for their competitions in 2020/21. Although the work was completed in 2019, the pandemic of 2020 meant that these competitions were postponed until 2021/22. The premiere took place in September 2021 at Symphony Hall, Birmingham, UK.In searching for a common link between the brass band traditions of the various European countries that commissioned this work, I considered the fact that hymns have always played an important role in the relationship that brass bands have with their particular communities; and thus I turned to a well- known Lutheran chorale, Nun danket alle Gott (Now thank we all our God), written around 1636 by Martin Rinkart, with the melody attributed to Johann Cruger. A number of composers have incorporated this chorale into their music, most famously J.S. Bach in his Cantatas no. 79 and 192, and Mendelssohn in the Lobsegang movement of his 2nd Symphony (the harmonisation of which is usually used when this hymn is sung).It seemed fitting therefore for me to return to a compositional form I have used many times before (Variations) and to write a work based on this hymn. I have used it in a similar way to that which I employed in my Variations on Laudate Dominum of 1976 - that is, rather than writing a set of variations using elaborations of the complete tune, I have taken various phrases from the chorale and used them within the context of other musical material, applying an overall symphonic process of continuous variation and development. The structure, or sub-divisions of the work, which is through composed and plays without a break, is as follows:Prelude, Capriccio, La Danza 1, Processional, La Danza 2, Arias and Duets, Fuga Burlesca, Chorale, and Postlude.The work, which is around 16 minutes in length, is also partly autobiographical - in the manner say of Strauss's Ein Heldenleben - in that I have incorporated into the score brief quotations from many of my other major works for brass band. In that respect, The World Rejoicing sums up a particular facet of my life as a composer, and reflects the admiration I have always had for what is surely one of the great amateur music-making traditions in the world.Duration: 16.00

    Estimated dispatch 7-14 working days

     PDF View Music