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  • £4.99

    First Things First - Let's Progress (Grade 1 Course) Bb/Eb Edition

    Let's Progress (Grade 1 Course) extends the range to middle C and sets out to provide beginners with the basic essentials, preparing them to tackle some of the challenges they will meet in their first experience of playing in a band.Includes link to downloadable resources including backing and demonstration tracks, online course assessment sheets and personalised course certificates.In this book you will meet:new notes, extending you rage both higher and lowernew rhythms, 3/4 timesharps, flats and key signaturesslurringquavers

    Estimated dispatch 7-14 working days
  • £45.00

    First Things First - Let's Progress (Grade 1 Course) Bb/Eb Edition (Pack of 10)

    Let's Progress (Grade 1 Course) extends the range to middle C and sets out to provide beginners with the basic essentials, preparing them to tackle some of the challenges they will meet in their first experience of playing in a band.Includes link to downloadable resources including backing and demonstration tracks, online course assessment sheets and personalised course certificates.In this book you will meet:new notes, extending you rage both higher and lowernew rhythms, 3/4 timesharps, flats and key signaturesslurringquavers

    Estimated dispatch 7-14 working days
  • £4.99

    First Things First - Let's Progress (Grade 1 Course) Eb Edition

    Let's Progress (Grade 1 Course) extends the range to middle C and sets out to provide beginners with the basic essentials, preparing them to tackle some of the challenges they will meet in their first experience of playing in a band.Demonstration and accompaniment CD includedIn this book you will meet:new notes, extending you rage both higher and lowernew rhythms, 3/4 timesharps, flats and key signaturesslurringquavers

    Estimated dispatch 7-14 working days
  • £45.00

    First Things First - Let's Progress (Grade 1 Course) Eb Edition (Pack of 10)

    Let's Progress (Grade 1 Course) extends the range to middle C and sets out to provide beginners with the basic essentials, preparing them to tackle some of the challenges they will meet in their first experience of playing in a band.Demonstration and accompaniment CD includedIn this book you will meet:new notes, extending you rage both higher and lowernew rhythms, 3/4 timesharps, flats and key signaturesslurringquavers

    Estimated dispatch 7-14 working days
  • £4.99

    First Things First - Let's Play (Elementary Course) Bb/Eb Edition

    Let's Play (Elementary Course) provides an exciting and challenging early introduction to brass playing. Intentionally, using just the first 5 noes (C-G), the course allows and encourages the important early development of a brass player's most vital commodity, the lips!Includes link to downloadable resources including backing and demonstration tracks, online course assessment sheets and personalised course certificates.In this book you willlearn how to hold the instrument and how to breath properly!learn how to buzz your lips and how to use your tongue to start notesmeet lots of well known tunes, but using just 5 notes (C, D, E, F & G)learn many of the rhythm patterns possible in 4/4 timeimprove your listening skills as you play along with the downloadable tracks.

    Estimated dispatch 7-14 working days
  • £45.00

    First Things First - Let's Play (Elementary Course) Bb/Eb Edition (Pack of 10)

    Let's Play (Elementary Course) provides an exciting and challenging early introduction to brass playing. Intentionally, using just the first 5 noes (C-G), the course allows and encourages the important early development of a brass player's most vital commodity, the lips!Includes link to downloadable resources including backing and demonstration tracks, online course assessment sheets and personalised course certificates.In this book you willlearn how to hold the instrument and how to breath properly!learn how to buzz your lips and how to use your tongue to start notesmeet lots of well known tunes, but using just 5 notes (C, D, E, F & G)learn many of the rhythm patterns possible in 4/4 timeimprove your listening skills as you play along with the downloadable tracks.

    Estimated dispatch 7-14 working days
  • £50.00

    Triumph Series Band Journal March 2015 Numbers 1259 - 1262

    No. 1259 March - Divine Care (Eiliv Herikstad)The message of this march is 'God will take care of you!' The introduction reflects the beginning of the song, God will take care of you (T.B.C.S. 124), which is presented in full at sections C and D.No. 1260 (1) Cornet Solo - Become aware of him (Michael Davis)A setting for Cornet and band of Colonel Robert Redhead's song, Become aware of him, which was originally published in The Musical Salvationist.No. 1260 (2) Hymn Tune Arrangement - St Peter (David Rowsell)An arrangement of the tune, St Peter, associated with the song, In Christ there is no east or west.No. 1261 Song Arrangement - The deep love of Jesus (Andrew Blyth)The strong hymn tune of Ebenezer (T.B. 433) was composed by Welshman, Thomas John Williams (1869-1944), who served as organist and choir director at various churches in and around Llanelli. This arrangement is more relaxed in style than the original and attempts to convey the freedom of the verses mostly associated witht he tune by Samuel T. Francis (1835-1925) O deep, deep love of Jesus, vast, unmeasured, boundless, free.No. 1262 Everybody praise his holy name (Nicholas King)A bright arrangement by Nicholas King of Remco Hakkert's song, Praise his holy name.

    Estimated dispatch 7-14 working days
  • £67.02

    Armistice at Flanders Fields (Brass Band) Dwayne Bloomfield

    This poignant and powerful work for brass band by Dwayne Bloomfield describes the day peace was announced to end World War I. The piece was written in 2023 to be played by bands around the world to mark Armistice Day. The composer writes: 'Unless you were there, it's impossible to imagine what it must have been like the day peace was announced ending World War I. The feelings soldiers experienced, who after years of fighting and suffering, to know it was over and they would return home to see family and loved ones again. This piece tries to tell their story. The work begins by approaching the front, distant artillery and battle sounds heard while the carnage and loss of lives was already known to the world. The band builds as we enter the thick of battle, the death and destruction, the conditions faced and the loss of hope of ever surviving. The next section, in 7/8 time, reflects the two sides fighting - both sides attacking and defending with mostly little result, but for the loss of more lives. Two euphoniums then depict the news and hope of peace talks. However, fighting did continue right up to the very end and on the last day there would be another 2,738 casualties. The Canadians were still battling to capture the town of Mons that morning. A song is sung in reflection of the estimated 5.5 million allied soldiers who lost their lives during World War I, then a clock ticks down the final minutes. The last three known casualties are depicted with French soldier Augustin Trebuchon, killed at 10:45am by a single shot as he rushed down the trenches to spread the news of coming peace; Canadian George Lawrence Price killed by a sniper round at 10:58am at the battle of Mons, and lastly a machine gun burst that killed American Henry Gunther, who is believed to have fallen on the 11th hour. Bells then toll ringing around the world announcing the end of the war. After years of war, it must have been jubilation for the families at home knowing their loved ones would be returning to them. The band builds with a hymn for peace as a final tribute to those who fought, before the piece resides with one of the most dreaded sounds at that time, the knock on the door from a telegram delivery boy or better known then as the Angels of Death. It wasn't just the 2,738 families from the casualties of the last day who would receive such a knock, but many more who expected their loved ones to be returning home would instead find out they were instead killed in the last weeks. So close. Driving around the battlefields today one comes across many intersections in the countryside which have cemetery signposts pointing in every direction. While the last post sounds in ceremonies today, this last bugle call instead depicts the horrors, devastation and death the soldiers faced during the war and right up the 11th hour of the 11th day of the 11th month, Armistice at Flanders Fields.' To view a video of Dallas Brass Band performing the work please visit https://www.youtube.com/watch?v=ljfyVz3cMgk Duration: Approx. 15.00 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £153.00

    Bipolar (Bra) - Stijn Aertgeerts

    With 'Bipolar', the composer Stijn Aertgeerts wants to try to describe the vast feelings someone suffering from bipolar disorder can go through. It's difficult to imagine how hard it must be to live with the range of emotions of bipolarity, going rapidly from a state of hypomania to severe depression, or worse. This piece of music aims to describe those episodes, from a highly elevated mood to a great feeling of sadness; from euphoria to complete darkness. The piece starts off excited, almost overexcited, as well as a touch nervous. The mood quickly shifts to one of self-doubt, introduced by the multiple cadenza's in cornet, euphonium, flugelhorn and trombone. This grows into a haunting feeling of growing sadness. We're served with another eerie reminder of the opening shifts in the mood, with calmness, optimism and - even for just a second - complete happiness. This, however, fades instantly as you hear someone literally being dragged down by a chain. A total spiral into darkness follows, spinning more and more out of control into a heavy and dark conclusion.

    Estimated dispatch 7-14 working days

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  • £76.00

    Have a Break/Break Away - Patrick Millstone

    With these two 'breaks' Patrick Millstone killed two birds with one stone. You can conclude the first part of your concert with 'Have a break' and start again after the interval with 'Break Away'.

    Estimated dispatch 10-14 working days

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