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  • £168.50

    Music of the Spheres (Brass Band - Score and Parts) - Sparke, Philip

    Music of the Spheres was commissioned by the Yorkshire Building Society Band and first performed by them at the European Brass Band Championships in Glasgow, May 2004. The piece reflects the composers fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. ('Harmonia' in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and thatthe planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notes form the basis of the sections Music of the Spheres and Harmonia. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the Big Bang itself, as the entire universe bursts out from a single point. A slower section follows called The Lonely Planet which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilisations elsewhere in the universe. Asteroids and Shooting Stars depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with The Unknown, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.Duration: 18:00

    Estimated dispatch 7-14 working days

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  • £82.95

    The Flowers of the Forest (Brass Band - Score and Parts) - Bennett, Richard Rodney - Hindmarsh, Paul

    In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.

    Estimated dispatch 7-14 working days
  • £44.95

    The Flowers of the Forest (Brass Band - Score only) - Bennett, Richard Rodney - Hindmarsh, Paul

    In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.

    Estimated dispatch 7-14 working days
  • £74.95

    Endeavour (Brass Band - Score and Parts) - Sparke, Philip

    Commissioned by the Festival of Bands, Brisbane 1988, for the Bicentennial World Brass Band Championship held there on 29th July.Endeavour takes its title from the name of the ship in which Captain James Cook circumnavigated the world and attempts to depict in music some aspects of the history of the great continent which he discovered.The Unknown Continent tells the story of the many fruitless voyages undertaken to find the mysterious Terra Australis and conjures up something of the awe and excitement its discovery engendered. Early struggles and hardships of the first settlers are described in The New Challenge but the true story of Australia over the last 200 years is one of success and Celebration ends the piece in triumph.Duration: 11.30 mins

    Estimated dispatch 7-14 working days
  • £37.95

    Endeavour (Brass Band - Score only) - Sparke, Philip

    Commissioned by the Festival of Bands, Brisbane 1988, for the Bicentennial World Brass Band Championship held there on 29th July.Endeavour takes its title from the name of the ship in which Captain James Cook circumnavigated the world and attempts to depict in music some aspects of the history of the great continent which he discovered.The Unknown Continent tells the story of the many fruitless voyages undertaken to find the mysterious Terra Australis and conjures up something of the awe and excitement its discovery engendered. Early struggles and hardships of the first settlers are described in The New Challenge but the true story of Australia over the last 200 years is one of success and Celebration ends the piece in triumph.Duration: 11.30 mins

    Estimated dispatch 7-14 working days
  • £57.50

    Over the Rainbow (Eb or Bb Cornet Solo with Brass Band - Score and Parts)

    Recently voted the greatest family film of all time the classic Wizard of Oz is one film that everybody knows. The film theme was re-invigorated with the release in 2004 of a new version by the relatively unknown Australian vocalist, Eva Cassidy. Unfortunately Eva Cassidy is no longer with us but this song will give generations of new music listeners an insight into her amazing vocal abilities and talent. The world-renowned Cornet soloist, Alan Morrison, has taken the Eva Cassidy version and crafted a wonderful Cornet solo in this award-winning arrangement. A wonderful chance to showcase either your Bb or Eb Cornet soloist in a work guaranteed to have your audiences in awe.

    Estimated dispatch 7-14 working days

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  • £30.00

    Fairy Garden, The - Maurice Ravel arr. Phillip Littlemore

    Ravel wrote his five short piano pieces entitled Ma Mere l'Oye (Mother Goose) for two young children, Mimie and Jean Godeski in 1910. The suite invites us to the enchanted world of childhood through these five atmospheric tales. The final part of Ravel's suite is a grand finale, although where Ravel got his inspiration for the fairy garden is unknown. Whatever its origin, it certainly is a delightful piece of music - slow in tempo, quiet to start, with rich harmonies and delicate solos, all leading to a tumultuous climax.Duration: 3'00"Difficulty: Suitable for all grades

    Estimated dispatch 5-7 working days
  • £44.95

    Deus Solus (Brass Band - Score and Parts)

    Deus Solus (meaning God Alone) was composed for the Melbourne Staff Band's 130th anniversary at the request of Bandmaster Ken Waterworth. It is based on three Christian tunes - the 18th century hymn O God, our help in ages past (S.A.S.B. 47), and the more contemporary songs God and God alone (Phill McHugh) and Chris Bowater's Faithful God (S.A.S.B. 360). The work begins quietly and with a sense of the unknown, with references to O God, our help in ages past, alluding to the formation and early days of the band.

    Estimated dispatch 7-14 working days
  • £7.00

    Ye Banks and Braes (Trombone or Horn Solo and Piano Accompaniment)

    The origins of this melody are unknown but, set to the poem by Robert Burns, this has become one of the most popular Scottish songs.An arrangement for solo trombone and brass band, requested by Brett Baker, has been recorded by Brett and Brass Band of the Western Reserve on the CD Slides Rule! This is a version with piano accompaniment.Parts included for Trombone BC, Trombone TC, Eb Horn, F Horn and Piano Accompaniment

    Estimated dispatch 7-14 working days
  • £32.00

    Ye Banks and Braes (Trombone Solo with Brass Band - Score and Parts)

    The origins of this melody are unknown but, set to the poem by Robert Burns, this has become one of the most popular Scottish songs.This arrangement was prepared at the request of Brett Baker for one of his many visits to perform as a soloist with Brass Band of the Western Reserve and its musical director Keith M Wilkinson. It has been recorded by Brett with BBWR on the CD Slides Rule!

    Estimated dispatch 7-14 working days