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£64.95Platform to the Heavens
The piece takes its inspiration from the mountain ranges from one of my favourite countries, Switzerland.I have visited the Swiss Alps on many occasions and I am still taken back by its sheer awesome beauty with every visit. This commission gave me the opportunity to pay homage to this wonderful landscape and paint my own musical picture of it.The piece opens with what I imagine daybreak would be like at one of its many peaks. With the sun growing behind the mountain range, the piece builds from a single note to a huge climatic chord revealing Mother Nature's creation.Then at rehearsal figure 'C' the tempo changes dramatically as we fly through the many slopes of the mountains as if on a manic skiing expedition, revealing the many dangers within the Swiss Alps.The twists, turns and climaxes begin to die away as we enter rehearsal figure 'M' - nightfall over the mountains. As the sun disappears, the sky darkens to reveal the beautiful starlit sky above the mountain range. This middle section starts with the various cadenzas that serve as echoes around the Alps. It then leads to a lyrical solo at rehearsal figure 'O' as the moonlight illuminates the icy mountain peaks. A final cadenza to conclude this section highlights the end of nightfall as the sun starts to rise again.This recapitulation from the opening, signals a new dawn as the sun rises above the snowy peaks once again. The music at this point in its slightly altered state highlights the dawn of a new day in the Alps. The fast manic ski ride follows which takes the piece to its grand finale conclusion.The idea behind the title of this piece is that the Swiss Alps are so beautiful and vast; I can only imagine that they could be a platform connecting the earth to the heavens above.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£34.95Tribute Music (Brass Band - Score and Parts)
The composer writes: Having received delightful reports about Neil Ferguson from his colleagues in Granite City Brass, I thought it might be a good idea to incorporate the musical initials from his name, EFEG, in the opening idea of the music. I used this short idea as a motif during the piece. A recurring comment in the tributes referred to his dry sense of humour, and particularly his ability to deliver a one-liner when least expected. The music does therefore contain a few surprises and sudden changes of direction. I also thought that it might be in character for me to include a little "joke" of my own, which is there to be heard by the very careful listener! Such listeners would do well to remember that the Granite City Brass, the commissioning band, is based in Aberdeen. The idea of commemorating such a faithful member of the band with a piece of music led me to try and write a noble, upright theme, which might be remembered as a melody in the future. I hope that it is a fitting tribute.
Estimated dispatch 7-14 working days
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£36.16World War III (Brass Band) Joe Galuszka
This descriptive work for brass band by Joe Galuszka depicts the horrors of war. War is all around us. Every day, another life is lost. Myanmar, Sudan, Ethiopia, Ukraine, Colombia, Afghanistan, Somalia, Syria and Yemen. As time goes on, more and more countries are brought to the end of what is a diplomatic struggle - in where war seems to be the only option. 'War! Terror! Panic! captures the tumultuous and relentless nature of war. With driving rhythms, aggressive brass fanfares, and thundering percussion, the listener is immersed in the chaos of battle. Dissonance and clashing harmonies depict the discord that pervades war and takes us on a journey through the terror and panic that comes with the brutality of conflict. Remembrance (For Those That We Have Lost) provides a poignant and reflective interlude, allowing the audience to contemplate the human cost of war. Mournful melodies and expressive solos for trombone, euphonium and glockenspiel, convey the depth of sorrow and loss, serving as a powerful reminder of the toll war takes on individuals and communities. The final movement, Hymn for Peace and Hope is a testament to the enduring human spirit and the yearning for harmony - dissonance and conflict gradually give way to consonance and resolution. We celebrate the human capacity for unity and the triumph of peace over strife, as we imagine a world at piece. To listen to an audio demo of the work please visit https://on.soundcloud.com/Udt1AWRThgwuWnQv5 Duration: Approx. 5.00 mins Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£79.57'Odyssey' Variations (Brass Band) Kevin Norbury
'Odyssey' Variations was composed as a result of a commission in May 2020 from Five Lakes Silver Band and its musical director, Christopher Ward. This music is based on an original theme that I first used in an earlier composition, Odyssey, which was the test piece for the European Brass Band Championships, held at Munich, Germany, in April 1999. I distinctly remember getting into my hotel room and turning on the television to be greeted by news coverage of the Columbine High School shooting, so that piece has always held some significance for me, though because of a very sad coincidence. The melody was originally a cornet solo in the central slow section of Odyssey and pitched deliberately to test the soloist. I have, more recently attempted a straightforward choral setting of the melody, and the harmonies I use in the three chorale-style settings at the start of these variations are loosely based on that setting. The melody is a setting of the familiar words of Be Thou My Vision, an old Irish hymn, translated by Mary E. Byrne, and versified by Eleanor H. Hull. The form of the work is as follows: Theme - three presentations Variation 1 - Allegro Variation 2 - Moderato (featuring the horns, baritones, euphoniums and basses) Variation 3 - Maestoso (featuring the cornets, flugel horn, and trombones) Variation 4 - Adagio Variation 5 - Allegretto Variation 6 - Largo - Moderato Variation 7 - Allegro molto Theme - Maestoso e sostenuto Finale - Allegro vivace - Adagio e allargando To view a video of Five Lakes Silver Band performing the work please visit: www.youtube.com/watch?v=vfLnld3bCw8 Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£79.95Neverland - Christopher Bond
"All children, except one, grow up" wrote J.M. Barrie about Peter Pan in 1911; the first line and an expression of beautiful melancholy and fantasy, coming to represent one of the best-loved children's stories of the twentieth century. 'Peter & Wendy', as the book was first released, has subsequently been transformed into adaptations for film and stage, with subsequent books based on this iconic tale. In writing this new work for brass band, the composer has taken three of the main themes from J. M. Barrie's book, and used these themes to create new musical material, forming a work in three contrasting sections. I. Journey to Neverland The opening of the work, mysterious in its style, reflects the opening chapters of the story - a leafy London street, still in the dead of night - with the music transforming quickly as it builds in texture and momentum - a Journey to Neverland through the night sky; Second Star to the Right and straight on 'til morning. "Then Peter knew that there was not a moment to lose. 'Come,' he cried imperiously, and soared out at once into the night, followed by John and Michael and Wendy. Mr & Mrs Darling and Nana rushed into the nursery too late. The birds were flown." II. The Windows that Closed The central section of the work takes its inspiration from the sense of longing throughout the book, mainly by Peter Pan, the Darling Children & The Lost Boys. Distant memories of life before Neverland, memories of the Lost Boys' mothers, and regret at what the children have missed. Peter says "Long ago, I thought like you that my mother would always keep the window open for me; so I stayed away for moons and moons and moons, and then flew back; but the window was barred, for mother had forgotten all about me, and there was another little boy sleeping in my bed." III. Aboard the Pirate Ship The final section of the work takes its inspiration from the Pirate Ship, and Peter Pan's ultimate battle with its infamous Captain Hook. "In person, he was cadaverous and blackavized, and his hair was dressed in long curls, which at a distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly."
Estimated dispatch 10-14 working days
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£79.95Amundsen - Jonathan Bates
DURATION: 14'00". DIFFICULTY: 1st+. 'Amundsen' was commissioned by rskog Brass, Norway for their winning performance at the 2020 Norwegian National Championships held at the Grieghallen in Bergen. In December 1911, Norwegian Roald Amundsen gained global fame by becoming the first explorer to lead a team to the geographic South Pole. Amundsen and 4 other members of his team arrived 5 weeks ahead of a rival team from the UK led by Robert Falcon Scott, all of which perished on their attempted return from the pole. Initially when Amundsen's team set out in 1910, they were under the impression that they would be making the far shorter journey to the arctic drift to attempt to reach the North Pole, but Amundsen had received news that American explorers Peary and Cook had beaten them to this goal, and so Amundsen's focus changed southward. 'Fram, Forward' - 'Fram' (translating to English as "forward") was the name of the ship Amundsen used for this particular polar expedition. Amundsen had only informed 2 people of his real intentions of conquering the South Pole when the ship first left port in Kristiansand before heading south to the Portuguese island of Madeira in the Atlantic Ocean. After weeks at sea - causing the uninformed members of the crew to raise a number of questions and produce a general feel of uncertainty and low spirits - it was here that Amundsen announced his true plans to the rest of his crew. They were asked whether they wished to continue with their expedition, to which all - some begrudgingly - agreed to sail on to the South Pole, through the great Ice Barrier before docking in the Bay of Whales on the Ross Ice Shelf. 'Ross Ice Shelf' - Upon Amundsen's arrival in the Bay of Whales, the team were greeted by the sight of the enormous ice plateau's and glaciers, towering into the Antarctic sky. In 1907, Ernest Shackleton had attempted - and failed - to reach the South Pole, but his route and mapping was by now well documented. Scott and the UK team were to follow this route, whereas Amundsen and his men forged their own way to the pole through unchartered territory and deadly terrain littered with deep crevasses and canyons. The music here though, is a picture of tranquility. The eerie silence of total emptiness with only the heavy snow falling around Amundsen as Fram and the Bay of Whales disappears into the distance, faced by the maginute of the expedition ahead. 'Advance to Polheim' - The first new challenge Amundsen discovered on this route was a rough, sharp and extremely steep glacier (which was later named the Axel heiberg Glacier after the Norwegian monarch who funded much of the expedition), which would take his team up from sea level to an altitude of over 9,000ft in just 20 miles, with most of this over just 7 miles. Once scaled, only the vast Antarctic Plateau stood between Amundsen and the pole. Here the race began, with only one aim - victory for himself, his team, and for the whole of Norway. .
In Stock: Estimated dispatch 1-3 working days
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£25.00All Shall Be Well - Brass Band Sheet Music Full Score & Parts - LM931
COMPOSER: Tamsin TateCOMPOSERS NOTE"All shall be well" was composed during the first lockdown of the Covid crisis, from May 2020.This was a worrying time for many and a time of great anxiety and sadness for some.I have always tried to be practically optimistic in trying times, but still I needed hope.I am lucky to have a faith in God which gives me hope and assurance that things will be better,and I also know that music, particularly playing it, can help express some of these emotions.Certainly, music through the crisis was a wonderful, enjoyable escape for meand one I shared with my family and my band family through our online recordings.Julian of Norwich was an anchoress in the 14th Century.She set herself apart for God and spent a lot of time in prayer.Interestingly, she was the first published woman in the English language.Julian of Norwich is quoted as saying "all shall be well, all shall be well,and all manner of thing shall be well." The paraphrase of this spurred me on to develop this piece for brass band.Hopefully you will also find that the music portrays the worries and trials of this uniquetime through the natural minor key, with the rhythm hinting towards the phrase"All shall be well" and then the dawning transition to the major keyfollowed by a triumphant ending with the whole band joining together.Thanks to Adam Cable and the Martlesham Brass family for support and encouragement always.Thanks also to Alan Fernie and his supportive critique of my initial efforts.LM931 - ISMN : 9790570009312
In Stock: Estimated dispatch 3-5 working days
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£30.00Reminiscing Dance - Brass Band - LM983
COMPOSER: Chris AllenReminiscing Dance is the most traditional of all the brass band works I have written so far, but it contains beautiful melodies that should appeal to most audiences. The piece is similar in nature to 'The Three Bells',the central movement of Gordon Langford's Three Haworth Impressions, and is inspired by rural imagery and the idea of a widow recalling their precious experiences with their loved one. The general mood of the piece is one of happiness tinged with wistfulness and longing, beginning with a lilting,but not jolly triple time melody in the soprano cornet.This melody gives way to a more jovial tune at bar 56 which can afford to be played with more humour and freedom, but at bar 86 the atmosphere should darken again, with a subdued dynamic and smoother articulation.At bar 114, the upbeat music of the opening returns but bolder than before, to represent a feeling of anger that the opportunity to spend cherished time with a loved one has been stripped away by death. An intense countermelody in the euphoniums and baritones grinds painfully against the main tune in the cornets, before a soft close that suggests ultimately the dominant emotion of the piece is one of happy memories rather than loss.Chris Allen, December 2021
In Stock: Estimated dispatch 3-5 working days
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£59.95
BEULAH LAND (Brass Band Set) - Wilfred Heaton - Paul Hindmarsh
Wilfred Heaton began to assemble material for 'Beulah Land' in the early 1990s following a request from the Amsterdam Staff Band for a new work. Despite reminding himself on the manuscript that he should either complete or destroy the work before his death, ultimately he did not manage either. This edition was subsequently realised in 2003 for the tour of the USA Western States by the Amsterdam Staff Band.'Beulah Land' is Heaton's vision of the joy that awaits the Christian in Heaven and, according to his family, is reminiscent of the kind of music he often improvised at the piano. The three movements are as follows;1. Better World; a waltz sequence on the tune 'Zealley' to which the words 'There is a better world, they say' are sung.2. Heavenly Home; an elegiac cortege using the tunes 'My home is in Heaven', 'I have a home that is fairer than day' and 'The home over there'.3. Happy Land; Beginning in waltz rhythm this soon gives way to a sequence of free variations on the song 'There is a happy land, Far, far away'.
Estimated dispatch 7-14 working days
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£154.99Spiriti - Thomas Doss
A Bach chorale stands at the centre of this work (Fur deinen Thron tret ich hiermit).Anton Bruckner was one of Johann Sebastian Bach's great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner's spirit that always seemed to be with him while working on Spiriti. Bruckner's spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tuttipassages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ.
Estimated dispatch 5-14 working days
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