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£69.95
CONCERTO FOR HORN (Horn in F/Eb Solo with Brass Band Set) - Edward Gregson
Estimated dispatch 7-14 working days
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£54.20Holiday for Trumpet (Cornet Solo with Brass Band - Score and Parts) - Armengol, Mario Ruiz - Freeh, Mark
Your cornet player will love showing off their dexterity and tone in this upbeat number.
Estimated dispatch 7-14 working days
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£76.99Music for Fun (Cornet Solo with Brass Band - Score and Parts) - Waignein, Andre
Duration: 7.30
Estimated dispatch 7-14 working days
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£69.95Concertino for Tuba (Eb Tuba Solo with Brass Band - Score and Parts) - Sparke, Philip
Composer's facsimile edition
Estimated dispatch 7-14 working days
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£82.95CONCERTO FOR TUBA (Eb Bass Solo with Brass Band) - Barry, Darrol
Score and Parts. Dur: 15:30
Estimated dispatch 7-14 working days
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£50.90SAVING ALL MY LOVE FOR YOU (Flugel Horn Solo with Brass Band) - Wormald, Christopher
Grade: Easy.
Estimated dispatch 7-14 working days
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£59.99SURREY WITH THE FRINGE ON TOP (3+ Euphoniums/Brass Band) - Freeh, Mark
With solo for three or more baritones/euphoniums. Duration: 3:00 Grade: Easy-Medium
Estimated dispatch 7-14 working days
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£54.20
TWO MOODS FOR TUBA (Eb Bass Solo with Brass Band) - Swann, Donald - Smith, Sandy
Grade: Medium
Estimated dispatch 7-14 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1367 - 1370, November 2024
1367: March - Risen, conquering Son (Noel Jones)Two uplifting Easter songs are featured in this march; Low in the grave he lay (S.A.S.B. 228) with words and music written by Robert Lowry, and Thine is the glory (S.A.S.B. 276) with words by Edmond L. Budry and music by George F. Handel. Both serve as a powerful reminder of the resurrection of Jesus.1368: Horn Solo - O how much he cared for me (Keith Wilkinson)This solo was originally penned for Bandsman Frank Taylor, who plays Solo Horn at Stapleford Citadel Corps. As its basis, it uses the popular hymn No one ever cared for me like Jesus by Charles F. Weigle, a Baptist evangelist who wrote more than a thousand hymns.1369: My Redeemer lives (Olaf Ritman)This arrangement of Reuben Morgan's well-known worship song (S.A.S.B. 223) was first written as an accompaniment for congregational singing and can still be used in that way. It was inspired by the American R&B group Tower of Power and is meant to sound soulful and funky.1370: Selection - With life anew (Mervyn Clarke)This selection features music associated with two hymns; Blessd Saviour, now behold me (S.A.S.B. 575) by William Baugh and Breathe on me, breath of God (S.A.S.B. 294) by Edwin Hatch. Although Edwin Hatch's hymn-writing output was very small, this hymn has seen numerous settings and melodies associated with the words from which the piece takes its title; two of these melodies are featured here in Trentham and Carlisle.
Estimated dispatch 7-14 working days
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£79.95Orion (Brass Band - Score and Parts)
Orion was named after the giant huntsman in Greek mythology and is a prominent constellation located on the celestial equator and visible throughout the world. It is one of the most conspicuous and recognisable constellations in the night sky. This piece and its inspiration were composed as a tone poem creating a musical picture of this amazing phenomenon.The opening introduces the constellation. Starting mysteriously with the percussion and basses this section develops a series of rhythmic and harmonic interludes from the upper brass. As this introduction develops, the melodic line lead by the Solo Cornet and Euphonium builds as the accompanying instruments increase in their rhythmic complexity. This section climaxes with a short fanfare motif which will be a prominent theme throughout this piece.The fast rhythmic section that follows serves as a technical test for the players. The thematic device introduced by the Solo Cornets is passed around various soloists and sections within the ensemble. This part of the tone poem gives the opportunity for the ensemble to highlight their technical prowess. The fanfare motif returns to conclude this section and takes the piece into the slow middle movement.Motifs heard earlier are mixed with new ideas in this slow section which give an opportunity for a variety of soloists to demonstrate their musical prowess. After the various solo passages and cadenzas, the mood shifts dramatically to a more ominous section that builds in texture and dynamic. Concluding with our returning fanfare motif the piece then builds in momentum towards our finale section.This finale is a technical showcase which will further test the playing ability and stamina of soloists, small groups and the full ensemble. Using prominent musical themes heard throughout this piece the music builds to a glorious conclusion fitting with wonderful constellation.
Estimated dispatch 7-14 working days
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