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£45.00
Main Theme from Cutthroat Island - Debney, J - Harper, P
Part of Cory Band's famous 'Treasure Island' set, this swashbuckling new arrangement will shiver your timbers and leave your audiences thrilled on an epic scale!Click here to listen to a short excerpt1st SectionDuration 3 mins
In Stock: Estimated dispatch 1-3 working days
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£33.00
Star Trek Voyager - Goldsmith, J - Barry, D
Take a short trip to the Delta Quadrant with the super theme from Star Trek: Voyager, the latest "trek" series. Bold and majestic tunes from the pen of movie music guru Jerry Goldsmith and faithfully transcribed by Darrol Barry - playable by all levels of bands.4th section +
In Stock: Estimated dispatch 1-3 working days
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£45.00
The Rings of Saturn - Harper, P
This piece attempts to convey the vastness of time, space and the universe, and mankind's miniscule and fleeting existence within it. It features lyrical solos for solo cornet, repiano and flugel horn, placed spatially in the performance space.Click here to listen to a short excerpt2nd Section +Duration 5 mins
In Stock: Estimated dispatch 1-3 working days
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£22.50
The Rings of Saturn (Score) - Harper, P
This piece attempts to convey the vastness of time, space and the universe, and mankind's miniscule and fleeting existence within it. It features lyrical solos for solo cornet, repiano and flugel horn, placed spatially in the performance space.Click here to listen to a short excerpt2nd Section +Duration 4 mins
In Stock: Estimated dispatch 1-3 working days
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£35.00
Tomorrow from Annie - Strouse, C - Wilkinson, K
A new tenor horn solo of an old favourite, arranged by the experienced Keith Wilkinson. NB the solo part goes up to a top B.Click here to listen to a short excerpt4th SectionDuration 2.5 mins
In Stock: Estimated dispatch 1-3 working days
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£40.00
Walk Like an Egyptian - Sternberg, L - Harper, P
A brand new arrangement of The Bangles iconic 1986 hit which always goes down a storm and enlivens any concert!Plenty of opportunity for choreography is included as well as a solo feature for the trombone player.Click here to listen to a short excerpt3rd Section+Duration 3 mins
In Stock: Estimated dispatch 1-3 working days
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£40.00
Dreams and Dances (Flugel solo) - Harper, P
Dreams and Dances was composed for Black Dyke flugel star Zoe Hancock in 2012. This is a substantial seven minute solo for one of the most characteristic of the brass band's instruments.It begins slowly and dreamily, with a flugel line encompassing both lyrical and florid styles, before moving via a short cadenza to a set of dances in a quick 6/8 time. The solo part would be a challenge for any player, but the accompaniment parts should be manageable by all.
In Stock: Estimated dispatch 1-3 working days
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£15.00Symphony in Two Movements (Study Score Only)
Selected as the Championship Section test piece for the National Brass Band Championships of Great Britain 2025This work was jointly commissioned by the National Youth Brass Band of Great Britain (NYBBGB) and the National Youth Brass Band of Wales (NYBBW), the latter with funding from T Cerdd (Music Centre Wales), to celebrate their 60th and 30th anniversaries respectively. The first performances were given at Cadogan Hall, London, in April 2012, by the NYBBGB, conducted by Bramwell Tovey; and at the Great Hall, Aberystwyth University, in July 2012, by the NYBBW, conducted by Nicholas Childs.When I was approached about a joint commission to write a new work to celebrate the anniversaries of these two outstanding youth bands I was delighted to accept, and decided to respond by writing a work apposite for the magnitude of these special occasions, namely a 'symphony for brass'.Through a long journey of writing music for brass band, which commenced with Connotations (1977), and continued with Dances and Arias (1984), Of Men and Mountains (1991), The Trumpets of the Angels (2000) and Rococo Variations (2008), I arrived at what I regard as the most important work of the cycle to date, combining as it does serious musical intent with considerable technical demands. It is perhaps my most abstract work for brass band, avoiding any programmatic content.The symphony lasts for some 19 minutes and is structured in two linked movements. The form is based on that used by Beethoven in his final piano sonata (Op.111), which is in two movements only: a compact sonata-form allegro, followed by a more expansive theme and four variations. Prokofiev also adopted this model in his 2nd Symphony of 1925.The opening Toccata of this Symphony is highly dramatic but compact, whilst still retaining the 'traditional' structural elements of exposition, development and recapitulation; indeed, it also has the 'traditional' element of a contrasting second subject - a gentle, lyrical modal melody first heard on solo cornets.In contrast, the longer and more substantial second movement Variations is built around a theme and four variations. The slowly unfolding chorale-like theme accumulates both added note harmony and increasing instrumentation, whilst the four variations which follow are by turn mercurial (fast, starting with all the instruments muted), march-like (menacing, with short rhythmic articulations underpinning an extended atonal melody), serene (a series of 'romances' for solo instruments alongside echoes of the chorale) with an emerging theme eventually bursting into a climax of passionate intent; whilst the final variation is a dynamic scherzo (concertante-like in its series of rapid-fire solos, duets, trios and quartets) with the music gradually incorporating elements of the main ideas from the first movement, thus acting as a recapitulation for the whole work. It reaches its peroration with a return to the very opening of the symphony, now in the 'home' tonality of F, and thus creating a truly symphonic dimension to the music.Most of the melodic material of the symphony is derived from the opening eleven-note 'row', which contains various intervallic sets, and although the work is not serially conceived it does use some typical quasi-serial procedures, such as canons, inversions, and retrogrades. The symphony uses somewhat limited percussion, in line with a 'classical' approach to the sound world of the brass band, alongside a use of multi-divisi instrumentation, whereby each player has an individual part rather than the traditional doubling within certain sections of the band.- Edward GregsonDuration: 19.00
Estimated dispatch 7-14 working days
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£77.00General Series Brass Band Journal, Numbers 2238 - 2241, December 2023
2238: Fanfare and allegro on the Doxology (Steve Kellner)The Doxology, set to the tune Old Hundredth (T.B. 31), is used widely around the world by Christian denominations, including Salvationists. This concert opener is based on the short but powerful hymn of praise to the Triune God.2239: To the endless day (Kenneth Downie)This is a meditation on the hymn tune Ruth (T.B. 191), written by Samuel Smith. It is a particular favourite of Don Jenkins, whose late wife was also called Ruth. This music is dedicated to Don, a distinguished trombone soloist and former Band master of Bristol Easton Corps Band.The music is always associated with the hymn by William Walsham How, whose words begin 'Summer suns are flowing over land and sea' (S.A.S.B. 59) with the title coming from the end of the final verse.2240: Euphonium Solo - He giveth more grace (Ray Steadman-Allen)This 1996 arrangement of Blacklands (T.B. 527), the composers own hymn tune written in 1963, is being published posthumously. The hymn tune sets the words 'He giveth more grace as our burdens grow greater' (S.A.S.B. 30) with an emphasis on the generosity of God.2241: The Calvary effect (Ian Clarke)Around AC 30, on a hill often refered to as Mount Calvary, an event took place that was to change the world forever. The Calvary effect is a reflection, in musical form, on that event and what it still means to people today. If features two tunes: first, in a quiet reflective mood, we hear the highly emotive Healing Stream, associated with the words 'Jesus, keep me near the cross; There is a precious fountain' (S.A.S.B. 178). This then makes way for the chorus; 'Lord, make Cavalry real to me' (S.A.S.B. 182), which is at times indistinct and almost lost in its surroundings, reflecting the sentiments of the chorus. A return to the main tune follows, this time in a positive, passionate setting. The music finishes with a triumphant 'Hallelujah!'.
Estimated dispatch 7-14 working days
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£29.95Easter Hymn (Trumpet Solo with Brass Band - Score and Parts)
Ray Steadman-Allen sketched this short, festive arrangement in the early 1990s. While labelled by RSA as a Trumpet Solo, a Cornet soloist would also be appropriate. The piece should not prove difficult to prepare except in terms of maintaining balance between the soloist and the band. Some of the harmonies are quite unexpected, even curiously dissonant in the late RSA style. However, such sounds should help the listener hear this traditional hymn in a new and vital manner. The piece would serve well as an Intrada on Easter Sunday, or during any celebratory occasion in Eastertide.
Estimated dispatch 7-14 working days
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