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  • £34.95

    TRAVELLING ALONG (Euphonium Solo with Brass Band Set) - Chris Mallett

    This cheerful and energetic solo includes two Salvation Army songs, 'Travel along in the sunshine' and 'Sunshine', the composer having emigrated from the UK to 'sunny' California. (Look out for musical quotes from 'California, here I come')! The solo was written for himself to play during a return visit to the UK hence the witty quote from 'Raindrops keep falling on my head'.

    Estimated dispatch 7-14 working days
  • £34.95

    TUCKER (Cornet Solo with Brass Band Set) - Erik Leidzen

    Originally published in the Festival Series in 1933 and written by the master of solo writing, Erik Leidzen, this has become, in Salvation Army circles, a 'standard' for all aspiring cornetists, exploring the full range of the instrument from bottom F# to top D.

    Estimated dispatch 7-14 working days
  • £24.95

    NOW IS THE HOUR (Cornet Solo with Brass Band Set) - Ray Steadman-Allen

    This romantic Maori song of farewell was arranged as a cornet solo for David Daws. Within The Salvation Army, the words 'Search me, O God, and know my heart today' are now associated with this beautiful tune.

    Estimated dispatch 7-14 working days
  • £34.95

    CELEBRATION (Brass Band Set) - Leslie Condon

    Composed for the 75th anniversary of the ISB in 1965, this music went on to become one of the best known concert marches in the Salvation Army repertoire.

    Estimated dispatch 7-14 working days
  • £29.95

    GOLDCREST (Brass Band Set) - James Anderson

    A great march more suited to festival rather than procession, Goldcrest by James Anderson has long been a favourite with Salvation Army Bands.

    Estimated dispatch 7-14 working days
  • £59.95

    HOLY WAR, The (Brass Band Set) - Ray Steadman-Allen

    Inspired by John Bunyan's allegory of the same name, the composer paints a sound picture of spiritual warfare between the forces of good and evil. Martin Luther's Reformation chorale Ein feste Burg (A Mighty Fortress is our God) serves as the rallying point for 'good' forces led by Mansoul. This brilliant score, A Salvation Army epic, serves as an example of marvellous invention, colourful scoring and compact formal symmetry.

    Estimated dispatch 7-14 working days
  • £29.95

    LIGHT OF THE WORLD, The (Brass Band Set) - Dean Goffin

    Undoubtedly a Salvation Army 'classic', this Dean Goffin piece attempts to create in music Holman Hunt's famous picture of Christ standing outside the heart's door that features the well known hymn tune 'Aurelia'.

    Estimated dispatch 7-14 working days
  • £59.95

    QUINTESSENCE (Brass Band Set) - Robert Redhead

    Originally written for the Melbourne Staff Band's tour of the UK in 1978 and, more specifically, their participation in The Salvation Army International Congress in London, the music expresses the quintessence of Australian Salvationism. The five sections are; 1. An original theme expressing the immensity of the Australian continent. 2. Australia's sons, let us rejoice representing the character of the people. 3. Glory, glory, glory hallelijah from the song The Christian Mission. 4. A meditative setting of At Thy feet I bow adoring, written by two Australian Salvationists. 5. A development of the previous themes bringing the work to its climactic conclusion.

    Estimated dispatch 7-14 working days
  • £29.95

    Soliloquy II (Euphonium Solo with Brass Band - Score and Parts)

    A few years ago, I wrote a Soliloquy based on a Salvation Army song by George Marshall called Soliloquy (In the Stillness), since published in the General Series. This solo follows up the form of that previous work, though it is quite different in emotional content, and was a commission during Covid lockdown from Euphonium player Micah Dominic Parsons.The main inspiration is the tune Cross of Jesus by John Stainer as well as a motif from some older Euphonium Studies from the Royal Military School of Music, Kneller Hall, that Micah had discovered. The tune is used in a chorale form and, after an introduction, the very first section is a reversal of the chorale that appears in the second half of the work. The Euphonium exclamations are all derived from the main tune and the study motif. The work begins in quite a dark reflective manner, representing those aspects of the song, without being too specific. The second half reflects the more positive characteristics and finds a triumphal nature in its conclusion. The soloist lines throughout have a very declamatory style and can have a freedom in performance.There is one new element in the coda, where the triplet motif (bars 87-89) is a direct quotation from Romans 8 - A brass celebration by Ray Steadman-Allen. RSA was a good friend, mentor and encourager to me. The glorious climax of Romans 8 is his presentation of the same tune (Cross of Jesus) used in this work. And so the piece ends with a final and personal reference to RSA!- Howard Evans

    Estimated dispatch 7-14 working days
  • £29.95

    Keep in step! (Brass Band - Score and Parts)

    The Salvation Army song Keep in step (S.A.S.B. 986) is given a tongue-in-cheek treatment, with the irony of a song that speaks of keeping in step at all times being used in a time signature that would be impossible to march to! This does make the music technically challenging and therefore careful preparation is needed to ensure everything remains within the correct bear, and that the rhythms sound convincing to the listener. There is also a touch of Broadway thrown in, with a recurring motif reminiscent of Gershwin's appropriately named Fascinating Rhythm.

    Estimated dispatch 7-14 working days