Results
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£40.00
La Suerte de Los Tontos - Richards, J - Harper, P
An infectious Latin number which will have your audience dancing in the aisles. The winner of Best New Arrangement at Brass in Concert 2019, there are a number of performance options for different levels of band.Check out Cory Band's video2nd section +Duration 3 mins 30 secs
In Stock: Estimated dispatch 1-3 working days
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£64.95Equilibrium - Paul Lovatt-Cooper
Equilibrium was composed for Bandmaster Ross Johnson and Camberwell Citadel Band of The Salvation Army. The title suggests a state or situation in which opposing forces or factors balance each other out and stability is attained. Equilibrium is based around...
Estimated dispatch 5-7 working days
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£29.95
TO REGIONS FAIR (Brass Band Set) - Norman Bearcroft
Clive Bright, in his score note when To Regions Fair was originally published in 1958, predicted that the march would 'have a good run'. In retrospect, this turned out to be something of an understatement as this march (and many other Bearcroft marches) remains vibrantly active fifty years after its original publication. The title is derived from the song 'Meet in bliss' which is featured in the trio section.
Estimated dispatch 7-14 working days
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£29.95Nightlights (Eb Bass Solo with Brass Band - Score and Parts) - Pankhurst, Lucy
Nightlights was commissioned by Chris Jeans and Don Collins for Youth Brass 2000, to be used as part of their programme at the 2019 European Championships. Written during January 2019, Nightlights received its world premiere by Youth Brass 2000, conducted by Chris Jeans with Siobhan Bates as soloist, at the 2019 European Brass Band Championships in Montreux, Switzerland.Originally written as a Tenor Horn solo, this version for Tuba was arranged for and is dedicated to Dr Joanna Ross Hersey.Nightlights is intended to illustrate a winter's evening looking out across Lake Geneva from Montreux. Tiny lights appear beneath the mountains from faraway homes and vehicles, flickering in the distance and shimmering in the reflections on the water. Tiny, blinking nightlights against the inky blue of the clear sky. Thousands of stars shine above, blurring the boundaries between land, water, and the heavens into a sparkling ether. Transfixed, the bustle of sounds and lights from Montreux seems a lot further away than it is in reality. Eventually, each little light blinks out, one at a time, leaving the chill of the cold night air and an empty sky.Duration: 4.30
Estimated dispatch 7-14 working days
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£29.95Torchbearers! (Brass Band - Score and Parts) - Ball, Eric
This march was written for the Musical Troopers of 1933 to feature as a signature tune on their campaigns. This band was part of the Torchbearers session at the Salvation Army Training College (or School for Officer Training) and their sessional song can be heard sounding majestically in the third strain, the composer giving special emphasis to the first two words; Out there! Out there! Where the darkness reigns out there! Torchbearers are going...
Estimated dispatch 7-14 working days
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£14.95
Torchbearers! (Brass Band - Score only) - Ball, Eric
This march was written for the Musical Troopers of 1933 to feature as a signature tune on their campaigns. This band was part of the Torchbearers session at the Salvation Army Training College (or School for Officer Training) and their sessional song can be heard sounding majestically in the third strain, the composer giving special emphasis to the first two words; Out there! Out there! Where the darkness reigns out there! Torchbearers are going...
Estimated dispatch 7-14 working days
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£29.95Nightlights (Tenor Horn Solo with Brass Band - Score and Parts) - Pankhurst, Lucy
Nightlights was commissioned by Chris Jeans and Don Collins for Youth Brass 2000, to be used as part of their programme at the 2019 European Championships. Written during January 2019, Nightlights received its world premiere by Youth Brass 2000, conducted by Chris Jeans with Siobhan Bates as soloist, at the 2019 European Brass Band Championships in Montreux, Switzerland.Nightlights is intended to illustrate a winter's evening looking out across Lake Geneva from Montreux. Tiny lights appear beneath the mountains from faraway homes and vehicles, flickering in the distance and shimmering in the reflections on the water. Tiny, blinking nightlights against the inky blue of the clear sky. Thousands of stars shine above, blurring the boundaries between land, water, and the heavens into a sparkling ether. Transfixed, the bustle of sounds and lights from Montreux seems a lot further away than it is in reality. Eventually, each little light blinks out, one at a time, leaving the chill of the cold night air and an empty sky.Duration: 4.30
Estimated dispatch 7-14 working days
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£104.99The Baltic Way (Brass Band - Score and Parts) - De Haan, Jan
In 1989, the demonstration named the Baltic Way also known as the Baltic Chain-- was held in the Baltic states of Estonia, Latvia and Lithuania by its citizens in a call for independence from the Soviet Union. On 23rd August 1989, some two million participants formed a human chain, hand-in-hand all the way from the Estonian capital of Tallinn its Latvian counterpart, Riga, through to the Lithuanian capital of Vilnius - six hundred kilometres long. It became the longest human chain ever created and turned out to be the final push needed for much sought-after independence. This historic event became the source of inspiration for this composition. The introduction of thefirst movement, 'Struggle for Independence', is based on a nocturne for piano by the renowned Lithuanian composer and painter Mikalojus Konstantinas iurlionis (1875-1911), thematic material from which has been incorporated throughout the whole composition. The melancholic beginning is followed by a powerful theme which reflects the resolve of the Baltic people. The sudden aggressive, dissonant chords and a dominant and--in rhythmic terms--contrary bass drum announce that the resistance is not going smoothly. Just for a moment, we hear the anthem of the Soviet Union in the lower brass, but this is relentlessly pushed to the background by the rest of the band playing the Lithuanian national anthem, 'Tautika giesm ' (Lithuania, our homeland). The second movement, 'Decades of Suffering', echoes life under the Soviet Union's thumb. In the pursuit of independence, a peaceful protest is planned in which a human chain is formed across the Baltic states of Estonia, Latvia and Lithuania. This 'Chain of Freedom' is depicted in the final movement of the work. Duration: 10.30
Estimated dispatch 7-14 working days
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£43.99The Divine Right (Brass Band - Score only) - Harper, Philip
At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new country's people had risen up against the regimes and dictatorships which had prevailed for generations, leaving many nations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.This music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted.Most nations have had, or probably will have, their own Arab Spring, including the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on 30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads. The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer,a moan as I never heard before and desire I may never hear again.The music descends to emptiness.The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering, irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times.This defining episode in England's history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote:Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant.Duration: 17.00
Estimated dispatch 7-14 working days
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£104.99
The Divine Right (Brass Band - Score and Parts) - Harper, Philip
At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new country's people had risen up against the regimes and dictatorships which had prevailed for generations, leaving many nations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.This music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted.Most nations have had, or probably will have, their own Arab Spring, including the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on 30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads. The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer,a moan as I never heard before and desire I may never hear again.The music descends to emptiness.The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering, irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times.This defining episode in England's history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote:Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant.Duration: 17.00
Estimated dispatch 7-14 working days
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