Results
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£24.95Childs Lullaby - Paul Lovatt-Cooper
Childs Lullaby was commissioned by David Childs for his flugel horn-playing wife Joanne, and given to her as a birthday present before the birth of their son Benjamin Robert Childs in November 2011. The music is serene and showcases the...
Estimated dispatch 5-7 working days
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£34.95Curiouser and Curiouser... - Lucy Pankhurst
Curiouser and Curiouser... was written for the Flowers Band's 'Alice in Wonderland'-themed programme for the 46th Brass in Concert Championships, held at the Sage Gateshead on 18th November 2023. Opening - Alice's first glimpse into Wonderland. "Doors" - Alice finds...
Estimated dispatch 5-7 working days
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£34.95HMS Indefatigable - Matt Shaw
HMS Indefatigable is a contest march, composed for the Virtuosi GUS Band, under the direction of Adam Cooke, and used as part of their programme for Brass in Concert in November 2016. The march is named after the battlecruiser HMS...
Estimated dispatch 5-7 working days
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£34.95Pandemic 1349 - Paul McGhee
Pandemic 1349 was written during September and October 2016 and received its premiere on Sunday 20th November at the 40th Brass in Concert Championships at the Sage, Gateshead where it received the best new composition/arrangement award. London lost almost half...
Estimated dispatch 5-7 working days
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£34.95Peacemakers - Dan Price
Peacemakers was composed for Robert Childs and the Grimethorpe Colliery Band. It received its world premiere on November 17th 2014 at The Sage and concluded their winning 'Brass in Concert' program, 'Lest We Forget'. As well as commemorating the centenary...
Estimated dispatch 5-7 working days
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£34.95Pyrotechnic Variations on 1812 - Christian Overhead
Pyrotechnic Variations on 1812 was composed for Brass Band Schoonhoven, and used as part of their programme for Brass in Concert in November 2016. The work is a modern-day twist on Tchaikovsky's famous 1812 Overture. A heraldic opening introduces some...
Estimated dispatch 5-7 working days
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£29.95Smile - Charlie Chaplin - Jonathan Bates
Smile received its premiere at The Sage, Gateshead, on November 17th 2014 by trombone soloist Chris Gomersall and the Grimethorpe Colliery Band conducted by Robert Childs. The piece formed part of their winning Brass in Concert programme entitled 'Lest We...
Estimated dispatch 5-7 working days
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£79.95Waiting for a Pain Hit!??!!? - Paul McGhee
Waiting For a Pain Hit!??!!? was written during November and December 2006 as an entry in the 2006/07 Swiss Brass Band Association Composers Competition. It was later chosen as the Championship Section set test piece for the 2010 Swiss National...
Estimated dispatch 5-7 working days
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£44.95
JOY THROUGH THE AGES (Brass Band Set) - Howard Evans
This work was written for the 125th anniversary of Boscombe Band, celebrated in November 2011, and is the title track of the band' album released in the same year. The music is celebratory in nature and is dedicated to all those who have served in the band during its 125 year history. The theme of the work is a song by Charles Hutchison Gabriel which was the favourite of the band's librarian, Gerald Whittingham, who was 'promoted to Glory' after a long battle with a brain tumour. The title comes from the last verse, 'When with the ransomed in Glory, his face I at last shall see, 'twill be my joy through the ages, to sing of his love for me'.
Estimated dispatch 7-14 working days
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£95.00King Lear (Brass Band - Score and Parts) - Bantock, Granville - Hindmarsh, Paul
Sir Granville Bantock (1868 - 1946) composed the second of his five major brass band work for Callender's Cableworks Band, completing the commission on 30 November 1932. Based in the Thames-side district of Belvedere near Erith, the band was active between 1898 and 1961. The works band of the Callender Cable & Construction Co. Ltd, it was at the peak of its popularity during the 1930s and was a frequent broadcaster on the radio. The band employed an in-house arranger and played saxophones in its lighter material. King Lear was one of the band's major commissions and was not published in Bantock's lifetime. The manuscript score and parts were thought to be lost for decades, but were found in the library of the Haydock Band (Lancashire), which had inherited part of Callender's library of manuscripts material and bespoke arrangements after it has been transferred to nearby Prescott Cables Band after Callender's Cable Works closed.King Lear is a substantial work, in essence a dramatic tone poem in the romantic Tchaikovskian manner, presenting a series of character portraits of the foolish old king and his three daughters, Goneril, Regan and Cordelia. The music is dramatic and lyrical by turns, with the most generous lyrical episode revealing perhaps the warm-hearted Cordelia. An expansive melody that flows from this is brought back towards the end as the main climax of the work.In 2001, Bantock's score was recorded by the University of Salford Brass Band, conducted by Dr. Roy Newsome. The original is serviceable, but in comparison with the orchestral version he made in 1936 (part of which was recorded on a Paxton 78 rpm) and later brass band scores, performing editions of which were prepared by others, it lacks colour and range typical of Bantock's orchestral work. Above all it lacks percussion, which can be heard on the recorded extract. With the kind permission of the Bantock Estate, I have prepared a performing edition for publication that incorporates percussion, derived from the orchestral recording and added editorially in similar manner elsewhere. I have revoiced some of the low- lying instrumental parts to present the material in more comfortable ranges. Editorial interventions more elaborate than revoicing the original text have been identified as cue notes.- Paul HindmarshDuration: 15.00
Estimated dispatch 7-14 working days
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