Results
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£90.30Reclamation - Feike van Tuinen
Here is a splendid composition by Feike van Tuinen commissioned by the municipality 'Het Bildt' on the occasion of its 500th anniversary in 2005. The score describes the history of the place situated in a nice area near to the Waddenzee, a sea bordering the Northern part of The Netherlands. It starts with the very first reclamation in 1505, and then comes the hard labour of the workers in the mud, the joy of winning new land on the sea, the continuous struggle or game between the wind and the water, and finally the festivities in 2005. This composition challenges both the conductor and the musicians to bring this score to life.
Estimated dispatch 5-14 working days
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£86.70Mr. Bojangles - Jerry Jeff Walker - Henk Ummels
'Mr. Bojangles' is a popular song written and initially recorded by Jerry Jeff Walker in 1968 and covered since by many other artists. The song was inspired by an encounter with a street performer in the New Orleans first precinct jail. Although this man could tap dance, the inspiration for the song was the famous stage and movie dancer Bill 'Bojangles' Robinson. Robbie Williams recorded it on it's bigband CD 'Swing When You're Winning'.
Estimated dispatch 5-14 working days
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£68.60Fanfare, Dance and Choral - Giovanni Giacomo Gastoldi - Henk van Belcum
Henk van Belcums used the festive and much loved song 'In Thee is Gladness', in this arrangement. Better known as 'Geest van hierboven' (Hymn 477) from the Songs for the Church (NL). A glorious fanfare opens the piece, which is then followed by a bright dance. The hymn is heard in the chorale section, in a fancy new setting, and the piece closes with a reprise of the opening fanfare.
Estimated dispatch 5-14 working days
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£78.20The Great Beethoven Bonanza - Ludwig van Beethoven - Dean Jones
The opportunity to create a medley of Ludvig van Beethoven's music in a new, modern way was too good to resist! Using extracts from Fifth Symphony, Fur Elise, Egmont Overture and Moonlight Sonata, there is a journey to made which will hopefully be an enjoyable discovery! From funky rock to sonorous sounds, the music seeks to be explored and enjoyed.
Estimated dispatch 5-14 working days
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£73.60Drie Opwekkingsliederen - Henk Ummels
Revival songs are sung more frequently these days in Christian churches in the Netherlands. The cheerful nature of these songs come into their own with use of a good catchy melody, everyday language, and often accompanied by a band with wind players, instead of an organ. In this collection: Together In the Name of Jesus, Thank You For This New Morning, and Praise Him. Arranged for a flexible setting, these are also well suited to a full orchestra.
Estimated dispatch 5-14 working days
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£105.80Scherzo - Andrew Pearce
Commissioned by Philip Cobb & The New York Staff Band of the Salvation Army. A classic trumpet solo full of exciting tempo changes and technical feats. A challenge for every modern trumpet player!
Estimated dispatch 5-14 working days
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£19.95Bandkraft 1
The first of three superb sets of new music and arrangements for brass ensemble, edited by John Golland.1. Bandkraft - John Golland: A substantial piece with an exciting syncopated rhythm introduced in the opening bars and referred to throughout in a fanfare-like manner, to which a hint of dissonance adds extra thrill to the sound.2. Saraband - Gordon Jacob: A stately Elizabethan dance of great beauty, utilising modal harmony in Jacob's characteristic style. Constant speed, full note values and careful playing will achieve a beautiful, delicate effect.3. La Donna E Mobile - Verdi, arr. Roy Newsome: An amusing arrangement of this popular favourite by a conductor and adjudicator of international acclaim. Easy and enjoyable to play and to listen to.4. Spike's Rag - Michael Ball: A skilfully written piece in the true tradition of Scott Joplin, with the ragtime rhythm the backdrop to an unfolding conversation between the sections of the band. Really persuasive entertainment.5. National Anthem - arr. John Golland: A simple first verse setting the scene for the colourful and majestic second, utilising chromatic harmonies and an optional tenor counter melody for added splendour.
Estimated dispatch 5-14 working days
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£19.95Bandkraft 2
The second of three superb sets of new music and arrangements for brass ensemble.Jazz Intermezzo - Peter Sievewright: Very close harmonies produce thick luscious tone colours, beneath an intriguing jazz theme.Bossa Nova - John Golland: A memorable tune, enjoyable and relaxed as a Bossa Nova should be, with much fun to be had in mastering the Bossa Nova rhythm.Ballade - Grieg, Arr. Ifor James: A simple enough melody, but a marvellous test for the phrasing and intonation of the horn section of the band.Bollin Hill Suite (Hoe Down, Passacaglia and March) - Phillip Malbon: A classic suite for brass band, concise yet complete.
Estimated dispatch 5-14 working days
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£19.95Bandkraft 3
The third of three superb sets of new music and arrangements for brass ensembles.March Commodore - Ifor James: A striking piece well suited for performance in concert or on the march.The Aristocrat - Roy Newsome: A not too difficult trombone solo, providing animated, musical fun for band and audience alike, and which gives the trombonist ample opportunity to play the fool.Waltz of the Clouds - Alfred Ashpole: A Viennese style waltz by a composer with unparalleled experience of writing for bands.Pink Panther - Mancini, arr. John Golland: The original Mancini Pink Panther translated for brass band. Watch out for his sneaky rhythms, which need proper dance band treatment.
Estimated dispatch 5-14 working days
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£80.00St. Magnus - Kenneth Downie
Dedicated to Alastair Massey, an inspirational music teacher. Commissioned by the Scottish Brass Band Association for the 2004 European Brass Band Championships in Glasgow. This music is a set of variations on the tune known as St Magnus, which is attributed to Jeremiah Clarke. Most people will associate it with Thomas Kelly's hymn which begins: "The Head that once was crowned with thorns is crowned with glory now". The tune is very simple, consisting of just two, four-bar phrases. Neither is there much in the way of rhythmic variety, every note being a crotchet with the exception of two quavers, and the last note in each phrase. Within such a simple structure, however, lies considerable strength. THEME The listener is given the opportunity of hearing it twice, in full, at the beginning, starting with one player but soon taken up by the full ensemble. It returns in the middle of the music and is stated again near the end. This has been done quite deliberately in the hope that there will be an appreciation of what material is being developed, by the listener as well as by those with access to the score, who are able to see the visual connections. VARIATION 1 This takes the rhythm of the last part of the theme and also uses the shape of the opening as a recurring figure. The mood is whimsical and skittish, with short, teasing rhythmic figures tossed around the band, and quick interplay with percussion, at a fast tempo. An energetic flourish finishes this variation before the Andante espress. VARIATION 2 This commences with chords related to the opening of Variation 1. The cantabile on solo comets establishes a new, lyrical mood and there is scope for expressive playing in a series of short solo passages. The theme works its way unobtrusively into the texture before a reprise of the solo cornet melody and some more lyrical interchanges between Eb bass, euphonium, flugel horn and comets. The variation ends serenely with clear references to the last phrase of the theme. VARIATION 3 The first idea to dominate is clearly linked to the shape of the theme's first phrase. There is a frenetic feel to much of this variation, with considerable energy and instability created by extensive use of cross-rhythms. A thinning-out of the score marks a clear change to development of the start of the second phrase of the theme. This proves to be short-lived however, and the opening material returns leading to a restatement of the theme, "Maestoso," after which a euphonium cadenza links to Variation 4. VARIATION 4 Here we have some solos for euphonium, cornet, trombone and Eb bass set against a background of horns and baritones presenting a pensive statement of the theme's opening. VARIATION 5 This commences Allegro, with lively work for cornet and euphonium spreading to the whole band before attention focuses on the beginning of the second phrase of the theme which is initially presented in diminution, then in regular rhythm, then in inversion. An increase in tempo coupled with a decrease in volume, requires dexterity and control, with several metrical challenges thrown in for good measure. The same fragment of phrase becomes an ostinato which generates a frenzied climax, punctuated by short, dramatic silence, before the opening figure returns and the music gradually winds down. The tubular bells herald the final return of the theme, in augmentation, marking the start of the Finale. FINALE This features the running semiquavers of the previous variation sounding in counterpoint. A fast, furious coda speeds the work to a conclusion while references to the opening of the theme are still trying to break into the texture of the music. Kenneth Downie
Estimated dispatch 5-14 working days
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