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  • £127.30

    Bogoroditse Devo - Sergei Rachmaninov - John Philip Hannevik

    The All Night Vigil is an a-cappella composition that Sergei Rachmaninov composed in January/ February 1915. It was one of Rachmaninoff's favorite among his own compositions, and it has also been called "the greatest musical achievement of the Russian Orthodox Church". "Bogoroditse Devo" is movement number 6, and the lyrics are: Hail Mary, full of grace, the Lord is with thee, blessed art thou amongst women, and blessed is the fruit of thy womb, Jesus. Performance suggestion: Solo Clarinet, 1st Altosax, 1st Horn amd Solo Euphonium stand, preferably some distance away from the band. The remaining players of the band can sing from the "choir" sheet. At letter A, 1st Hornand Solo Euphonium return to their seats while Solo Clarinet and 1st Altosax remains standing until letter C

    Estimated dispatch 5-14 working days

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  • £127.30

    Stealing Apples - Fats Waller - Reid Gilje

    Stealing Apples is an old swing-tune written by Fats Waller. Performances by Benny Goodman and his big band made the song very popular. In this arrangement for brass band, the mallet percussion is very essential. Mallet Percussion presents the melody from letter A and is also featured as soli-instruments from letter L to P. These parts can alternatively be played as vibraphone solo. Please be aware of the balance at letter A. Horn and Trombones must play piano but well articulated. Letter D must sound sparkling and fresh with articulated and powerful trombones and cornets (using straight-mute). Make shue that the 8th-notes are not played too dotted two bars before letterG. Almost even 8th-notes accentuated on the start of the slur is a good tip. Watch the balance at letter H. This part have to sound homogeniously. The soloistic Soprano Cornet at letter Q must be played in the style of Benny Goodan. The accompaniment must not be too powerful from letter R to S. Best of luck with the performance!

    Estimated dispatch 5-14 working days

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  • £127.30

    Joyful Joyful - Ludwig van Beethoven - Bjorn Morten Kjaernes

    Beethoven's everlasting melody keeps popping up in different arrangements. This one is inspired by the version made to the movie "Sister Act". Gospel at its best!You may use this piece both in church concerts and entertainments shows.This is a fine number to practice sixteenths syncopations. Often, most players have similar rhythm and phrasing, but with different pitches. Extended harmonies and ensemble balance are also elements to work on. Two groups have special roles:- If you perform the arrangement instrumental, 1st Solo Cornet and Solo Horn are both important. The solos may be played as written or improvised. There is also an optional womens choir arrangement (SSAA)included in the set. - The bass line is also challenging and very important. Make it groove!

    Estimated dispatch 5-14 working days
  • £94.80

    Moondance - Van Morrison - Idar Torskangerpoll

    This is the title-track of the third studio-album by the Northern-Ireland singer and saxophonist Van Morrison. Both the song alone and the record album are among the artists biggest successes.The album is covering many musical genres.Moondance is representing the jazz-side of these. The style is a mid-temo, swing-feel typical for numerous jazz-tunes.This arrangement have solo options for solo cornet and/or first trombone.

    Estimated dispatch 5-14 working days

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  • £115.60

    Battle of the Galaxy - Roar Minde Fagerli

    Battle of the Galaxy is a suite in four movements. The composer describes the battle between the good and evil in a fantasy galaxy.The first movement is a journey into the galaxy. In the second movement dark and evil forces invade the galaxy. The third movement is the inhabitants hope for peace in the galaxy. In the last movement the heroes step forward and bring peace to the galaxy.The composer is inspired by films and TV series in the science fiction genre.

    Estimated dispatch 5-14 working days
  • £183.20

    Pulsar - The Metamorphosis of a Star - John Brakstad

    4th July in 1054 AD one of the most spectacular events was witnessed in the Cosmos. A massive star blew out; a supernova explosion.From the Earth it appeared as a new, bright star; the most brilliant in the sky. It was visible for three weeks, also in daylight, before it then faded away.But what was left of it is spectacular. Today we call it the "Crab Nebula".And in the very centre of the Nebula lies the remnant of the star; the core crushed by the force of gravity.This is a rotating neutron star, a pulsar, just 20 kilometres across, but so dense that it weighs more than our sun.As the neutron star spins, ejected particles stream out from its poles at almost the speed of light.These jets create powerful beams that sweep around as the star rotates.When the beams sweep across the Earth, they can be heard as regular pulses. We call them pulsars.In this piece there are three percussion parts. In addition there is an "optional part" to replace the marimba and vibraphone written in the three original percussion parts if desired. This fourth part is shown in the full score.

    Estimated dispatch 5-14 working days
  • £107.80

    Myrsnipa - Vocal or Instrumental Solo - Jan Eggum - David Hveem

    Jan Eggum released "Myrsnipa" on the album "Hjerteknuser", which was released in 2007. The text is a variant of the folk tale with the moral "everyone likes their own children best and has for many years been one of Eggum's regular encores at concerts.The arrangement is attempted to stay true to Eggum's version and has retained its somewhat delicate character in order to support the text as much as possible. Although the arrangement is written for vocal soloist, it also works great with a solo instrument instead, and you can also choose whether you want a guitar or not, to keep it even more true to the original recording.The arrangement requires good balance and intonation, but will be a nice part of the concert repertoire the audience is guaranteed to recognize.

    Estimated dispatch 5-14 working days
  • £154.60

    Variations for Brass Band - John Brakstad

    "Variations for Brass Band" consists of a chorale and 5 variations of brilliant, lyric and humorous character. The piece also contains several soloparts and elements of ensemble.Each variation has its own title, but the piece should be played in its entirity.The chorale is based on a minor pentachord, and each variation begins with these five notes, with different rhythmical treatment.There is also a little secondary "theme", consisting of five notes which are heard throughout the work (eg. as sixteens/semiquavers in cornets in bar 1).When the beams sweep across the Earth, they can be heard as regular pulses. We call them pulsars.In this piece there are three percussion parts. In addition there is an "optional part" to replace the marimba and vibraphone written in the three original percussion parts if desired. This fourth part is shown in the full score.

    Estimated dispatch 5-14 working days

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  • £188.50

    Fansa da Matasa - Reid Gilje

    "Fansa da Matasa" was written for Norwegian Brass Band Felleskorpset Askoy, today named Ravnanger Brass.The piece is divided into six main parts where the last one includes the hymn "Colne";Part 1 starts slowly, but rhythmically where the intensity grows towards a virtuosic Part 2.Part 2 feature a demaning solo for xylophone (bars 55 to 63). A simplified version of this solo is included in the part.Part 3 starts with some declamatory cadences and continue with several solos before it closed with a larger tutti-part.Part 4 has to be played well firmly and rhythmically. The melody is more of a cantabile style.Part 5 is a beautiful and quiet one with a touch of melancholy. (Small notes in Baritone to played if necessary).Part 6 has to be played with a rhythmic drive and intensity. The hymn "Colne" starts at bar 248 and should be played with a sostenuto-style.

    Estimated dispatch 5-14 working days
  • £115.60

    S.O.S. - Björn Ulvaeus - Bjørn Morten Kjærnes

    When the publisher asked me to make an arrangement of an ABBA tune, S.O.S. was the first song I thought of. Its introduction and melody are well suited to play for Wind Band. Admittedly, the key had to be shifted to make it sound good for this instrumentation. To me, this is nostalgia, while for others, the Mamma Mia movie/show will be what they associate with this wonderful song. Apart from a few medleys, few of ABBA's songs are available to Wind Band. So, it was very fun to work on this classic.The arrangement is made quite simply to fit many sizes of Bands. Technically, it is also relatively simple both in range and rhythm. As you can see, there are many ways to adjust this arrangement to your own ensemble. Bring out melody lines and the bassline, and a lot is done. If needed, simplify to make it sound nice.Bjorn Morten Kjaernes

    Estimated dispatch 5-14 working days

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