Results
-
£54.99The Young Amadeus - Wolfgang Amadeus Mozart
Based on the famous melody from the Adagio movement of the Clarinet Concerto by Wolfgang Amadeus Mozart, this work has a beautiful lyrical quality to it. Compositions of this nature require the ability to play with great expression. The wonderful talent and genius of Mozart is clearly perceptible in this unforgettable melody. Celebrate Mozart's 250th anniversary with this most popular brass band work.
Estimated dispatch 5-14 working days
-
£109.99The Power of the Megatsunami - Carl Wittrock
The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expressionof power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrousconsequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunamitook the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceaniccrust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressiveatmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami isa fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature.
Estimated dispatch 5-14 working days
-
£43.50March (The Nutcracker Suite) (Brass Band - Score and Parts) - Tchaikovsky, Peter Ilyich - Wilkinson, Keith M.
Tchaikovsky's extremely popular ballet, The Nutcracker, was first performed in December 1892. Earlier in the same year the composer extracted several movements from the ballet to form a concert suite. The first performance of the suite was conducted by the composer and the suite was immediately received with huge enthusiasm.This arrangement was originally made for the GUS Band while the arranger was its Music Director.
Estimated dispatch 7-14 working days
-
£64.99March of the Resistance (Brass Band - Score and Parts) - Williams, John - Sparke, Philip
From the blockbuster film Star Wars: The Force Awakens, John Williams reprises a few earlier themes along with dynamic new material. The memorable March of the Resistance is fittingly dramatic and powerful, and is prominent at key moments inthe movie. Duration: 2.15
Estimated dispatch 7-14 working days
-
£87.99Sunday in the Park (Tenor Horn Solo with Brass Band - Score and Parts) - Sparke, Philip
Sunday in the Park was written for tenor horn virtuoso Sheona White, and commissioned by her partner, Matt Wade, as a Christmas present. Composer Philip Sparke had known and admired Sheona's playing for many years, having produced her first solo CD and written pieces for her previously. Both composer and performer are huge fans of the late Karen Carpenter, Sheona in part modelling her sound on the singer's sultry voice; so it was decided that this new solo would be a piece which, whilst not being a 'Carpenters' pastiche, paid tribute to their relaxed style and rich harmonic language. Sunday in the Park opens with an accompanied cadenza for the soloist, which leads to a gentle rhythmic melody with a laid-back feel. This is taken up by the band but the soloist sparks a change of mood by introducing a faster light rock interlude. This reaches a climax, at which point the music unwinds until the original mood returns. A variation on the original melody leads to a short cadenza from the soloist, which brings the work to a peaceful close.Duration: 7:00
Estimated dispatch 7-14 working days
-
£34.95Song of the Night Sky (Cornet Solo with Brass Band - Score and Parts) - Bond, Christopher
Orpheus is known as the most talented music player of the ancient times. It is said that god Apollo was his father, from whom took his extreme talent in music, and the Muse Calliope was his mother. Tragedy struck when his wife, Eurydice stepped on a viper which in turn bit her, injecting its fatal venom. Nothing could stop his cries of anguish and sheer pain and sorrow upon realizing his beautiful Eurydice was dead. Orpheus decided to go into the Underworld to get his wife back. Apollo, his father, would talk to Hades, the god of the Underworld to accept him and hear his plea. And so Orpheus set off into the Underworld and was warned that for no reason must he look back while his wife was still in the dark, for that would undo everything he hoped for. As Orpheus was reaching the exit of the Underworld, he could hear the footfalls of his wife approaching him. As his was approaching the exit, his heart was beating faster and faster. The moment he stepped on the world of the living, he turned his head to hug his wife. Unfortunately, he got only a glimpse of Eurydice before she was once again drawn back into the underworld. When Orpheus turned his head, Eurydice was still in the dark, she hadn't seen the sun and, was drowned back to the dark world of the dead. Waves of anguish and despair swept over him and shuddering with grief he approached the Underworld again but this time, he was denied entry, the gates were standing shut and god Hermes, sent by Zeus, wouldn't let him in. His songs were no more joyful but extremely sad. His only comfort was to lay on a huge rock and feel the caress of the breeze, his only vision were the open skies. Song of the Night Sky was recorded by Tom Hutchinson and the Cory Band in June 2015, featuring on his debut solo album.Duration: 4.15
Estimated dispatch 7-14 working days
-
£22.00Journey of the Lone Wolf (Brass Band - Score only)
Championship Section Test Piece for the 2016 National Finals of the British Brass Band Championship.The Lone Wolf of the title is the great Hungarian composer and folklorist Bla Bartok. Bartok's journey took him from the hills of the Balkans to the heart of the new world. His singular vision may have meant a life out in the cold, a life without warmth and love, a life without true happiness, a death mourned by a few in a strange land.The first of the three linked movements is capturing the Peasants' Song and follows the young Bartok and fellow composer Zoltan Kolday as they embark on Summertime adventures through the Hungarian countryside to collect and catalogue the astonishing variety of Gypsy and folk music heard in the Balkan hills. The arrival of WW1 plunges Bartok's beloved Hungary into chaos.Bartok was at times a cold man, aloof and lonely. The occasional moments of tenderness he showed are portrayed in Night Music. His brief but intense affairs speak of a love he could only long for. Jazz is my night music and here there are hints of what Bartok may have heard in the USA later in his life.Having been forced by the world's evils to leave his homeland of Hungary for America Bartok, the anti-fascist, felt isolated and angry. In the finale, Flight and Fight, we hear his longing for a simpler time of Gypsy folk dances as well as his maturity and depth as a composer finally exploring deeper colours and darker themes.Duration: 15.00
Estimated dispatch 7-14 working days
-
£44.95
The Day of the Lord (Brass Band - Score and Parts) - Ponsford, Steven
This music was inspired by passages from the Old and New Testaments where the last days are prophesied. It features several references to the tune 'The judgment day' along with the more contemporary songs 'I see the King of Glory' and 'Salvation belongs to our God'.
Estimated dispatch 7-14 working days
-
£22.50
The Day of the Lord (Brass Band - Score only) - Ponsford, Steven
This music was inspired by passages from the Old and New Testaments where the last days are prophesied. It features several references to the tune 'The judgment day' along with the more contemporary songs 'I see the King of Glory' and 'Salvation belongs to our God'.
Estimated dispatch 7-14 working days
-
£34.95
The Southern Cross (Brass Band - Score and Parts) - Bowen, Brian
The Southern Cross is one of several excellent marches by Brian Bowen in which he carried on the more sophisticated pattern of British marches by Wilfred Heaton, Leslie Condon and Ray Steadman-Allen. It was written for the Box Hill (Australia) Corps jubilee celebrations in 1970 and formed part of the band's repertoire when it toured Great Britain in the same year. The first half of the march features part of the song, 'March on!' by Klaus Ostby, an early pioneer of Salvation Army music in Scandinavia. The contrapuntal layering of melodies in the trio, especially in the finale where 'March on!' sounds one more triumphant time, is notable, as is the shift to a slower, more stately tempo. The harmonic and rhythmic style also represents the more modern sounds of Salvation Army brass band music in the late 1960s and early 1970s. Right from the opening gestures, listeners at early performances knew that a page had turned in the evolution of the Salvation Army march.
Estimated dispatch 7-14 working days
View Music