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£65.00Second Suite in F - Brass Band Sheet Music Full Score & Parts - LM602 - Gustav Holst
COMPOSER: Gustav HolstTRANSCRIBED : Daniel S. AugustineA brand transcription from Holst's manuscript score for brass band.A very authentic version from the original for Military Band.Can be used as a testpiece in your next own choice contestSuitable for Section 3 bands upwardsSecond Suite in FOp. 28, No. 2 (1922)1. MarchThe "March" of the Second Suite begins with a simple five note motif between the low and high instruments of the band. The first folk tune is heard in the form of a traditional British brass band march using the morris-dance tune "Glorishears". After a brief climax, the second strain begins with a euphonium solo playing the second folk tune in the suite "Swansea Town". The theme is repeated by the full band before the trio. For the trio, Holst modulates to the unconventional subdominant minor of Bb minor and changes the time signature to 6/8, thereby changing the meter. Usually one would modulate to subdominant major in traditional march form. While Sousa, reputably the "king of marches", would sometimes change time signatures for the trio (most notably in "El Capitan"), it was not commonplace. The third theme, called "Claudy Banks",[2] is heard in a low woodwind soli, as is standard march orchestration. Then the first two tunes are repeated da capo.2. Song without Words "I'll Love My Love"Holst places the fourth folk song, "I'll Love My Love" in stark contrast to the first movement. The movement begins with a chord and moves into a solo over a flowing accompaniment. The solo is then repeated, forming an arc of intensity. The climax of the piece is a fermata, followed by a cornet pick-up into the final measures of the piece.3. Song of the BlacksmithAgain, Holst contrasts the slow second movement to the rather upbeat third movement which features the folk song "A Blacksmith Courted Me". There are many time signature changes (4/4 to 3/4) making the movement increasingly difficult because the accompaniment has a pick up on the up-beats of each measure. The band joins in on the melody around the body of the piece and are accompanied with the sound of a blacksmith forging metal with an anvil called for in the score. The final major chord has a glorious, heavenly sound, which opens way to the final movement.This chord works so effectively perhaps because it is unexpected.4. Fantasia on the "Dargason"This movement is not based on any folk songs, but rather has two tunes from Playford's Dancing Master of 1651. The finale of the suite opens with a solo based on the folk tune "Dargason", a 16th-century English dance tune included in the first edition of The Dancing Master. The fantasia continues through several variations encompassing the full capabilities of the band. The final folk tune, "Greensleeves", is cleverly woven into the fantasia by the use of hemiolas, with Dargason being in 6/8 and Greensleeves being in 3/4. At the climax of the movement, the two competing themes are placed in competing sections.As the movement dies down, a duet forms a call back to the beginning of the suite with the competition of low and high registers.The name 'dargason' may perhaps come from an Irish legend that tells of a monster resembling a large bear (although much of the description of the creature has been lost over time), the Dargason tormented the Irish countryside. During the Irish uprising of the late 18th century, the dargason is supposed to have attacked a British camp killing many soldiers. This tale aside, 'dargason' is more likely derived from an Old English word for dwarf or fairy, and the tune has been considered English (or Welsh) since at least the 16th century. It is also known as 'Sedony' (or Sedany) or 'Welsh Sedony'.
In Stock: Estimated dispatch 3-5 working days
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£12.50Prayer Of Childhood (Cornet Solo with Brass Band - Score only) - Condon, Leslie
Leslie Condon originally wrote this alternative tune for the Charles Wesley hymn, 'Gentle Jesus, meek and mild' in 1963. He later scored it for cornet solo and it appears here with brass band accompaniment.
Estimated dispatch 7-14 working days
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£69.99Meeting (Soprano Cornet Solo with Brass Band - Score and Parts) - Grieg, Edvard - Brevik, Tom
A lyrical piece, from Edvard Grieg's song-cycle Haugtussa (The Mountain Maid) originally for voice and piano, but here in an arrangement for Soprano Cornet and Brass Band by Tom BrevikDuration: 4.00
Estimated dispatch 7-14 working days
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£102.99Gemini Concerto (Cornet and Euphonium Duet with Brass Band - Score and Parts) - Sparke, Philip
Gemini Concerto was commissioned by and written for Ryukoku University (Japan), Andr Henry and Shoichiro Hokazono.Set in three movements, the concerto aims to explore the close relationship, as solo instruments, between the cornet and euphonium, exploiting the many common factors between the two as well as the subtly different characteristics they possess in terms of both lyrical and rhythmic playing. The first movement is a bustling toccata and the second movement is lyrical and improvisatory in nature. A fantastic piece and a great addition to the repertoire!Duration: 12.30
Estimated dispatch 7-14 working days
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£34.95
Time And Eternity (Cornet and Euphonium Duet with Brass Band - Score and Parts) - Bosanko, Ivor
Following the popularity of the composer's earlier cornet and euphonium duet, 'I'll Not Turn Back', this duet was written for The International Staff Band's 2000 recording, 'Renaissance' on which the soloists were David Daws and Derick Kane.
Estimated dispatch 7-14 working days
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£17.50
Time And Eternity (Cornet And Euphonium Duet with Brass Band - Score only) - Bosanko, Ivor
Following the popularity of the composer's earlier cornet and euphonium duet, 'I'll Not Turn Back', this duet was written for The International Staff Band's 2000 recording, 'Renaissance' on which the soloists were David Daws and Derick Kane.
Estimated dispatch 7-14 working days
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£59.99A Repton Fantasy (Cornet Solo with Brass Band - Score and Parts) - Parry, Hubert C. - Sparke, Philip
Sir Hubert Parry (1848-1918) is mostly remembered for the marvellous melodies of his hymn tunes, such as Jerusalem and Repton. The latter first appeared in Parry's oratorio Judith and was adapted as a hymn tune after the composer's death. This fantastic cornet solo will give your section leader a real chance to shine.Duration: 3:30
Estimated dispatch 7-14 working days
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£43.99O Holy Night (Soprano Cornet Solo with Brass Band - Score and Parts) - Adam, Adolphe - Bulla, Stephen
This terrific melody by the 19th century French composer Adolph Adam is one of the world's most famous Christmas solo melodies. It is unique due to the fact that it was the only Christmas song recorded by the legendary opera singer Enrico Caruso. This arrangement for soprano cornet and brass band will make a fantastic touching addition to any Christmas carol.Duration: 5.30
Estimated dispatch 7-14 working days
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£69.95Concerto for Horn (Horn Solo with Brass Band - Score and Parts) - Gregson, Edward
Horn in F with Brass BandComposed in 1971 for Ifor James, the Concerto for French Horn and Band revealed some of those elements that have made Gregson's music so popular with audiences (and not just brass band audiences) worldwide: the boldness of his melodies, with the interval of the fourth revealing his admiration for the music of Paul Hindemith; his incisive rhythms, betraying the influence of another favourite composer, Bla Bartk; an admirable economy of means; and the clarity of his scoring.Each of the Concerto's three movements displays a different facet of the French Horn's character. The first is serious, symphonic in impulse, the rising fourths of the opening gesture giving the music an almost Germanic weight. In the slow movement, the soloist becomes the first among equals, sharing with the cornet soloist some typically haunting melodies. The lyrical flow is interrupted at the mid-point by mysterious, fleet-of-foot cadenzas. A rondo finale brings the concerto to a light-hearted conclusion. The rising fourths here are the impulse for a jaunty theme which reveals another of Gregson's early influences - William Walton, and in particular that composer's Partita for orchestra.Duration: 18.00
Estimated dispatch 7-14 working days
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£15.00In the Hall of the Mountain King - Grieg
Performance Notes from Andrew Duncan:This arrangement is fairly difficult for inexperienced players and is without doubt one of the most difficult in the Flexi-Collection Popular Classics Series. But, as it is such a popular piece there is normally a great incentive from the players to learn the piece, despite the difficulties.The accelerando and gradual increases in tempo which are integral to this piece are in themselves very important musical ideas for new players to grasp, and these will be better understood as a result of playing and learning this arrangement.Other features found in this arrangement which may be new to some inexperienced players are the use of tin mutes in the 1st Cornet/Trumpet part, and the falling chromatic notes (accidentals) found in the melody line. Also, the wide range of dynamics, pp - ff , may be new to some players.I have deliberately not suggested any specific metronome markings as this is very much up to the conductor and is dependant on the players' abilities. However, as the arrangement becomes more familiar, the tempo could no doubt be speeded up adding to the excitement of future performances.The Flexi-Collection ApproachFlexible scoring tailored to your needs - A perfect solution for expanding the repertoire of training and junior brass bands. The Flexi-Collection currently offers two series - Popular Classics and World Tour. Based on four-part harmony, these collections provide groups with the advantage of complete flexibility when they may not be balanced. If players or instruments are missing, the show can still go on!The Flexi-Collection - Popular Classics Series, encapsulates all that is great about the wonderful range of musical styles produced by Holst, Elgar, Handel, Verdi, Tchaikovsky, Grieg, Bizet and Parry.The thoughtful scoring and arranging by Andrew Duncan now means that groups of all abilities have access to a truly flexible set of music for their needs. With world parts, rudimentary theory, terminology translations and large format typesetting, The Flexi-Collection ticks all the boxes when it comes to bringing interesting music to the training and junior band/brass group environment.Available individually or as part of the money-saving Flexi-Collection Popular ClassicsAlbum.Scored for Brass Band and supplied with additional Easy Bb, Easy Eb and world parts - The Flexi-Collection offers flexibility in every sense of the word.
In Stock: Estimated dispatch 3-5 working days
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