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  • £76.99

    Suite for Brass - Stephen Bulla

    Suite for Brass features three colourful chorales arranged for brass band. Following a brilliant version of O Worship the Lord, Amazing Grace is introduced. This is followed by How Firm a Foundation, arranged in a march style, which brings the work to a thrilling climax.

    Estimated dispatch 5-14 working days
  • £55.00

    Lock Horns/Rage On - Simon Dobson

    Simon Dobson's dynamic and unusual concert march Lock Horns/Rage On was commissioned by the Leyland Band and their conductor Jason Katsikaris, and formed part of their programme for the Brass in ConcertChampionships, held at The Sage, Gateshead on 15th November 2009. Brass Band Grade 4/5: Premier Youth and 2nd Section Duration: 4 minutes

    Estimated dispatch 5-14 working days
  • £54.99

    Here comes Bobby the Bear - Andreas Ludwig Schulte

    Rock music is always a success. And when it is supported verbally as it is done in this composition, the party can begin. Bobby is a friendly circus animal that has seen a lot of the world. There is nothing left to wish for and his freedom from worries radiates from this rock march by Andreas Ludwig Schulte.

    Estimated dispatch 5-14 working days

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  • £54.99

    Verona - Timothy Travis

    A march full of atmosphere in the Italian style. Verdi would be jealous.

    Estimated dispatch 5-14 working days

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  • £54.99

    Step by Step - Ben Christon

    You will achieve an impressive effect with this rousing march for beginners. Ben Christon is the composer of this harmonious piece, which includes an important part for percussion in the middle section.

    Estimated dispatch 5-14 working days

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  • £72.70

    Shut Up, let's play - Hans Offerdal

    This march is dedicated to those who feel that playing is more important than talking. Conductors talk too much, musicians talk too much, and not least, parents of school band musicians talk way too much. Shut Up, Let's Play! Playing time: 2:35

    Estimated dispatch 5-14 working days

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  • £34.95

    Chalk Farm No.2 (Brass Band - Score and Parts) - Gregson, Edward

    Like so many of the best composers for brass band - Eric Ball, Wilfred Heaton, Elgar Howarth and Robert Simpson - Edward Gregson's youthful talents came to the fore in the Salvation Army. In 1975 Gregson was commissioned by the Chalk Farm Band of the Salvation Army to write a march for the centenary of the birth of the band's most long-serving bandmaster Alfred W Punchard, who conducted the band from 1894 to 1944. In 1909 the Salvation Army published a march called Chalk Farm featuring the old Army chorus 'March on, we shall win the day'.Gregson uses the same tune in his Chalk Farm No 2 march, but this is a symphonic march clearly to be played sitting down. He includes irregular bars of 5 and 7 beats as well as a tongue-in-cheek treatment of the tune, complete with bongos (in the march) and bi-tonality (in the trio). Chalk Farm No 2 imaginatively composed. Gregson's own main theme 'fits' the chorus as a counter-subject. The playful irreverence of the style has more in common with Wilfred Heaton's Praise or Glory, than the conventional Salvation Army March.Duration: 4.00

    Estimated dispatch 7-14 working days

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  • £60.99

    Minerva (Brass Band - Score and Parts) - Van der Roost, Jan

    Minerva by Jan Van der Roost was composed on the commission of the German "Musikverein Braunshausen" on the occasion of the 75th anniversary of the orchestra. The composition, first performed on September 17, 1999, is not a street march but a concert march, just like Mercury and Arsenal. The use and variation of different rhythmic patterns gives the first part of this march a distinctly dynamic character. Two main themes are presented in several instrumental combinations. The theme from the trio, on the other hand, is characterized by a broad melodic approach using large intervals. This theme, wreathed by high woodwinds, is heard one more time after a contrasting new part, but now in a somewhat slower tempo. The counterpoint in this part refers to the first part of the march. The brilliant ending suits a festive anniversary march!Duration: 4:00

    Estimated dispatch 7-14 working days
  • £34.95

    SOUTHERN CROSS, The (Brass Band Set) - Brian Bowen

    The Southern Cross is one of several excellent marches by Brian Bowen in which he carried on the more sophisticated pattern of British marches by Wilfred Heaton, Leslie Condon and Ray Steadman-Allen. It was written for the Box Hill (Australia) Corps jubilee celebrations in 1970 and formed part of the band's repertoire when it toured Great Britain in the same year. The first half of the march features part of the song, 'March on!' by Klaus Ostby, an early pioneer of Salvation Army music in Scandinavia. The contrapuntal layering of melodies in the trio, especially in the finale where 'March on!' sounds one more triumphant time, is notable, as is the shift to a slower, more stately tempo. The harmonic and rhythmic style also represents the more modern sounds of Salvation Army brass band music in the late 1960s and early 1970s. Right from the opening gestures, listeners at early performances knew that a page had turned in the evolution of the Salvation Army march.

    Estimated dispatch 7-14 working days
  • £34.95

    The Southern Cross (Brass Band - Score and Parts) - Bowen, Brian

    The Southern Cross is one of several excellent marches by Brian Bowen in which he carried on the more sophisticated pattern of British marches by Wilfred Heaton, Leslie Condon and Ray Steadman-Allen. It was written for the Box Hill (Australia) Corps jubilee celebrations in 1970 and formed part of the band's repertoire when it toured Great Britain in the same year. The first half of the march features part of the song, 'March on!' by Klaus Ostby, an early pioneer of Salvation Army music in Scandinavia. The contrapuntal layering of melodies in the trio, especially in the finale where 'March on!' sounds one more triumphant time, is notable, as is the shift to a slower, more stately tempo. The harmonic and rhythmic style also represents the more modern sounds of Salvation Army brass band music in the late 1960s and early 1970s. Right from the opening gestures, listeners at early performances knew that a page had turned in the evolution of the Salvation Army march.

    Estimated dispatch 7-14 working days