Results
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£104.99Purcellian Fantasia - Jan de Haan
This composition is based on the march from Henry Purcell's Music for the funeral of Queen Mary II, a work written in 1694. In this fantasia, various movements flow from one to the next following the main theme; these movements not onlyelaborate on the theme, but also contrast with it. At times, the thematic material diverges so much, that the work acquires a character of its own; however, the composer often refers back to fragments of the theme. This work was test piece in the 4thdivision of the Dutch National Brass Band Championships (NBK) in 2017.
Estimated dispatch 5-14 working days
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£60.99Liberty - John Blanken
The traditional concert march Liberty, was composed in 2004 for the brass band Euphonia from Wolvega, the Netherlands. Your band will feel truly liberated with this lively composition.
Estimated dispatch 5-14 working days
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£69.99Navigation Inn - Philip Sparke
Navigation Inn was originally written to celebrate one of the most popular events in the brass band calendar - the Whit Friday marches. The Navigation Inn is a pub which is a popular meeting place for bandsmen and which celebrates the love of brass bands with mementoes and historic photographs on the walls. This lively piece in the style of a traditional contest-style march will bring a great sense of tradition to any concert.
Estimated dispatch 5-14 working days
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£60.99Washington Grays - Traditional - James Curnow
Claudio S Grafulla was born on the Spanish island of Minorca in 1818 and emigrated to the United States in 1838. Although he was a composer of many original works, the one that is still regarded as one of the finest marches ever written is his Washington Grays March. This arrangement strives to recreate the original lost version written for an American Civil War brass band.
Estimated dispatch 5-14 working days
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£40.00Battle of Britain Suite (Score only) - William Walton
It takes a special ability to compose film scores which serve the images perfectly yet translate into first class concert music. William Walton was such a talent as the continuing popularity of his brilliantly evocative film music shows. This suite includes the famous Dog Fight and majestic March - used for the end titles of the film - along with the Siegfried Music which parodies Wagner's horn call. You can practically feel the buzzing of Spitfires in the air! Winwood Music are delighted to make this music available to the brass band world in a fabulous arrangement by Edward Watson which captures the essence of the original while translating it seamlessly to the new idiom. Duration: 12:15
Estimated dispatch 7-9 working days
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£50.00Battle of Britain Suite (Parts only) - William Walton
It takes a special ability to compose film scores which serve the images perfectly yet translate into first class concert music. William Walton was such a talent as the continuing popularity of his brilliantly evocative film music shows. This suite includes the famous Dog Fight and majestic March - used for the end titles of the film - along with the Siegfried Music which parodies Wagner's horn call. You can practically feel the buzzing of Spitfires in the air! Winwood Music are delighted to make this music available to the brass band world in a fabulous arrangement by Edward Watson which captures the essence of the original while translating it seamlessly to the new idiom. Duration: 12:15
Estimated dispatch 7-9 working days
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£40.00
The Triple Crown - Harper, P
A new march in a traditional style composed for the 90th Anniversary of the East Anglia Brass Band Association3rd section +Duration 3.5 mins
In Stock: Estimated dispatch 1-3 working days
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£26.50
Cross of Honour - Rimmer, W
Pipped to the post by Slaidburn, Cross of Honour as been a good road march in the brass band repertoire for a long time. Given a fresh lease of life after being featured in the hit film Brassed Off. Freshly engraved and printed and now with a full conductor's score. Playable by all levels of bands.4th section +
In Stock: Estimated dispatch 1-3 working days
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£24.50
Duke Street - David Holling
Originally written during David's time as MD of Strata Brass, this lively concert march frequently featured in the band's programmes and its title comes from the street on which you would find the band rehearsing; as they have for some 30+ years. A great 3-minute opener to any concert without the need to DC!
In Stock: Estimated dispatch 1-3 working days
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£34.95When Thunder Calls
When Thunder Calls was commissioned by Dr Nicholas Childs and the Black Dyke Band for their performance at the Gala Concert of the Swiss Open Championships in September 2011. When composing this piece, I decided to focus on both the music and the stage presentation. The way the piece has been composed and designed makes it a very effective way of starting a concert or a second half of a concert.At the start of the piece, the percussion enter the stage and take their positions in their usual place behind the band. They begin playing the piece without a conductor. They keep repeating the opening section while the Basses, Horns, Baritones and Euphoniums march onto the stage.This group of musicians take their seats with the Horns, Baritones and Euphoniums sitting where they usually sit in the band but the Basses sit where the solo cornets usually sit, forming an inner semi-circle of lower brass. When seated and when the music gets to the end of bar 4 the piece continues onto section A. All performers keep repeating this next 4-bar phrase until the trombones march onto stage and stand at the front of the stage with the Bass Trombone standing in between the other two trombones.All performers then play from figure B to C with the trombones taking the lead at the front. When the performers get to rehearsal figure C they repeat this section (the same as section A) while the trombones move from the front of the stage and take their positions where the Basses would normally sit (between the horns and the percussion) and remain standing. Meanwhile, the flugel enters the stage and stands at the front of the stage (standing where the trombones did). When in position the flugel soloist picks up into rehearsal figure D.When the flugel soloist finishes playing, just before rehearsal figure F they then move to their normal seat in the band. At figure F the cornets march onto the stage from either side, they turn and stand side by side each other facing outward towards the audience forming two 'fanfare' lines either side of the lower brass. The conductor follows the cornets on stage and on cue they lift their instruments at the same time and perform when the piece gets to figure G.There is no more moving around from this point on other than the solo cornet to move forward with the solo euphonium and perform their duet at letter H. Also the horns are required to stand and play at letter I and then sit just before J.When performed with all the choreography, this piece makes for an exciting addition to any concert repertoire both for the performer and the audience.Suitable for 3rd Section Bands and Above
Estimated dispatch 7-14 working days
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