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£44.95
GREAT SALVATION WAR, The (Brass Band Set) - James Curnow
James Curnow was inspired to compose this work after reading 'Marching to Glory', a history of The Salvation Army in the USA. The writer of the book, Dr. Edward H. McKinley, was a colleague of Curnow on the faculty of Asbury College and a member of The Salvation Army Student Fellowship Band. The work was written for this band and premiered by them at the Centennial National Congress in 1980 which was held at Asbury College. Curnow has endeavoured to capture the spirit of early day Salvationists as they gave themselves completely to the great salvation war. Three songs support the three-part structure; 1) Stand like the brave 2) In Thee, O Lord, do I put my trust 3) Rescue the perishing.
Estimated dispatch 7-14 working days
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£44.95
CANADIAN FOLK SONG SUITE (Brass Band Set) - Morley Calvert
This suite of three movements (fast, slow, fast) features traditional Canadian folk tunes;1. Marianne s'en va-t-au moulin (Quebec) is full of fanfares and humorous touches.2. She's like the Swallow (Newfoundland) is both elegant and poignant.3. J'entends le moulin (Quebec) is a light-hearted 'moto perpetuo' which gathers pace and energy towards the whirlwind close.
Estimated dispatch 7-14 working days
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£29.95
DECK THE HALLS (Brass Band Set) - Barrie Gott
An attractive setting by Barrie Gott, mixing 2/2 time signatures with 'waltz like' 3/4. Cleverly done, and a real crowd pleaser.
Estimated dispatch 7-14 working days
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£70.00
Shine - Peter Meechan
Shine is my second large scale work for solo tuba, following on from my concerto Episodes and Echoes. Like the concerto, Shine was commissioned and premiered (with the Grimethorpe Brass Band, conducted by Howard Evans) by Les Neish - the title being an anagram of the soloist surname.Although in one movement, Shine has 3 broad sections, each requiring virtuosic skill and dexterity from the soloist. The opening section features lots of bright, metallic sounds - especially in the percussion section - providing the accompaniment to soloist as they demonstrate the range and flexibility of the tuba.The second section gives the soloist the opportunity to demonstrate the considerable lyricism that the tuba is capable of. The solo line weaves in and out of textures in the accompaniment, exchanging snippets of melody with other players in the ensemble.After a short unaccompanied passage, the final section emerges juxtaposing new solo lines and material from the opening section. This builds in momentum - and difficulty for the soloist - as the piece reaches its climatic ending.Shine is dedicated to my good friend, fellow Liverpool supporter, and amazing musician, Les Neish.Peter Meechan, 2011
Estimated dispatch 12-14 working days
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£30.00Espresso Street - Jock McKenzie
Musically this piece packs a real punch - with hints of Soca, Calypso and Township. Definitely a piece that can be taken to the streets for a festival / party / parade / carnival etc. Just like the coffee, the duration of the piece can be adapted to suite the mood and need.
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£30.00Flanfayre - Stephen Deazley
I was asked by Music for Youth to write a flexibly scored fanfare for the school proms at the Royal Albert Hall and at their National Festival in Birmingham in 2013. At its first performance at the National Festival, over 200 young brass players performed Flanfayre in Birmingham Town Hall, directed by Roger Argente, members of Superbrass and myself. The score is a progressive romp through some increasingly dance-like grooves, borrowing some of its swing from South America, from marches and big band, moving from a really quite straight opening to a "let-go" moment at the end. It is more like a flan full of different flavours, than a fanfare, hence the title. I set myself a challenge to write 100 bars but ended up with 102, which, after the introduction, can be broken down into 10 easily discernible sections each with their own mini-musical narrative. If you have time feel free to teach the audience the clapping groove. I also modelled the slow moving melody of the final section on the following words; "nothing beats a nice big cheesy, nothing beats a nice big cheesy, nothing beats a nice big cheesy, nothing beats a cheesy flan". Feel free to incorporate these too, and perform only under the strict instruction that you have fun ! - Programme Note copyright of Stephen Deazley
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£30.00A Million Love Songs - Gary Barlow
Made famous by the boy band 'Take That', this fantastic new angle on the song from Lucy Pankhurst, creatively features the flugel and tenor horn section with full support from the accompanying band.Take That's Gary Barlow wrote 'A Million Love Songs' when he was 15. He also recorded a rough demo of the track, and was one of the songs he gave to music manager Nigel Martin-Smith on a cassette tape as part of his audition to join a boy-band.In his autobiography A Better Me, Gary revealed that Martin-Smith was so impressed by the tape, that he didn't realise it was Gary singing. As legend has it, the conversation went like this:Martin-Smith: "This tape, who has written the songs?"Barlow: "Me"Martin-Smith: "Who wrote the words, then?"Barlow: "Me. And the music and the backing track."Martin-Smith: "Wow, you'd better come back and see me tomorrow."The ballad became one of the group's most popular songs, and is often voted among the greatest love songs of all time. It peaked at No. 7 in the UK charts, and remains a firm favourite, not just for its sentiment, but for the beautiful melody Barlow created.Lucy's arrangement for brass band brings a whole new dynamic to the music and offers the flugelhorn and tenor horns a golden opportunity to shine.
In Stock: Estimated dispatch 3-5 working days
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£30.00A Rachmaninoff Prelude - Rachmaninoff
An arrangement by Tim Paton of this Rachmaninoff favourite for brass band.Comments from Tim:I first heard the Rachmaninoff Prelude in G minor when my brother, (Dr) Rod Paton, used to play it on the piano. The martial sound of the opening theme caught my imagination, and I knew then that this piece would sound magnificent if played by a brass band - if you like the music of Rachmaninoff, then you will love this piece! That spectacular sound that we all know, with busy, melodic bass lines, and a middle section in his well known 'romantic' style - I could already hear the euphonium playing those rippling arpeggios. In response to the enthusiasm for this magnificent piece, I have lightheartedly commented that maybe he wrote it for brass band, but there wasn't one available, so he did it for piano instead!Look and Listen (Score-reading digital sound sample):
In Stock: Estimated dispatch 3-5 working days
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£15.00Anvil Chorus from Il Trovatore - Verdi
Programme Notes from Andrew Duncan:Like many of the arrangements in the Flexi-Collection - Popular Classics Series I have simplified the rhythms and time signature, etc. I have also omitted trills for ease of playing.Dynamics form a very important aspect of this arrangement and it is important to observe these, especially the p markings. Every dynamic from p through to ff is used as well as some crescendos.The 1st Cornet/Trumpet part is perhaps more difficult than in some of the other arrangements in the series, but the other parts are fairly simple in comparison.The Percussion part (which is optional) is unusual in that it calls for two 'Anvils' to be played. However if these are not available then a good effect can be obtained by hitting two pieces of metal with metal hammers.The Flexi-Collection ApproachFlexible scoring tailored to your needs - A perfect solution for expanding the repertoire of training and junior brass bands. The Flexi-Collection currently offers two series - Popular Classics and World Tour. Based on four-part harmony, these collections provide groups with the advantage of complete flexibility when they may not be balanced. If players or instruments are missing, the show can still go on!The Flexi-Collection - Popular Classics Series, encapsulates all that is great about the wonderful range of musical styles produced by Holst, Elgar, Handel, Verdi, Tchaikovsky, Grieg, Bizet and Parry.The thoughtful scoring and arranging by Andrew Duncan now means that groups of all abilities have access to a truly flexible set of music for their needs. With world parts, rudimentary theory, terminology translations and large format typesetting, The Flexi-Collection ticks all the boxes when it comes to bringing interesting music to the training and junior band/brass group environment.Available for Brass Band - The Flexi-Collection offers flexibility in every sense of the word.(Available individually or as part of the money-saving Flexi-Collection Popular Classics Album)
In Stock: Estimated dispatch 3-5 working days
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£45.00Bathgate Hills Trilogy - Andrew Duncan
Composed by Andrew Duncan and written for the West Lothian Schools Band, A Bathgate Hills Trilogy is in three movements, each one dedicated to and representing a different hill.Comments from the composer:Movement 1 - Dechmont LawThe first movement describes the peculiar events which took place in November 1979 when a forestry worker, Bob Taylor, had a close encounter with an alien spacecraft in Dechmont Woods at the bottom of Dechmont Hill. Bob Taylor's account from the time describes a large sphere like object about twenty feet across which pulled him by the legs towards it, caustic smoke then caused him to pass out. He awoke a short time later in the same spot but the spaceship had gone leaving behind marks in the soil. His story caused a great deal of media interest and a great deal of excitement in the local community.Movement 2 - The Knock HillThe Term 'Knock' is Scottish Gaelic for 'hill' and the Knock Hill is the highest peak in the Bathgate Hills being 305 metres above Sea Level. On a clear day the Knock hill has excellent views of the Bass Rock to the East and the distant hills of Arran to the West as well as of the whole of West Lothian and across the Firth of Forth to Fife and beyond to the North.The second movement is a description of a leisurely walk to the summit of this hill and the enjoyment of a pleasant summer's day spent walking and taking in the beautiful panoramic views. However, as is the case with the Scottish Summer, a change in the weather finds a clear blue sky being replaced with dark rain clouds. The changed weather brings a sudden brief but unwelcome cold downpour of rain, drenching anyone out walking! Finally, the clouds pass and the more pleasant summer weather returns.Movement 3 - Cairnpapple HillCairnpapple Hill is a near neighbour of the Knock Hill. It is almost as high but interest in Cairnpapple Hill lies in the outstanding archaeological monument near the summit, an Iron Age burial chamber. The chamber dates back to 25 years BC and was built by a mysterious people known as the Beaker People (so called because they left behind a number of large earthenware beakers). The mysteries of Cairnpapple Hill have always been a source of fascination for me ever since first visiting the hill as a school child.The third movement describes the lives of the Beaker People. The landscape they would have looked out on would have been mostly dense forest which would have contained many perils including dangerous wolves and bears. Life was harsh and short for the Beaker People and they would always have been close to danger and to death. The average life expectancy for the Beaker People was only 31 years of age. The summit of the hill would have been clear of forest and would have afforded the Beaker People some protection as they could see all around the near countryside enabling them to keep a watchful lookout for their enemies - both animal and human!
In Stock: Estimated dispatch 3-5 working days
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