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  • £38.95

    Unity Series Band Journal - Numbers 518 - 521, June 2023

    518: March - A Christmas cavalcade (Morgan Juel Stavik)This march contains several Christmas carols and songs. Some are easy to recognise and are identified in the score, while other references are more subtle.519: Christmas bossa nova (Kevin Larsson)Using Jingle Bells, The First Nowell, It came upon the midnight clear and Ding dong! merrily on high, here is a great bossa nova to liven up your Christmas concert.520 (1): In te Domine speravi (Des Prez trs. Zachary Docter)This piece is a transcription of an early 16th century choral work by the Renaissance composer Josquin des Prez. Josquin was a well-known and highly regarded composer in his day. Like many composer of this period, Josquin wrote linearly, valuing independent free-flowing lines over vertical harmonies. As a result, the interlocking counterpoint in this work can be quite complex and the tied rhythms challenging.520 (2): Excerpt from 'Vespers' (Rachmaninoff trs. Andrew Poirier)Sergei Rachmaninoff's setting of the All-Night Vigil (Vespers) Op.37, of which this excerpt is taken, was composed in January and February 1915. The outbreak of World War I in August 1914 took many people by surprise, and to Rachmaninoff it was a severe shock. This compelled him to write a piece that reminded him of his childhood and the importance of the Russian Orthodox Church within the national identity of Russia. The excerpt transcribed here has a quality and enigmatic charm that never fails to move the souls of those that listen to it.521: March - Walk of faith (Stanley Makau)This march introduces Stanley Makau to the band journals. Stanley is currently the Deputy and Youth Bandmaster at Quarry Road Citadel Corps in Nairobi, Kenya. His inspiration for the march primarily came from Psalm 91: 11-12, and the march is in keeping with the traditional style that has been a staple for Salvation Army music-making.

    Estimated dispatch 7-14 working days
  • £38.95

    Unity Series Band Journal - Numbers 506 - 509, June 2022

    506: Lord of all hopefulness (Gary Rose)The hymn Lord of all hopefulness, Lord of all Joy (S.A.S.B. 772) and its associate tune, Slane, creates a reflective work beautifully penned by Gary Rose507: Carol Arrangement - Glory in the highest (Sam Creamer)This Christmas favourite is given the classic Count Basie big band swing style - a perfect addition to your December concerts.508: Meditation - In Holiness (Dean Jones)Written for Merthyr Tydfil Corps band, this expressive work pieces together the tunes Hereford (T.B. 16) and Beethoven (T.B. 5).509: March - Ellan Vannie (Paul Sharman)The opening statement of this march reference the tune Ellan Vannin (T.B. 366) which gives rise to the title. 'Ellan Vannin' is Manx Gaelic for 'Isle of Man' and this music was written for a musician's weekend at Douglas Corps

    Estimated dispatch 7-14 working days
  • £38.95

    Unity Series Band Journal - Numbers 494 - 497, June 2021

    494: March - The angels' song (Alan Williams)This imposing and energetic march is a welcome addition to the Christmas concert repertoire.495: Christmas Rocks! (Mark Feltwell)This exciting work takes the form of a mini-overture and is an ideal opening for Christmas concerts. It features four well-known carols: Unto us a boy is born (C.C. 97); Three kings' march (C.C. 96); While shepherds watched (C.C. 105); Hark! the herald angels sing (C.C. 38).496: Meditation on 'Beechwood' (Kenneth Downie)This wistful arrangement of the hymn tune brings a spirit of wonder at God's love for us.497: Marching in the light (Ralph Pearce)A march in all but name, this piece is based on the popular South African traditional hymn We are marching in the light of God (S.A.S.B. 903) with references to Come, join our army, to battle we go (S.A.S.B. 949).

    Estimated dispatch 7-14 working days
  • £38.95

    Unity Series Band Journal - Numbers 478 - 481, June 2019

    478: March - Seize the day (Andrew Mair)This march features the tunes God's love is wonderful (T.B. 130) and Everybody should know, and makes reference to Rescue the perishing (T.B. 808) and the chorus Able to save (T.B. 538)479: Jingle bells jazz! (Richard Phillips)The familiar strains of Jingle Bells (C.C. 121) have featured in Salvation Army music countless times over the years (perhaps more than any other non-religious song), whether as the main theme, countermelody, or as a derived frament or motif. This is an attractive laid-back jazz setting of the tune.480: Poor, wayfarin' stranger (Thomas Mack)This arrangement of the Spiritual depicts a poor wayfarin' stranger's journey through life using a minor key and a slow walking style.481: Selection - No crib for a bed (Charles Craig)This simple setting reminds us that, amidst the joy and exuberance that often accompanies the Christmas season, Jesus' birth was a very humble event.

    Estimated dispatch 7-14 working days
  • £34.95

    Unity Series Band Journal June 2018 - Numbers 466-469

    466 - March - Temple-building - Charles Craig467 - Angelic Presence - Martyn Thomas468 - Selection - God's Love - Noel Jones469 - March - Advent Adventure - Sam Creamer

    Estimated dispatch 7-14 working days
  • £34.95

    Unity Series Band Journal June 2017 Numbers 454 - 457

    Festival March Bega 125 (Dean Jones)This Festival March brings the majestic tune 'Miles Lane' as its central theme and is accompanied by the more reflective tune 'St. Bees'.Suite To Bethlehem (Ian Feltwell)Songster Leader Ian Feltwell of Nuneaton has provided a simple yet bright setting of the carols 'How far is it to Bethlehem', 'O little town of Bethlehem' and 'When wise men came seeking'.Carol Arrangement Who is he? (Jonathan Rowsell)This beautiful carol has been given a simple setting which will provide many groups with an accessible and easy to learn piece for the Christmas season.March Dedication (Christchurch) (Charles Craig)Originally dedicated to Major Clive Bishop who was a Salvation Army officer of fine distinction this is a traditional March from a composer who has provided accessible pieces of this nature to the Unity Series for many years.

    Estimated dispatch 7-14 working days
  • £34.95

    Unity Series Band Journal June 2016 Number 442 - 445

    No. 442 March - Christmastime (Ian Feltwell)This Christmas march is based on two carols, I saw three ships come sailing in (N.C.P. 38) and It came upon the midnight clear (N.C.P. 44), with numerous references to other carols throughout and finishing with a rousing rendition of We wish you a merry Christmas (N.C.P. 110).

    Estimated dispatch 7-14 working days
  • £29.95

    Unity Series Band Journal June 2014 Numbers 418-421

    No.418 March - Heavenly Treasures (Noel Jones)Rich people cannot take money with them when they die but Christians have the joy of laying up treasure in Heaven. This march by Noel Jones incorporates two choruses 'Lay up treasure in Heaven' (TBCS 249)and 'Bright Crowns' (TB 78).No.419 Swing it, Shepherds! (Nicholas King)The traditional English Carol, 'While shepherds watched' and the spiritual carol 'Rise up, shepherd!' are combined in a bright swing arrangement by Deputy Songsters Leader Nicholas King, who is also a member of the Music Ministries Unit.No.420 Good King Wenceslas (Paul Sharman)The lyrics of the well-known carol 'Good King Wenceslas' were written by John Mason Neale in the 1850s and the tune used comes from a collection of medieval Latin songs, Piae Cantiones, published in 1582. It has been given a light-hearted treatment, which also features brief references to other carols.No.421 As we are gathered (Trevor Worthington)An arrangement of John Daniels' lovely song, the words of which say:As we are gathered, Jesus is here;One with each other, Jesus is here;Joined by the Spirit, washed in the blood,Part of the Body, the Church of God.As we are gathered, Jesus is here;One with each other, Jesus is here.

    Estimated dispatch 7-14 working days
  • £29.95

    Unity Series Band Journal June 2013 Numbers 406 - 409

    March - I'll be true! (Derick Kane)Written at the request of Abertillery Band, this march features three choruses'Saved, happy and free', 'I'll be true, I'll be true, True to the colours, the yellow, red and blue'and 'How marvellous, How wonderful'.March Medley - Carol Reflections (Noel Jones)This Christmas piece, written in march form, features six carols.Coventry Carol, The First Nowell, Jingle Bells, O Come, All Ye Faithful,Hark! The Herald Angels Sing, Angels from the Realms of Glory;Carol Setting - Carol of the Bells (Gordon Elliott)Since its introduction this 1920s Ukranian folk song has become a popular carol within Western culture.This song is associated with the coming of the New Year which, in pre-Christian Ukraine, was originallycelebrated with the coming of spring in April.Somebody Prayed (Dean Jones)Written at the request of Risca Young People's Band, this setting combines the powerful worship song'Somebody prayed for me' with Gowans and Larsson timeless song 'Someone Cares'.

    Estimated dispatch 7-14 working days
  • £36.19

    Polka from 'The Bartered Bride' (Brass Band) Smetana arr. Rob Bushnell

    Considered a major contribution to the develop of Czech music, The Bartered Bride by Bedrich Smetana is a comic opera in three acts that premiered, in its final version, in 1870; having not been a great success when the original two-act version premiered at the Provisional Theatre, Prague on 30 May 1866. The opera was part of Smetana's aim to create a native Czech music after the conductor Johann von Herbeck commented that Czechs were incapable of making music of their own. Whilst he avoided the direct use of folksongs, Smetana did use numerous traditional Bohemian dance forms, such as the furiant and the polka, leading to music that was Czech in spirit. 'Sold Bride', a more accurate translation of the original Czech title (Prodana nevesta), tells the story of two lovers (Marenka and Jenik) who want to marry despite Marenka's father's obligations for his daughter to marry the son of a wealthy landowner, Micha. Scheming, condition proposals and secret identities leads to a happy ending. The polka was not in the original 1866 version. A revision in October 1866 saw the addition of a gypsy dance near the start of act 2. But by the next performance in January 1869, this had been replaced by a polka. In June 1869, a new polka replaced the January version's (as well as being moved to the end of act 1) and this is the one that we know and love today. This arrangement is for British-style brass band, with *alternative parts for horns in F and bass-clef lower brass. Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb* 1st Horn Eb* 2nd Horn Eb* 1st Baritone Bb* 2nd Baritone Bb* 1st Trombone Bb* 2nd Trombone Bb* Bass Trombone Euphonium Bb* Bass Eb* Bass Bb* Timpani Percussion (Triangle, Cymbal(s) & Bass Drum)

    In stock: Estimated dispatch 1-3 days