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  • £100.00

    Inception - Hans Zimmer - Jirka Kadlec

    Estimated delivery 10-14 days
  • £109.00

    Inception - ZIMMER, Hans (Arr.: Jirka Kadlec / Bertrand Moren)

    We Built our Own World / Old Souls / Mombasa / One Simple Idea / Paradox

    Estimated delivery 10-14 days

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  • £79.95

    Waiting for a Pain Hit!??!!? - Paul McGhee - -

    Waiting For a Pain Hit!??!!? was written during November and December 2006 as an entry in the 2006/07 Swiss Brass Band Association Composers Competition. It was later chosen as the Championship Section set test piece for the 2010 Swiss National Brass Band Championships.The piece originates from sketches for a Brass Quintet which was written whilst I was in my second year of studies at the Royal Welsh College of Music and Drama. The piece, now being much more elaborate both musically and structurally than the original, aims to explore the many various textures available to a large brass ensemble. The aims of the piece, from its earliest stages, were mainly exploration of textures as well as dealing with issues of continuity and whilst the piece certainly contains challenging technical elements, they were not a driving force behind its inception and more organically grew from the primary aims of the piece. I was purposefully looking throughout the writing and editing process to create a piece of music with a seamless, ethereal quality to both the structure and the musical content.There are no 'performance directions' throughout the piece, the reasoning for this is explained below. However, I have spent much time and thought over the tempo markings throughout the piece and the tempos throughout the piece are the desired tempi and care should be taken with these. The tempo markings contained throughout the piece form a vital part of the structure and affect the continuity of the piece. Metronome marks contained within a box show the tempo of the new section in relation to the tempo that precedes it by use of metronome modulations. Any alterations tothe tempo of the section that precedes it will alter the boxed metronome marks.The title of a piece of music, please forgive my generalisation, is to give an insight into 'what a piece is about'. I suppose that this piece is no different, but with the title being slightly abstract I shall resist the temptation to reveal what it means to me. The title, I feel, needs to be open to interpretation along with the music within. That's the way, with this piece especially, I like my music to be. Freedom to find our own meaning and a way to express it from within the score is vital. It is only then that the piece can take on its own identity and grow in ways that even I might not have imagined, revealing different sides to its personality with each performance.Before the music begins I have included some text. Do these words hold the key to the music?! Can they help??!I DON'T KNOW!!!I just like the rhythms, the pulse and the imagery. Hopefully all of this can help to create a picture. But let it be your picture...Paul McGhee, June 2010.

    Estimated delivery 5-7 days
  • £24.95

    When The Saints - Traditional - Paul Duffy

    The precise origins of the folk song "When the Saints Go Marching In" or "The Saints" is unknown but it is believed to originate from Belgium and is thought to have been used originally as a hymn tune.Since the late 19th Century, it has become a jazz standard of the American song-book and has been performed and recorded by a wide variety of artists. From the great jazz performers Louis Armstrong and Ella Fitzgerald through to the silver screen by Judy Garland and to the popular music scene by performers such as Elvis Presley, Dolly Parton and more recently Bruce Springsteen.The melodies biggest advocate has to be the thousands of world-wide jazz bands playing in the New Orleans style, which is as popular today as it was at its inception.It is in this New Orleans style that Paul Duffy has arranged this ageless classic for soprano cornet and brass band. A swinging solo line, which gives you the opportunity to show off your improvisational skills, is accompanied by approachable ensemble writing which captures the flavour and excitement of carnival time.

    Estimated delivery 5-7 days
  • £74.95

    Facets of the Heart (Brass Band - Score and Parts) - Davoren, Tom

    2015 Butlins Championship Section Testpiece.Facets of the Heart was created during a turbulent period of the composers life. The concept behind it changed between inception and completion. The result is a musical representation of three lesser considered but extremely important aspects of love, set against their natural opposites. Running in three continuous sections, the chosen aspects are Fear, Pain and Comfort, and Doubt and Courage.Duration: 14 mins.

    Estimated delivery 12-14 days

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  • £39.95

    Facets of the Heart (Brass Band - Score only) - Davoren, Tom

    2015 Butlins Championship Section Testpiece.Facets of the Heart was created during a turbulent period of the composers life. The concept behind it changed between inception and completion. The result is a musical representation of three lesser considered but extremely important aspects of love, set against their natural opposites. Running in three continuous sections, the chosen aspects are Fear, Pain and Comfort, and Doubt and Courage.Duration: 14 mins.

    Estimated delivery 12-14 days

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  • £35.00

    Kiwi Dragon (2012) - Matthew Hall

    ‘Kiwi Dragon’ was commissioned by Byron ‘Buzz’ Newton for his Master’s final performance recital at The Royal Welsh College of Music & Drama in 2012, a recital in which he was awarded an unprecedented 100%. Buzz travelled to Cardiff, Wales for his Master’s degree course and became a member of Tredegar Town Band during his studies. ‘Kiwi Dragon’s’ inception came from an initial conversation with the soloist where the thought of combining traditional Welsh folk music with that of Buzz’s native New Zealand folk songs to create a virtuosic finishing piece for the recital was conceived. Originally scored for solo euphonium, 10-piece brass and percussion, ‘Kiwi Dragon’ includes the traditional New Zealand folk melodies Pokare Ana and Tarakihi and the Welsh folk melody Myfanwy, combined with the national anthems of both New Zealand and Wales in the pieces’ culmination.