Results
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£30.00Rhapsody - Tim Paton
Composer, Tim Paton comments: Rhapsody began life in 1971, as Rhapsody in three movements. It was originally written for wind and brass octet with timpani, and was performed at the Royal Manchester College of Music (soon to become the RNCM) in 1972.Ten years later, it was expanded into a piece for wind band. In 22, I decided to make another major revision, and create a lower section test piece for brass band. I removed the middle movement, and published it as a "Romance" for brass band. I composed a link between what had initially been the outer movements, and renamed the piece Rhapsody".The link is inspired by the minimalist music of Philip Glass. In the lead up to the grand finale of the Rhapsody, I have used an accompanyingmotif/obligato which is directly inspired by a passage in the final movement of Janacek's "Sinfonietta".
In Stock: Estimated dispatch 3-5 working days
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£35.00Ascension - Lucy Pankhurst
A major work written for the RNCM Brass Festival Competition 2005, and inspired by the nature of Ascension - creating a Musical depiction of the spiritual journey towards enlightenment, sanctuary and ultimate inner peace.As aninitial muse for this work, the 'Tibetan Singing Bowl' is utilised with the Brass Band in order to represent this path to Serenity, together withBaoding Balls(Chinese Health Balls) to mark the point of Final Ascension.Programme notes from the composer, Lucy Pankhurst:Ascension is a Musical depiction of the Spiritual Journey towards enlightenment, sanctuary and ultimate inner peace.As my initial muse for this work, the Singing Bowl is utilised with the Brass Band in order to represent this path to Serenity. "Tibetan" Singing Bowls date back to the 8th Century A.D., originating in the pre-Buddhist shamanic Bon Po culture in the Himalayas and are still used in modern Monasteries. The original purpose of them still remains a mystery, with accounts stating that it is forbidden to disclose the true function of the Bowls, as the "secrets of sound" yield so much Power, that they must be kept hidden.Listening to the tones created by the Singing Bowl effectively silences the internal dialogue of the listener, making it an excellent tool for Meditation, Centering and entering trance-like states. In Buddhism, as with many cultures, sound is an important part of Spiritual Practice. There are 9 methods to reach Enlightenment in the Buddhist Doctrine ; the seventh is SOUND.These Bowls are used by Healers in a similar way to help balance the body's residual energies. The Bowls are usually made from seven different sacred metals, intended to correlate directly to the seven sacred "Planets" : GOLD (Sun), SILVER (Moon), MERCURY (Mercury), COPPER (Venus), IRON (Mars), TIN (Jupiter), ANTIMONY (Saturn). Any one Bowl can create up to seven different frequencies (tones) simultaneously. In Healing, the Singing Bowl is played whilst balanced on the palm of the hand, struck three times to stabilise the surrounding energies, before rotating the wooden "beater" around the outer circumference of the Bowl to create the "singing" effect.I have included an optional Vibraphone part (to be played with a Double Bass Bow) with Tubular Bells, to be used only in performances where a Singing Bowl cannot be acquired. However, a traditional Bowl should be used whenever possible, to create this specific and unique sound.Baoding Balls or Chinese Health Balls are also utilised in this work. Their appearance in the Music here, however, is to mark the point of Final Ascension, where the music reaches its ultimate goal. These delicate cloisonne iron Balls are said to stimulate the acupressure points on the hand, thus improving the Chi and Energy Paths (Life Force) throughout the entire body. The delicate "tinkle" produced by these spheres is hypnotic and captivating. For this reason, where no Baoding Balls are obtainable for performance, only delicate metallic percussion should be used in replacement (i.e. Crotales, Antique Cymbals or (liberal) single strikes on a Triangle etc.). Bell Trees, Wind Chimes and Cow Bells should not be used.As in many cultures, the number three is important in Ascension, as it represents not only the purification from the Singing Bowl, but also it is a number of confirmation, reiterated throughout the music in the metallic percussion in addition to the Brass, re-affirming the correct path to Enlightenment.
In Stock: Estimated dispatch 3-5 working days
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£149.40Viking Saga - Ray Farr
"Viking Saga" was inspired by my conducting engagements in Norway in the 1980s. Among them was a visit to the Flekkefjord Pike Korps who asked me to write a piece for them. I had just written "Adventures in Brass" which was very popular, particularly with younger bands, so I decided to pursue the creative energy. My teacher, at that time, was Professor Edward Gregson who encouraged me to develop my ideas into a full-scale work. The piece received a few performances in this version but neither I, nor my teacher, were satisfied so the manuscripts lay dormant. In the summer of 2002 a band from Switzerland- Cordula Brass Baden and Christoph Moor, who had played the piece under mydirection in the Swiss National Youth Band, commissioned me to finish the work and make the changes that, I felt, were needed. In 2016 the Tonsberg Wind Band, from Norway, commissioned a wind band version for their performance in the Norwegian Championships held in Trondheim 2017.
Estimated dispatch 5-14 working days
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£55.00Shelter Island. - Nigel Hess
Shelter Island is a small island situated near the end of Long Island, a few hours drive east of New York. In the summer it becomes a crowded tourist trap but in the winter it is gloriously deserted, and bravely facesthe onslaught of the turbulent Atlantic, shrouded in sea mists and driving rain. This brass band transcription, by Phillip Littlemore, is of the first movement of East Coast Pictures, originally written for wind band, and wascommissioned in 1985 by the British Youth Wind Orchestra with funds from National Westminster Bank plc. These three short 'pictures' were inspired by several visits by the composer to a small part of theUSA'sEast Coast, an area that provides great extremes in the geography and the people.
Estimated dispatch 5-14 working days
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£122.10Den store dagen - Benny Borg - Bjørn Morten Kjærnes
This beautiful song contains a huge contrast between the hopeful and the disappointing. A mother has her birthday and is waiting her children to celebrate it. Each verse starts optimistically, but the short chorus is characterized by the disappointment, that everyone calls, and cannot come. This has been tried recreated musically, mostly in the last two choruses, as it dawns on her that she will not receive a visit. It's a beautiful tune, but with a serious message that it's easy to take someone for granted.One of the elements Hjorring Brass Band (DK) came up with after rehearsal, was that they really liked the change between the ballad parts with even eights and the swing parts. This also gives the piece a sense of "parlando" character, which tells a story, and is therefore important to focus. It is not quite simple, as the melody also in those parts with even eights has some triplet rhythms. Therefore, this is a topic you can work on very consciously.If you have heard the Wind Band version, you can notice that both keys and modulation are different in the Brass Band arrangement to sound better for this instrumentation.Regarding instrumentation, Flugelhorn, Solo Horn and Euphonium have important roles, in addition to Solo Cornet.It is also possible to use a vocal soloist, but then you have to soften the melody voices, especially, where small variations in the melody have been made for the wind instruments.
Estimated dispatch 5-14 working days
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£89.99Epilogue from Sinfonia Antartica - Ralph Vaughan Williams - Michael Halstenson
In partnership with Oxford University Press and authorized by the Vaughan Williams Charitable Trust, this major new initiative brings the incredible catalog of Ralph Vaughan Williams to the wind band community, with scholarly transcriptions by leaders in wind band composition. As the name suggests, all titles in the Brass Band Series are scored for brass ensemble and may also include perucssion parts.To view other titles in the series, visit www.giamusic.com/RVW.
Estimated dispatch 5-14 working days
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£79.99Scherzo alla Marcia - Ralph Vaughan Williams - Graham Lloyd
In partnership with Oxford University Press and authorized by the Vaughan Williams Charitable Trust, this major new initiative brings the incredible catalog of Ralph Vaughan Williams to the wind band community, with scholarly transcriptions by leaders in wind band composition. As the name suggests, all titles in the Brass Band Series are scored for brass ensemble and may also include perucssion parts. This work is Grade 5.To view other titles in the series, visit www.giamusic.com/RVW.
Estimated dispatch 5-14 working days
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£76.99Flourish for Glorious John - Ralph Vaughan Williams - Graham Lloyd
In partnership with Oxford University Press and authorized by the Vaughan Williams Charitable Trust, this major new initiative brings the incredible catalog of Ralph Vaughan Williams to the wind band community, with scholarly transcriptions by leaders in wind band composition. As the name suggests, all titles in the Brass Band Series are scored for brass ensemble and may also include perucssion parts. This work is Grade 4.5.To view other titles in the series, visit www.giamusic.com/RVW.
Estimated dispatch 5-14 working days
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£55.00Masque. - Kenneth Hesketh
A Masque (short for Masquerade) has been defined by Historians as 'A revel in which Mummers or masked folk come with torches blazing into the festive hall and call upon the company to dance and dice'. The chaos of this dramaticdance is depicted in this 'Masque' by Hesketh. The main theme is bravura and is often present, in the background. The form of the piece is a simple scherzo-trio-scherzo. Colourful scoring (upper wind solos, trumpet and horn solosalternating with full bodied tuttis) with a dash of wildness may tease both player and listener to let their hair down a little! 'Masque' has been transcribed for wind band by Kenneth Hesketh from his 'Scherzo forOrchestra',commissioned by the National Children's Orchestra in 1987.
Estimated dispatch 5-14 working days
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£55.00New York. - Nigel Hess
'New York'... or to be more precise, Manhattan. For anyone who is familiar with this bizarre and wonderful city, this piece needs no explanation. This brass band transcription has been made by Phillip Littlemore and provides adriving and punchy 4 minute work for brass band. 'New York' is the third movement of 'East Coast Pictures', originally written for wind band, commissioned in 1985 by the British Youth Wind Orchestra with funds from NationalWestminster Bank plc. These three short 'pictures' were inspired by several visits by the composer to a small part of the USA's East Coast, an area that provides great extremes in the geography and thepeople.This work has recently been recorded on the CD 'East Coast Pictures' by the Leyland Band, conducted by Michael Fowles, and is available from this site (catalogue number: 0-571-52109-6).
Estimated dispatch 5-14 working days
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