Results
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£14.95
Army Of God (Brass Band - Score only) - Soderstrom, Emil
This march was awarded first prize in the 1930 American Golden Jubilee National Music Competition and was published the same year in the first edition of the American Festival Series. It was subsequently re-printed in the General Series of 1984. Soderstrom's imaginative use of syncopation and chromatic harmony brought a new, American sound to the Salvation Army march. For example, he took the old Salvation Army fight song Hark, hark my soul written and changes its metre from 6/8 to 4/4 while also syncopating it!
Estimated dispatch 7-14 working days
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£82.95The Flowers of the Forest (Brass Band - Score and Parts) - Bennett, Richard Rodney - Hindmarsh, Paul
In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.
Estimated dispatch 7-14 working days
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£44.95
The Flowers of the Forest (Brass Band - Score only) - Bennett, Richard Rodney - Hindmarsh, Paul
In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.
Estimated dispatch 7-14 working days
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£24.95Prelude and Capriccio (Cornet Solo with Brass Band) - Gregson, Edward
A condensed score is included with this workGregson wrote his Prelude and Capriccio in 1972. It exists in two versions: one for cornet and band and the other for cornet or trumpet and piano.The work began life in the early sixties, the Capriccio being composed when the composer was 17. A Prelude was added to complete the work, which lasts for approximately 8 minutes. The Prelude is reflective in character and uses long melodic lines over undulating chromatic harmony. The music reaches a climax before a brief reprise of the opening. The Capriccio is somewhat jazzy in its opening syncopated rhythms, but has a more lyrical middle section before a finale exploiting the virtuoso character of the instrument.
Estimated dispatch 7-14 working days
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£44.00Songs for B.L. (Score only) - Elgar Howarth
Songs for B.L. was commissioned by BBC North for the 1995 BBC Festival of Brass and first performed by the Eikanger/Bjorsvik Musiklag Band in February that year. It was selected as the championship section test-piece for the 1995 National Brass Band Championships of Great Britain. The piece is in seven sections: Romanza; First Scherzo; Ballad; March; Second Scherzo; Romanza reprise; Coda. It is romantic but charged with highly chromatic harmony, and makes much use of chamber music textures. The work is dedicated to the composer's wife, Mary. 'The meaning of the title,' says the composer, 'is a secret, and will remain so'.
Estimated dispatch 7-9 working days
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£56.00Songs for B.L. (Parts only) - Elgar Howarth
Songs for B.L. was commissioned by BBC North for the 1995 BBC Festival of Brass and first performed by the Eikanger/Bjorsvik Musiklag Band in February that year. It was selected as the championship section test-piece for the 1995 National Brass Band Championships of Great Britain. The piece is in seven sections: Romanza; First Scherzo; Ballad; March; Second Scherzo; Romanza reprise; Coda. It is romantic but charged with highly chromatic harmony, and makes much use of chamber music textures. The work is dedicated to the composer's wife, Mary. 'The meaning of the title,' says the composer, 'is a secret, and will remain so'.
Estimated dispatch 7-9 working days
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£105.20Nocturne - Torstein Aagaard-Nilsen
This piece was written for Manger Skulemusikklag (Norway).The title is given NOCTURNE (night song) for sereval reasons. It gave me the opportunity to compose a calm and introvert piece of music. The night is also the world of the dreams and this is what I tries to impose in thie music. At the same time is the night a good place to be - which means that it is the harmony that prevails.Torstein Aagaard-Nilsen (1990)
Estimated dispatch 5-14 working days
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£33.23'Mid all the traffic (Brass Band) Traditional arr. Andy Wareham
This stunning arrangement by British composer Andy Wareham is of the popular hymn 'Mid all the Traffic, which marries the North-American folksong Shenandoah set to lyrics by English journalist, novelist and poet William Arthur Dunkerley (written under the pseudonym of 'John Oxenham'). The hymn is very well-regarded in both the Salvation Army and wider brass band movement thanks to a popular arrangement by renowned Salvationist composer Leonard Ballantine. The arranger writes: 'This setting of 'Mid All The Traffic was originally composed during the Covid-19 pandemic as an octet arrangement for single instrument. My hope was to create an arrangement that offers an alternative view on harmony and could be multi-track recorded; allowing performers to give, and share, a performance whilst in isolation. The music was written in dedication to all of the 'key-workers' in the UK, especially in the NHS, who worked tirelessly throughout difficult conditions during the Covid-19 pandemic.' To view a follow-the-score video of the work please visit https://www.youtube.com/watch?v=naajvdsg9Wo PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 3rd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone 1st Euphonium Bb 2nd Euphonium Bb Bass Eb Bass Bb Bass Drum Suspended Cymbal
In Stock: Estimated dispatch 1-3 working days
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£24.95Coming Home (Brass Band - Score and Parts) - Downie, Kenneth
The arranger has described Coming Home! as music of reconciliation. In a world of conflict, at both national and personal level, it would be good to think that this music could bring a message of hope and resolution of problems for people who are hurting. It is a setting of Will Lamartine Thompson's melody to his own words beginning 'Softly and tenderly Jesus is calling'. The chorus starts 'Come home, come home! Ye who are weary,come home!'. The rising interval of a fifth is always associated with the words 'Come home'. It is the arrangers hope that the gentle and moving nature of this music will create for all listeners, whether or not they possess religious faith, a spirit of harmony and reconciliation.
Estimated dispatch 7-14 working days
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£20.00African Dawn - Steve Robson
This piece embraces the sounds and imagery of a tribal group out singing on a remote hill top, where individuals sing out a 2 bar phrase and the remainder of their group sing a response. African Dawn brings this vision to life by giving the opportunity for the musicians playing the original "Chant" or "Call" to be positioned as soloists, or just stand up within the main group.There is also the opportunity for lots of percussion to be spread throughout the band and divided into groups, or even groups of people clapping the separate rhythms to bring forth the African atmosphere.African Dawn is part of the Flexi-Collection - World Tour Series.Our Flexi-Collection Series:Flexible scoring tailored to your needs - a perfect solution for expanding the repertoire of Junior/Youth brass bands and ensembles. The Flexi-Collection currently offers two series and these will be regularly expanded to offer groups an even wider variation of music. Based on four-part harmony, these collections provide brass groups with the advantage of complete flexibility when may not be balanced.Added Extras:Each part of The World Tour Series also includes rudimentary theory reference sheet andLearn Together Moments(warm-up passages which relate to each of the styles of pieces included in the whole series). The score also includes background/programme notes andCheck It Outideas to encourage the players to find out more about the music style and/or inspiration behind the piece.If players or instruments are missing, the show can still go on! The thoughtful scoring and arranging by Steve Robson now means that groups of all abilities have access to a truly flexible set of music for their needs.Available for Brass Band (with world parts included), pieces included in our World Tour Series offer flexibility in every sense of the word.(Available individually or as part of the completeFlexi-Collection World Tour Series Album).
In Stock: Estimated dispatch 3-5 working days
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