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£41.09Verklarte Nacht (Brass Band) Arnold Schoenberg arr. Rob Bushnell
Composed in just three weeks in 1899, Verklarte Nacht (Transfigured Night) is a string sextet in one movement by Arnold Schoenberg. Whilst known better for tone rows, his dodecaphonic music and the Second Viennese School, Schoenberg was a master of harmony (writing a number of books on the subject) and, in his early life, was inspired by the music of Brahms and Wagner. This is his best-known tonal work. Its description as a tone poem is not surprising given it takes its inspiration from Richard Dehmel's poem of the same name, as well as Schoenberg's strong feelings towards his future wife, Mathilde Zemlinsky, sister of his teacher, Alexander von Zemlinsky. The work is said to have five sections, one for each of the stanzas in the poem. The poem, from 1896, describes a man and woman walking through a dark forest on a moonlit night. The woman shares a secret with him, that she is pregnant but not with his child. The man reflects upon this before warmly accepting (and forgiving) the news. The work premiered on 18 March 1902 in the Vienna Musikverein by the Rose Quartet. As was normal at the time, Schoenberg produced a string orchestra version that was premiered on 29 November 1916 in Prague, conducted by Zemlinsky, which was later revised in 1943 to better support the soloists, also adding more articulation and tempo markings. Whilst the piece was controversial at the time, both musically and due to the poem's "inappropriate" subject matter, Richard Dehmel himself was impressed, writing "I had intended to follow the motives of my text in your composition, but soon forgot to do so, I was so enthralled by the music." This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. To view a recording of the original composition please visit www.youtube.com/watch?v=vqODySSxYpc. Difficulty Level: 2nd Section + Duration: approx. 6.40 minutes Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£15.00In the Hall of the Mountain King - Grieg
Performance Notes from Andrew Duncan:This arrangement is fairly difficult for inexperienced players and is without doubt one of the most difficult in the Flexi-Collection Popular Classics Series. But, as it is such a popular piece there is normally a great incentive from the players to learn the piece, despite the difficulties.The accelerando and gradual increases in tempo which are integral to this piece are in themselves very important musical ideas for new players to grasp, and these will be better understood as a result of playing and learning this arrangement.Other features found in this arrangement which may be new to some inexperienced players are the use of tin mutes in the 1st Cornet/Trumpet part, and the falling chromatic notes (accidentals) found in the melody line. Also, the wide range of dynamics, pp - ff , may be new to some players.I have deliberately not suggested any specific metronome markings as this is very much up to the conductor and is dependant on the players' abilities. However, as the arrangement becomes more familiar, the tempo could no doubt be speeded up adding to the excitement of future performances.The Flexi-Collection ApproachFlexible scoring tailored to your needs - A perfect solution for expanding the repertoire of training and junior brass bands. The Flexi-Collection currently offers two series - Popular Classics and World Tour. Based on four-part harmony, these collections provide groups with the advantage of complete flexibility when they may not be balanced. If players or instruments are missing, the show can still go on!The Flexi-Collection - Popular Classics Series, encapsulates all that is great about the wonderful range of musical styles produced by Holst, Elgar, Handel, Verdi, Tchaikovsky, Grieg, Bizet and Parry.The thoughtful scoring and arranging by Andrew Duncan now means that groups of all abilities have access to a truly flexible set of music for their needs. With world parts, rudimentary theory, terminology translations and large format typesetting, The Flexi-Collection ticks all the boxes when it comes to bringing interesting music to the training and junior band/brass group environment.Available individually or as part of the money-saving Flexi-Collection Popular ClassicsAlbum.Scored for Brass Band and supplied with additional Easy Bb, Easy Eb and world parts - The Flexi-Collection offers flexibility in every sense of the word.
In Stock: Estimated dispatch 3-5 working days
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£33.62'Mid all the traffic (Brass Band) Traditional arr. Andy Wareham
This stunning arrangement by British composer Andy Wareham is of the popular hymn 'Mid all the Traffic, which marries the North-American folksong Shenandoah set to lyrics by English journalist, novelist and poet William Arthur Dunkerley (written under the pseudonym of 'John Oxenham'). The hymn is very well-regarded in both the Salvation Army and wider brass band movement thanks to a popular arrangement by renowned Salvationist composer Leonard Ballantine. The arranger writes: 'This setting of 'Mid All The Traffic was originally composed during the Covid-19 pandemic as an octet arrangement for single instrument. My hope was to create an arrangement that offers an alternative view on harmony and could be multi-track recorded; allowing performers to give, and share, a performance whilst in isolation. The music was written in dedication to all of the 'key-workers' in the UK, especially in the NHS, who worked tirelessly throughout difficult conditions during the Covid-19 pandemic.' To view a follow-the-score video of the work please visit https://www.youtube.com/watch?v=naajvdsg9Wo PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 3rd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone 1st Euphonium Bb 2nd Euphonium Bb Bass Eb Bass Bb Bass Drum Suspended Cymbal
In Stock: Estimated dispatch 1-3 working days
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£37.35World War III (Brass Band) Joe Galuszka
This descriptive work for brass band by Joe Galuszka depicts the horrors of war. War is all around us. Every day, another life is lost. Myanmar, Sudan, Ethiopia, Ukraine, Colombia, Afghanistan, Somalia, Syria and Yemen. As time goes on, more and more countries are brought to the end of what is a diplomatic struggle - in where war seems to be the only option. 'War! Terror! Panic! captures the tumultuous and relentless nature of war. With driving rhythms, aggressive brass fanfares, and thundering percussion, the listener is immersed in the chaos of battle. Dissonance and clashing harmonies depict the discord that pervades war and takes us on a journey through the terror and panic that comes with the brutality of conflict. Remembrance (For Those That We Have Lost) provides a poignant and reflective interlude, allowing the audience to contemplate the human cost of war. Mournful melodies and expressive solos for trombone, euphonium and glockenspiel, convey the depth of sorrow and loss, serving as a powerful reminder of the toll war takes on individuals and communities. The final movement, Hymn for Peace and Hope is a testament to the enduring human spirit and the yearning for harmony - dissonance and conflict gradually give way to consonance and resolution. We celebrate the human capacity for unity and the triumph of peace over strife, as we imagine a world at piece. To listen to an audio demo of the work please visit https://on.soundcloud.com/Udt1AWRThgwuWnQv5 Duration: Approx. 5.00 mins Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk (UK) or https://satradecentral.org (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£82.19All Tuned Up - 120 Famous Tunes for All Occasions (Brass Band Set - A5) PDFs
This unique new resource from BrookWright Music will be an essential part of every band's library! All Tuned Up is designed to cater for ensembles for occasions throughout the year. Tunes are drawn from genres including Classical, Hymns, Folk and Patriotic amongst many others to form a comprehensive book that will cover a wide variety of events such as Weddings, Funerals, Graduation Ceremonies, Parties, Proms, Remembrance, Street Playing and Thanksgiving. Playable by as few as five players but also designed to work for full brass band or wind band, it features flexible parts in a wide variety of transpositions. These excellent arrangements have been expertly created by Andrew Wainwright, David E. Jones, Dean H. Jones and Steven Ponsford. The general harmonic format of All Tuned Up is in five parts, although additional notes have been included to thicken the harmony where more players are available. Therefore, the book will work equally well with larger groups, including full brass bands and wind bands. To view a promotional video please visit www.youtube.com/watch?v=nmodRrXQRRs At the end of the Part 1 Bb book are four a capela tunes for Remembrance/Memorial occasions. This PDF download is for International sizes: Full Score - A4 Size - 297mm x 210mm Band Parts - A5 Size - 210mm x 148mm Physical copies of the books available from: UK - Individual Books Full Set Brass Band Set USA - www.solidbrassmusic.com/product/all-tuned-up-ensemble-books The Brass Band set includes: Full Score Part 1 Eb (optional) - Soprano Cornet Eb Part 1 Bb - Cornet Bb, Flugel Part 2 Bb - Cornet Bb, Flugel Part 2 Eb - Tenor Horn Part 3 Bb - Baritone, Trombone, Euphonium Part 3 Eb - Tenor Horn Part 4 Bb - Euphonium, Baritone Part 5 C (Bass Clef) - Bass Trombone Part 5 Eb - Bass Eb Part 5 Bb - Bass Bb Percussion (optional) - Various
In Stock: Estimated dispatch 1-3 working days
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£82.19
All Tuned Up - 120 Famous Tunes for All Occasions (Brass Band Set-US Sizes) PDFs
This unique new resource from BrookWright Music will be an essential part of every band's library! All Tuned Up is designed to cater for ensembles for occasions throughout the year. Tunes are drawn from genres including Classical, Hymns, Folk and Patriotic amongst many others to form a comprehensive book that will cover a wide variety of events such as Weddings, Funerals, Graduation Ceremonies, Parties, Proms, Remembrance, Street Playing and Thanksgiving. Playable by as few as five players but also designed to work for full brass band or wind band, it features flexible parts in a wide variety of transpositions. These excellent arrangements have been expertly created by Andrew Wainwright, David E. Jones, Dean H. Jones and Steven Ponsford. The general harmonic format of All Tuned Up is in five parts, although additional notes have been included to thicken the harmony where more players are available. Therefore, the book will work equally well with larger groups, including full brass bands and wind bands. To view a promotional video please visit www.youtube.com/watch?v=nmodRrXQRRs At the end of the Part 1 Bb book are four a capela tunes for Remembrance/Memorial occasions. This PDF download is for US sizes: Full Score - Letter Size - 11" x 8.5" Band Parts - 7" x 5" Physical copies of the books available from: UK - Individual Books Full Set Brass Band Set USA - www.solidbrassmusic.com/product/all-tuned-up-ensemble-books The Brass Band set includes: Full Score Part 1 Eb (optional) - Soprano Cornet Eb Part 1 Bb - Cornet Bb, Flugel Part 2 Bb - Cornet Bb, Flugel Part 2 Eb - Tenor Horn Part 3 Bb - Baritone, Trombone, Euphonium Part 3 Eb - Tenor Horn Part 4 Bb - Euphonium, Baritone Part 5 C (Bass Clef) - Bass Trombone Part 5 Eb - Bass Eb Part 5 Bb - Bass Bb Percussion (optional) - Various
In Stock: Estimated dispatch 1-3 working days
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£29.95
ARMY OF GOD (Brass Band Set) - Emil Soderstrom
This march was awarded first prize in the 1930 American Golden Jubilee National Music Competition and was published the same year in the first edition of the American Festival Series. It was subsequently re-printed in the General Series of 1984. Soderstrom's imaginative use of syncopation and chromatic harmony brought a new, American sound to the Salvation Army march. For example, he took the old Salvation Army fight song Hark, hark my soul written and changes its metre from 6/8 to 4/4 while also syncopating it!
Estimated dispatch 7-14 working days
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£33.62The Red Kite (Euphonium Solo with Brass Band) Rob Wiffin
At one time the Red Kite was close to national extinction in the UK, but now it is possible to admire this distinctive bird of prey with its red colouring and forked tail, gracefully soaring through the sky. This solo, composed for Martin Smith, captures that feeling, with the euphonium gliding solitary and effortlessly, occasionally swooping down before reclaiming its high altitude. To create the desired atmosphere, root position chords are kept to a minimum, with added notes enhancing the feeling of floating and giving the harmony subtle colour. The harmonic rhythm is slow, but the movement shifts in the way the Red Kite makes slight changes of direction with minor adjustments of its tail, leaving the soloist free to sing with a sense of grace and freedom above the accompaniment. Audio demo: https://soundcloud.com/user-565396545/the-red-kite-euphonium-solo Duration: Approx. 3.45 minutes Difficulty Level (Band): Easy Soloist: Medium This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)
In Stock: Estimated dispatch 1-3 working days
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£59.77Diversions on Sine Nomine (Brass Band) Vaughan Williams arr. Mark Ford
Diversions on Sine Nomine is a substantial concert work for brass band, derived entirely from Ralph Vaughan Williams' celebrated hymn tune For All the Saints. Rather than a conventional set of variations, the work unfolds as a sequence of contrasting diversions, each reimagining aspects of the melody's character, harmony, and rhythmic potential. The opening establishes the noble and timeless quality of Sine Nomine before leading into episodes that explore a wide expressive range - from reflective and lyrical writing to passages of rhythmic energy and grandeur. Fragments of the hymn are continually transformed and re-contextualised, allowing the music to progress with clarity and purpose while maintaining a strong sense of structural coherence. Scored specifically with 3rd and 4th Section bands in mind, the work combines musical substance with practical playability. Idiomatic brass writing, transparent textures, and effective use of traditional band colours ensure musical impact without excessive technical demand. The final section brings the work to a broad and affirmative conclusion, reaffirming the dignity and enduring strength of Vaughan Williams' original melody. To view a rolling score video of the work please visit www.youtube.com/watch?v=Sth69ate-Cs Duration: 11.00 minutes Difficulty Level: 4th Section + This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org(USA) Instrumentation: Soprano Cornet Eb Solo Cornet 1&2 Bb Solo Cornet 3&4 Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2 Tuned Percussion
In Stock: Estimated dispatch 1-3 working days
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£44.95Princethorpe Variations (Brass Band - Score and Parts) - Downie, Kenneth
Colourful harmony, rhythmic flair and melodic invention are the hallmarks of this excellent set of variations by Kenneth Downie, based on the well known church tune, Princethorpe.This major work demonstrates the well-known characteristics of the composer: colourful harmony, rhythmic flair and melodic invention, all encapsulated in scoring which is engulfing both to players and listeners alike. Following a presentation of the theme there are five variations culminating in what can be described as either a finale or coda.Theme. The composer shows his originality in the harmonic sense of this introduction. Perhaps it could be suggested that over-indulgence of rubato may be a temptation to be avoided.Sections A to F. Relentless rhythmic drive is of paramount importance in this first variation. Conscientious observance of dynamics is of course an essential requirement in conveying the exciting quality of the music; there are moments of sudden contrast of which all will need to be aware. Moving between the time-signatures of 5/4 and 6/4 these sections are built from strong easily-identifiable fragments of the theme. These is a significant increase in temp at letter F which will further the exciting impact of the music.Sections G & H. In a pastorale style this short, gentle variation affords a contrast in style between the previous and succeeding ones. The gentle undulating character of the melodic lines is governed by the Allegretto grazioso directive.Sections I to M. Commencing two bars before letter I the music is now exuberant and the tempo and style is that of a march in compound time. In this exhilarating movement there are moments of contrast and indeed of delicacy which are a foil to the more energetic moments. Rhythmic control will be essential to maintain a consistent tempo. As elsewhere in the work, the percussion section will contribute much to the success of the performance there are bars where this section alone is heard and there are important entries for glockenspiel.Sections N & O. With emotional content this Adagio variation has the first two notes of the melody as its melodic impetus. Apart from just over two bars at O (where there is an interpolatory phrase from Cornets and Trombones), the melodic line is entrusted to the plaintive sounds of the horn section. Cornets and Trombones provide a change of tone colour at the beginning of section O. Under a poco rall, this very expressive variation is concluded; there is an important link supplied by Eb Bass.Sections P & Q. A lively march-tempo is launched immediately and these sections are in the nature of an introduction to the final variations. There is a quickening of pace at Q which assists the generation of excitement which should be an essential part of the performance. Solo Cornets introduce a melodic line at Q which anticipates the compound time of the following section.Sections R & S. The Solo Cornet theme of the previous section is now a contrapuntal line accompanying the theme tune. With an elongation of the notes in the melody, the conductor will need to call on the sustaining powers of the band and at no time should the interesting accompanying lines be allowed to detract from the sonorous presentation of the basic theme.Sections T, U & V. Following a poco rit, the finale begins at letter T with the directive, molto vivace. There is much detail to be rehearsed, not least being the dynamic contrasts which are encountered. As throughout the work, the listener should have no difficulty in identifying the thematic sources of the composer's music.
Estimated dispatch 7-14 working days
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