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£37.40Candle in the Wind - Elton John - Don Campbell
Candle in the Wind, the song Elton John origainlly wrote and dedicated to Marilyn Monroe, achieved worldwid fame when a special version was played at the funeral of Princess Diana. This arrangement by Don Campbell retains all the beuty of the original and will fit into any concert programme.
Estimated delivery 10-14 days
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£37.40Veni Immanuel - Philip Sparke
The Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries. The words are based on a 9th century antiphon and the tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo cornet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.
Estimated delivery 10-14 days
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£108.80Spiriti - Thomas Doss
A Bach chorale stands at the centre of this work (Fur deinen Thron tret ich hiermit).Anton Bruckner was one of Johann Sebastian Bach's great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner's spirit that always seemed to be with him while working on Spiriti. Bruckner's spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tutti passages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ.
Estimated delivery 10-14 days
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£37.40David of the White Rock - Philip Sparke
This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for brass band retains all the beauty and simplicity of the original.
Estimated delivery 10-14 days
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£25.46
MEMORY - Stuart Pullin
This piece was written originally as the middle movement of a short suite for brass band, called Musings. The inspiration for the piece came from the death of a fellow player in a motorcycle accident aged only 25, and the feelings generated following his funeral.
In stock: Estimated delivery 1-2 days
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£21.21
Gippsland - Alex F. Lithgow - John Dutton
Alexander Frame Lithgow (1870 – 1929) was a Scottish-born, New Zealand and Australian based composer and bandleader, known as the "Sousa of the Antipodes".In 1876, the Lithgows emigrated to Invercargill, New Zealand. After initially having cornet lessons from his father, Alex joined the Invercargill Garrison Band at the age of 11, and progressed to principal cornet by the time he was 16.At the age of 17 his first composition, Wairoa, was published, and so began a productive life of composition, including approximately 200 marches, as well as numerous pieces for band, orchestra, piano and voice.He died in 1929 a few months short of his 60th birthday and at his funeral, massed bands played one of his most famous marches, The Invercargill.
Estimated delivery 3-5 days
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£25.46Highland Cathedral - Ulrich Roever & Michael Korb - Simon Kerwin
This lovely melody was composed by two German musicians who tried to emulate the popularity of the famous Scottish tune 'Amazing Grace'. The piece was an instant success and achieved a substantial degree of popularity after it was featured in the film, Four Weddings and a Funeral.It is usually performed with just pipes and drums, however this arrangement succeeds in joining this traditional classical melody, with a steady drum beat, and flowing contrapuntal descants and harmonies to create an epic opus.The arrangement was made for a performance in the Gala Concert in the Albert Hall, London, when it was performed by the Scottish Brass Band Champions, Scottish Co-op Band.The arrangement is functional with or without Bagpipes.
Estimated delivery 3-5 days
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£42.46Purcell Variants - Peter Meechan
Purcell Variants was composed for the Black Dyke Band, and is dedicated to their musical director, Nicholas Childs. It was first performed by the Black Dyke Band on 4th September 2004 at the Bridgewater Hall, Manchester.The work is based on Purcell's Queen Mary's Funeral Music, and is divided into three contrasting movements; I - Introduction; II - Elegy; III - Finale.
Estimated delivery 3-5 days
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£21.21
DAVID OF THE WHITE ROCK (Cornet Solo with Brass Band Set) - Ray Bowes
This melody is reputed to have originated in Caernarvonshire, North Wales. Tradition holds that a bard called David, lying on his deathbed, called for his harp and performed this plaintive tune, expressing a desire that it should be played at his funeral. Ever since the tune has been called by his name and that of his house 'Garagwen' ('Druid Stone' or 'White Rock'). The solo is not just a slow melody with brass band accompaniment but is a composite whole, the band needing as much sensitivity as the soloist in the presentation.
Estimated delivery 12-14 days
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£101.15
Images of the Millennium - Full 2 Band Version - H. Snell
Richard Evans' request was that the work should mirror aspects of the history of banding while also looking forward. 1. FANFARE. In this movement the work is introduced.2. TOCCATA: CONTEST DAY. The gathering together of players and audience for a contest day is treated in a busy, sometimes jazzy manner.3. PASTORALE: 'A GREEN AND PLEASANT LAND'. Looking back to the third and fourth decades of the nineteenth century and the rapid birth of brass bands and banding, this short Intermezzo invokes the popular picture postcard view of the past. Images of warfare appear briefly as a reminiscence of Britain's continuing military domination of the world, with Trafalgar and Waterloo still echoing on the horizon.4. MUSIC FOR A SILENT FILM: AN OLD MAN REMEMBERS PETERLOO. The reality of 'England's green and pleasant land' was somewhat different. On August 19th 1819 the Stalybridge Band was playing at a political meeting in St Peter's Fields in Manchester, later to become the site of the Free Trade Hall. The local Magistrate, sent in the cavalry. Shots were fired into the crowd, 11 people were killed and 500 injured. I present the scenes as followsthe holiday crowd in St Peter's Field entertained by the Band the unprovoked attack by the militia the flight from St Peter's Fieldthe funeral wake the lament5. SCHERZO: THE CRYSTAL PALACE. Only a few decades later brass bands were regular visitors to the greatest concert halls in the country. I see the Bands and their followers descending on London in trains and charabancs. 6. DREAM-NOCTURNE. As if in a trance, an unending musical line is passed around the ensemble to celebrate the players who possessed, and still possess, the sound and phrasing to enthrall the listener.7. ODYSSEY. The way forward now beckons. The music passes through conflict, struggle and turmoil on its way to release, resolution and finally to triumph.
Estimated delivery 10-14 days
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