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  • £48.00

    God Put a Smile Upon Your Face

    'God Put a Smile Upon Your Face' was written by all members of the band Coldplay for their second studio album 'A Rush of Blood to the Head'. Coldplay vocalist Chris Martin said: "The song came out of playing live and wanting to have something with a bit more bounce". The chart was originally released in 2003 to critical aclaim. In 2007 Mark Ronson covered the song on his album 'Version' - it is this version this arrangement is based upon. The following arrangement was devised as a concert opener - written as such to allow different sections of the band to make their way to the stage one at a time. The suggested stage entry directions for this arrangement are: Percussion > Basses > Trombones > Horns & Baritones > Cornets & Euphonium. Kit and percussion parts are written as a guide - please feel free to add and subtract as the MD sees fit. DUE TO COPYRIGHT LAW THIS WORK IS NOT AVAILABLE IN AUSTRALIA OR NEW ZEALAND

    In stock: Estimated delivery 1-2 days
  • £25.00 £25.00
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    Equinox (Trombone Solo) - Andrew Stevenson

    Equinox was written for Ryan Watkins, the principal trombone of the Brighouse and Rastrick Band. The piece starts with a lullaby, led by the melody of the trombone. However, it is not always a gentle scene; towards the middle of the piece the music creates a haunting atmosphere before building to a triumphant climax. The music then settles back down into a peaceful setting. The use of tuned percussion creates a dreamy feel to the music. In essence Equinox depicts the balance between dreams and reality while you drift to sleep, the different emotions of the dreams themselves and the peaceful, undisturbed sleep in between.

  • £15.00 £15.00
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    Quintessence (Brass Quintet) - Andrew Stevenson

    Quintessence was originally written for the Quintessence Recorder Quintet in 2012, but was rescored for brass quintet shortly after. The piece is in 5 small, continuous movements:The first movement is a flowing opening with each instrument joining one at a time. The basis of the first movement is made up of mini motifs that feature elsewhere in the piece too. The second movement is a lilting fugue in a baroque style. The main melody gets transferred from player to player throughout the movement, and should be the main focal point whenever it occurs.The third movement is a gentle hymn-like passage, with the horn carrying most of the melody through the movement. The movement builds to a climatic key change before calming down once more to a soft close.The fourth movement is based on another motivic statement. This light hearted movement is tricky in places but should always feel energetic and delicate.The fifth movement is a combination of ideas from the previous movements all culminating into an exciting finale.

  • £20.00 £20.00
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    Summer Waltz (Training Band) - Andrew Stevenson

    Summer Waltz was written in 2010 for the newly formed Thurcroft Training Band. The piece was essentially written to expand the range of repertoire for the band. There is a recurring melody for the players to latch onto and a strong waltz feel throughout. I have tried to incorporate lots of different techniques and articulations into 'Summer Waltz' to give the players opportunities to practice basic techniques within a band situation. Even though it is quite challenging, the piece is manageable by beginners.Thurcroft Training Band recorded 'Summer Waltz' to go on Thurcroft Welfare Band's CD 'Best of British' which is available off their website: http://www.thurcroftwelfareband.co.uk

  • £74.95

    Amundsen - Jonathan Bates

    DURATION: 14'00". DIFFICULTY: 1st+. 'Amundsen' was commissioned by rskog Brass, Norway for their winning performance at the 2020 Norwegian National Championships held at the Grieghallen in Bergen. In December 1911, Norwegian Roald Amundsen gained global fame by becoming the first explorer to lead a team to the geographic South Pole. Amundsen and 4 other members of his team arrived 5 weeks ahead of a rival team from the UK led by Robert Falcon Scott, all of which perished on their attempted return from the pole. Initially when Amundsen's team set out in 1910, they were under the impression that they would be making the far shorter journey to the arctic drift to attempt to reach the North Pole, but Amundsen had received news that American explorers Peary and Cook had beaten them to this goal, and so Amundsen's focus changed southward. 'Fram, Forward' - 'Fram' (translating to English as "forward") was the name of the ship Amundsen used for this particular polar expedition. Amundsen had only informed 2 people of his real intentions of conquering the South Pole when the ship first left port in Kristiansand before heading south to the Portuguese island of Madeira in the Atlantic Ocean. After weeks at sea - causing the uninformed members of the crew to raise a number of questions and produce a general feel of uncertainty and low spirits - it was here that Amundsen announced his true plans to the rest of his crew. They were asked whether they wished to continue with their expedition, to which all - some begrudgingly - agreed to sail on to the South Pole, through the great Ice Barrier before docking in the Bay of Whales on the Ross Ice Shelf. 'Ross Ice Shelf' - Upon Amundsen's arrival in the Bay of Whales, the team were greeted by the sight of the enormous ice plateau's and glaciers, towering into the Antarctic sky. In 1907, Ernest Shackleton had attempted - and failed - to reach the South Pole, but his route and mapping was by now well documented. Scott and the UK team were to follow this route, whereas Amundsen and his men forged their own way to the pole through unchartered territory and deadly terrain littered with deep crevasses and canyons. The music here though, is a picture of tranquility. The eerie silence of total emptiness with only the heavy snow falling around Amundsen as Fram and the Bay of Whales disappears into the distance, faced by the maginute of the expedition ahead. 'Advance to Polheim' - The first new challenge Amundsen discovered on this route was a rough, sharp and extremely steep glacier (which was later named the Axel heiberg Glacier after the Norwegian monarch who funded much of the expedition), which would take his team up from sea level to an altitude of over 9,000ft in just 20 miles, with most of this over just 7 miles. Once scaled, only the vast Antarctic Plateau stood between Amundsen and the pole. Here the race began, with only one aim - victory for himself, his team, and for the whole of Norway. .

    In stock: Estimated delivery 1-2 days
  • £72.00

    Dalstroka innafor - Tone Hulbaekmo - Elisabeth Vannebo

    An old weather forecast on the Norwegian radio inspired Tone Hulbaekmo to write this song.Folk musician and composer Tone Hulbaekmo comes from Tolga, a small place in Norway. She have toured worldwide and many of her CD-released have received great acclaim both from the audiences and critics. Some of them have also won "Spellemannsprisen", the Norwegian equivalent to the Grammy award.Valleys Beyond is a Norwegian folk music style named "reinlender". It has to be played with a light swinging feel.

    Estimated delivery 12-14 days
  • £34.95

    Olympiada - Samuel Hazo - Jonathan Bates

    Olympiada was written to capture the human conditions of intense glory and pain that only the Olympic Games can inspire, while musically tying themes with a historic Greek feel to modern chord changes and melodies. It opens with an Olympic style fanfare to set the tone, and quickly breaks into a variety of themes and settings representing athletic struggle before recapitulating the fanfare at the end.In its simplest analysis, the piece can be translated as a tone poem of a race with the final fanfare signifying the sense of global unity, brought about for athleticism, which is the fundamental doctrine of the Olympic Games.

    Estimated delivery 3-5 days
  • £34.95

    Overture on America - Jonathan Bates

    This Overture is based on the patriotic American song America (My Country 'Tis of Thee). It is very much a ‘messed up' take on the song, and goes as wildly different from the well-known original as possible.Much of the piece is written in a deep ethereal funk in 13/16, before a heavy, grungy half-time feel section featuring the euphonium and baritone - with the tune still dominating the harmonic structure of the accompaniment.

    Estimated delivery 3-5 days
  • £24.95

    YOU KNOW THAT WE LOVE YOU! (Trombone Feature with Brass Band Set) - Kenneth Downie

    First published for SATB choir in 1983, the majestic feel of the melody gave the arranger the idea of featuring it for trombones, demonstrating the tender qualities of the section.

    Estimated delivery 12-14 days
  • £53.00

    Alladale (Flugel, Horn and Baritone Trio with Brass Band - Score and Parts) - Sparke, Philip

    The River Alladale provides the inspiration for this lyrical piece which has a lilting melody with an unmistakeable Scottish feel. The trio of Flugel Horn, Tenor Horn and Baritone provide a wonderful sense of flowing with the river which, as the piece progresses, broadens and grows stronger as it nears the outlet to the sea by the Summer Isles. Bring a touch of Scots magic to your concert with this delightful piece.Duration: 5:45

    Estimated delivery 12-14 days

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