Results
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£59.99Into The Sky - Stephen Bulla
This music is a fanfare prelude that is designed to open concert programs with an impressive display of brass fireworks. It features every section of the band and reflects a modern spin on the style of the great Strauss fanfares for brass from the past.
Estimated dispatch 5-14 working days
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£64.99Music From Dinosaur - James Newton Howard
This stunning animated movie from Walt Disney features a wealth of musical styles. Contains Aladar and Neeva, Breakout and Epilogue.
Estimated dispatch 5-14 working days
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£59.99Entry of the Celts - Bertrand Moren
Entry of the Celts is a delightful light concert opener. As its title implies, this work features Celtic-inspired music. All the instruments in the band are given the opportunity to display their most beautiful sound colours: from the bass section to the cornets, via the tenor horns, euphoniums/baritones and trombones. Each section plays a solo passage, accompanied by percussion instruments. The solo for soprano cornet leads to a sparkling and impressive finale. A wonderful Celtic work that will enchant and delight your audiences.
Estimated dispatch 5-14 working days
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£57.50Meditation - Hans Leo Hassler
This timeless melody by Hans Leo Hassler (1564-1612), is now chiefly remembered because of its inclusion in J S Bach's St. Matthew Passion, (hence its title) where it is treated to a variety of rich harmonisations. It is mostly sung to Paulus Gerhardt's words, O Sacred head! sore wounded.This setting features the flugel and horns, who first play a lyrical descant to the famous hymn tune and then the melody itself, against a Bach-like obbligato in the accompaniment.
Estimated dispatch 5-14 working days
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£74.99
Suite for Brass - Stephen Bulla
Suite for Brass features three colourful chorales arranged for brass band. Following a brilliant version of O Worship the Lord, Amazing Grace is introduced. This is followed by How Firm a Foundation, arranged in a march style, which brings the work to a thrilling climax.
Estimated dispatch 5-14 working days
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£50.00Cartoon Classics
In Cartoon Classics, Andrew Duncan has brought together four classic cartoon themes in one medley that will be a sure-fire hit with audiences everywhere. It features the Looney Tunes Theme (Merrily We RollAlong), The Pink Panther, The Flintstones and The Simpsons. Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 4 minutes
Estimated dispatch 5-14 working days
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£74.99New Horizons - Al Govan
An attractive journey piece written to be played by youth bands which features the percussion section. Een aantrekkelijk werk, met de hoofdrol voor de slagwerksectie!
Estimated dispatch 5-14 working days
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£69.99
Variations on a Shaped Note Melody - James Curnow
Based on the American 'shaped-note' melody Saints Bound for Heaven, Variations on a Shaped Note Melody by James Curnow captures a feeling of joyful celebration through a series of unique and skilfully adapted variations. The opening strains are actually fragments of the first variation and occur before the main tune is introduced by low brass. The second variation features a euphonium solo and builds to a glorious climax with the full ensemble. The final variation is joyful and filled with energy, using flourishes and fanfares throughout the band for a grand conclusion to this marvellous work.
Estimated dispatch 5-14 working days
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£80.00St. Magnus - Kenneth Downie
Dedicated to Alastair Massey, an inspirational music teacher. Commissioned by the Scottish Brass Band Association for the 2004 European Brass Band Championships in Glasgow. This music is a set of variations on the tune known as St Magnus, which is attributed to Jeremiah Clarke. Most people will associate it with Thomas Kelly's hymn which begins: "The Head that once was crowned with thorns is crowned with glory now". The tune is very simple, consisting of just two, four-bar phrases. Neither is there much in the way of rhythmic variety, every note being a crotchet with the exception of two quavers, and the last note in each phrase. Within such a simple structure, however, lies considerable strength. THEME The listener is given the opportunity of hearing it twice, in full, at the beginning, starting with one player but soon taken up by the full ensemble. It returns in the middle of the music and is stated again near the end. This has been done quite deliberately in the hope that there will be an appreciation of what material is being developed, by the listener as well as by those with access to the score, who are able to see the visual connections. VARIATION 1 This takes the rhythm of the last part of the theme and also uses the shape of the opening as a recurring figure. The mood is whimsical and skittish, with short, teasing rhythmic figures tossed around the band, and quick interplay with percussion, at a fast tempo. An energetic flourish finishes this variation before the Andante espress. VARIATION 2 This commences with chords related to the opening of Variation 1. The cantabile on solo comets establishes a new, lyrical mood and there is scope for expressive playing in a series of short solo passages. The theme works its way unobtrusively into the texture before a reprise of the solo cornet melody and some more lyrical interchanges between Eb bass, euphonium, flugel horn and comets. The variation ends serenely with clear references to the last phrase of the theme. VARIATION 3 The first idea to dominate is clearly linked to the shape of the theme's first phrase. There is a frenetic feel to much of this variation, with considerable energy and instability created by extensive use of cross-rhythms. A thinning-out of the score marks a clear change to development of the start of the second phrase of the theme. This proves to be short-lived however, and the opening material returns leading to a restatement of the theme, "Maestoso," after which a euphonium cadenza links to Variation 4. VARIATION 4 Here we have some solos for euphonium, cornet, trombone and Eb bass set against a background of horns and baritones presenting a pensive statement of the theme's opening. VARIATION 5 This commences Allegro, with lively work for cornet and euphonium spreading to the whole band before attention focuses on the beginning of the second phrase of the theme which is initially presented in diminution, then in regular rhythm, then in inversion. An increase in tempo coupled with a decrease in volume, requires dexterity and control, with several metrical challenges thrown in for good measure. The same fragment of phrase becomes an ostinato which generates a frenzied climax, punctuated by short, dramatic silence, before the opening figure returns and the music gradually winds down. The tubular bells herald the final return of the theme, in augmentation, marking the start of the Finale. FINALE This features the running semiquavers of the previous variation sounding in counterpoint. A fast, furious coda speeds the work to a conclusion while references to the opening of the theme are still trying to break into the texture of the music. Kenneth Downie
Estimated dispatch 5-14 working days
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£90.30En bitte liten funklende stjerne - Numme
This song written by Yngvar Numme and Benny Borg was made popular by Norwegian group Dizzie Tunes on one of their Christmas-albums. This arrangement is based on the Dizzie Tunes version and features the original solo for trumpet or cornet. The Drum Set part is optional so one can perform the arrangement without this part.
Estimated dispatch 5-14 working days
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