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  • £24.95

    One Day - Paul Lovatt-Cooper

    One Day was commissioned by Celia Barnes in the memory of her late partner Dave Dumolo. When Dave died suddenly aged 57 Celia wanted a living memory of Dave who was a big brass band fan. Celia wanted a concert piece that featured the flugelhorn and contacted Paul Lovatt-Cooper about composing the piece for her.Paul says "The flugelhorn is a great instrument for performing in both a classical and jazz style. It is the latter that I decided to compose this piece in the style of. I am very much a fan of the music of Pat Methany who is famous for his easy listening jazz styles. One Day follows in the footsteps of Pat Methany's music."

    Estimated delivery 3-5 days
  • £24.95

    One Day - Paul Lovatt-Cooper

    One Day was commissioned by Celia Barnes in memory of her late partner, Dave Dumolo who died suddenly aged 57. Dave was a big fan of brass bands and the composer was pleased to meet the request for a concert work featuring the flugel horn.

    Estimated delivery 12-14 days
  • £29.95

    Song for the Skies - Paul Lovatt-Cooper

    Song for the Skies was commissioned by Tuba virtuoso Les Neish and was given its world premier on the December 9th 2010 with the James Madison University Brass Band in Harrisonburg, Virginia, USA.Les asked me to compose a slow melody that highlights the wonderful sonorous sound of the Tuba. I am a big fan of Les and of the instrument and knowing the capabilities of Les as a soloist I wanted to experiment with the range and colour of the instrument in this solo.After a warm introduction from the ensemble the soloist enters almost timeless over the muted cornets. The melody when it is first heard has a somewhat haunting Celtic feel to it. It is intentionally marked as con rubato so that the soloist can really put their own musical stamp on the music. As the haunting melody repeats again this time in a change of key the accompaniment takes more of a role within the piece of music performing counter melodies within this second section.The middle of the piece introduces a new secondary melodic device that serves as an introduction to the original melody played in all its glory by the ensemble. This dies away to leave the second half of the melody in the euphoniums and baritones as the soloist plays a soaring counter melody in the highest register of the instrument.The piece starts to return home with a recapitulation of the introduction followed by the second part of the original melody by the soloist. After a momentary reflective solo from the soloist the introduction is used for a final time before the tuba guides us home to conclude.For the soloist, there are a number of occasions where the opportunity to play in the upper register of the instrument arises. However, I have also given the opportunity for the soloist to play various passages down the octave so it suits the performers playing style and range.Song for the Skies is very simple yet beautiful and I feel it suits the playing of the Eb Tuba perfectly. I hope you enjoy performing it.Paul Lovatt-Cooper

    Estimated delivery 12-14 days
  • £70.00

    Fire in the Sky - Peter Meechan

    Fire in the Sky takes its inspiration from the stunning town of Montreux in Switzerland. I was commissioned to write the work 5 days before I visited this Montreux and was at work forming ideas for the piece as I arrived on the shore of Lake Geneva and its amazing views of the Alps.Whilst the scenery is without doubt some of the most incredible views I have ever witnessed, it was the history of the town that set Fire in the Sky in motion. Whilst there, it occurred to me that many of my musical heroes had lived or performed there, and three of them in particular had a strong connection with the town. Miles Davis, Igor Stravinsky and Freddie Mercury graced Montreux - the large convention centre, where the famous summer jazz festival is held, named its two halls after Davis and Stravinsky, and there is a quite breathtaking statue of Mercury in the town too.Each musician also commemorates an anniversary in 2011, the year of the premiere of Fire in the Sky; it is 40 years since the death of Stravinsky and both Miles Davis and Freddie Mercury died in 1991, making it 20 years since their deaths. So it seemed fitting to write a piece that in some way acknowledges them, and is a kind of personal a??thanksa? for all they have given, and continue to give, me.The title comes from the famous Deep Purple song, Smoke on the Water - whose second line is a??Fire in the Skya? and is a reference to the night the towna??s casino was set alight by a Frank Zappa fan. The piece tries to recreate the atmosphere of that night, paint a picture of fire in the sky (and smoke on the water) and also uses small a??nuggetsa? of the music of my three greatest musical heroes, Miles Davis, Freddie Mercury and Igor Stravinsky.Fire in the Sky was commissioned by the Tomra Brass Band, Norway, and is dedicated to Stijn BerbeA? and Nick Ost - both of whom are connected with the band (teaching and conducting), and both have been close friends - personally and musicaly - for many years. I am indebted to them for the opportunity to write this piece.

    Estimated delivery 12-14 days

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  • £27.50

    Cossack Dance, A - Tschaikovsky, P.

    Tschaikovsky's operas are the least well-known part of his output, but contain a wealth of his finest music. If, like me, you are a fan of his music... I find almost everything he writes interesting in one way or another... you will enjoy this brilliant and spirited interlude from the opera Mazeppa.

    Estimated delivery 10-14 days
  • £43.00

    Fugatango (Brass Band - Score and Parts) - Waterman, Steve

    Composer and Internationally reknown jazz trumpeter Steve Waterman writes... "When Roger Argente approached me to write a composition for his Spanish flavoured brass project he made the suggestion that a Tango, although more Argentinian than Spanish, would fit in well with the overall concept. I have always been a very big fan of the music of Argentinian composer Astor Piazzolla and particularly the way that the Tango could be combined with jazz. A favourite recording of mine is of Piazzolla himself performing (on the bandoneon) with the jazz saxophonist Gerry Mulligan. As the composing progressed, a fugato also emerged hence the title Fugatango." Originally "Fugatango" featured a french horn improvised introduction section. This new brass band version allows the flugelhorn to enjoy the moment with a wonderful 8 bar solo section, now notated. Later in the work the solo trombone is given a solo section. Duration: 5.30. Suitable for 3rd Section Bands and above.

    Estimated delivery 12-14 days
  • £68.00

    Pacific Dreams (Brass Band - Score and Parts) - De Haan, Jacob

    Pacific Dreams describes the experience of Miguel, a travelling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this old colonial neighbourhood, he discovers a print of William DeShazos painting "Pacific Dreams" Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrow streets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters around Sydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan of Hawaiian music. Maybe he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir.With these ideas and his newly purchased print of "Pacific Dreams", he boards the Metro at Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose! Maestoso : Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, he wants to go away from this city. Away, to an exotic island in the Pacific.Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasising about Hawaii and Tahiti. Andante Lamentoso : In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his "Pacific Dreams". Allegro : Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is travelling on to Hawaii. Or is it home, where the bolero is playing? He is pulled back to reality by the skyline of Sydney.Duration: 9.15

    Estimated delivery 12-14 days

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  • £47.00

    Powerhouse (Brass Band - Score and Parts)

    The zany music of the Raymond Scott Quintette, originally recorded in the late 1930s, was a popular resource for the early Warner Bros. cartoons scored by Carl Stalling. Filled with surprise and humor, any fan of Bugs Bunny will recognize these unforgettable themes! 02:50

    Estimated delivery 12-14 days
  • £40.00

    Sgt. Pepper's Lonely Hearts Club Band (Brass Band - Score and Parts) - Lennon & McCartney - Harper, Philip

    Sgt. Pepper's Lonely Hearts Club Band is the most famous album by The Beatles, and perhaps of all time. When it came out in 1967 it was remarkable not only for its many great songs, but also because of the innovative recording techniques that were used on the record for the very first time, setting a new standard for many decades to come. Conductor, arranger and composer Philip Harper is a huge Beatles fan himself and had a great time creating this grade 4 arrangement!

    Estimated delivery 12-14 days

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  • £43.00 £43.00
    Buy from Superbrass

    Fugatango

    Composer and Internationally reknown jazz trumpeter Steve Waterman writes… “When Roger Argente approached me to write a composition for his Spanish flavoured brass project he made the suggestion that a Tango, although more Argentinian than Spanish, would fit in well with the overall concept. I have always been a very big fan of the music of Argentinian composer Astor Piazzolla and particularly the way that the Tango could be combined with jazz. A favourite recording of mine is of Piazzolla himself performing (on the bandoneon) with the jazz saxophonist Gerry Mulligan. As the composing progressed, a fugato also emerged hence the title Fugatango." Originally “Fugatango” featured a french horn improvised introduction section. This new brass band version allows the flugelhorn to enjoy the moment with a wonderful 8 bar solo section, now notated. Later in the work the solo trombone is given a solo section.Duration: 5:30 minutes.Percussion: 2 players playing drum kit and castanets. Grade 2: Moderately Easy 2nd and 3rd Section Bands